Until All Curses Are Lifted

Until All Curses Are Lifted is a 2019 young adult epic fantasy novel by Tim Frankovich. It was released in August of 2019 and published by Warpsteel Press. The author provided me with a free copy of the book in exchange for an honest review.

The novel takes place in a fantasy world where the law is imposed by magic. If a person breaks the law, they’re cursed in one way or another. The only exception to this rule are the reigning six Lords of the world, Antises, who figured out a way centuries ago to bypass that particular rule. The story follows two protagonists: Marshal and Seri. Marshal was born cursed as punishment for the crimes of his father. He discovers that he’s heir to immense magical power and this leads him to flee for his life because his half-brother wants the power for himself and hires an assassin to pursue him. No one has ever escaped a curse, but Marshal, his mother Aelia and another boy from their village named Victor, journey to lift Marshal’s curse so that he can truly be safe. Seri, meanwhile, wants to become the first female mage and the most powerful mage in history. The magic that holds Antises together is failing and no one knows why. While the ground itself shakes, someone starts murdering mages. In danger from all directions, Seri must learn how to use her unique abilities before everything falls apart. As both Marshal and Seri go on their respective journeys, neither knows they’re being watched from another realm.

Marshal might be the first main character of his kind that I’ve read. As explained above, Marshal is cursed due to the actions of his father. His curse is that he’s unable to communicate. He can’t speak, or make any type of sound, he can’t use a form of sign language and the only way he can get any information across is by nodding or shaking his head, and that’s only if he remembers what each gesture means. This means that, while the reader sees things from Marshal’s perspective through his narration and thoughts, we’re the only ones who know what he’s thinking, the other characters do not. Since he can’t speak, many characters believe he isn’t aware of what’s going on or doesn’t fully understand things happening around him, but he does, he just can’t express that. At the beginning of the novel, Aelia, Marshal’s mother, is the only person who seems to care about him. Everyone in the village, and the world at large, loathe people who are cursed, even children who were born that way. Aelia is the driving force behind Marshal’s story and one of the strongest, most complex characters I’ve read in a while. She doesn’t care where she has to go or what she has to do, she’s going to get Marshal’s curse lifted. At the same time, she’s never willing to tell anyone much about her plans, keeping things very close to her chest. Seri is the other main character and she is committed to not only being the first female mage, but also the greatest mage of all time. She arrives at Zes Sivas, where mages are trained, to learn magic as magic is causing the world to fall apart. Seri and her fellow acolytes are the highlights of the chapters taking place at Zes Sivas. They’re dripping with personality and agency. One of my favorite traits of Seri’s is how curious she is about what’s going on around her and how tenacious she is about finding answers. Everyone else just wants to stop the world from falling apart, while she wants to understand why it’s falling apart to begin with. There’s a whole host of other characters, both good and bad, that I enjoyed in this story, and it would take me forever to run through all of them. Frankovich did an excellent job writing interesting and unique characters.

One of my favorite aspects of this book is the way the alternating POVs is used to tell the story. Marshal’s journey shows the reader the world in the way an average person would see it. His group travels to different lands, meets people of different cultures and gives a more down-to-earth perspective of things. Seri’s story, meanwhile, reveals information about Antises in a broader sense. Through her studying magic, the reader learns how magic works in this world. Through Zes Sivas preparing for an annual ritual, the six different lands are explained, including current tensions between the lands. Seri and Marshal’s stories do overlap, but not until close to the end of the novel, which I liked because it gave both storylines a chance to breathe and develop without the plots contriving to bring them together. The story ends exactly where it needs to, and concludes enough of the story to be satisfying while providing the framework for the sequel, which according to the excerpt at the end, is titled Until All Bonds Are Broken.

This book surprised me. I feel like a lot of young adult fantasy, including young adult epic fantasy, tends to shy away from some of the more nitty-gritty aspects of life.  While there isn’t gratuitous violence, Until All Curses Are Lifted doesn’t shy away from it either. There’s a fair amount of violence, bloodshed and death. The same is true for discussions of sex and other topics some books like to gloss over or pretend don’t exist. While I found those aspects of the story refreshing, what really surprised me was the themes of this story and how deep some of those themes run. One of the major themes is about power and how it corrupts those who wield it when left unchecked. That theme isn’t uncommon, but here it’s shown, both literally and figuratively, and runs through multiple storylines, not just one. There’s also something to be said for its message about fear of the unknown or unfamiliar. All in all, I was pleasantly surprised by this book.

While I enjoyed Until All Curses Are Lifted, I do have some criticism to share. The pacing is a little strange. Obviously, a fight scene or scene with a lot of tension is going to feel more fast-paced than just two people talking, but there were parts of this story where the pacing of a scene didn’t make sense for what was happening within a scene. Likewise, the way the story is broken up into chapters felt weird to me. There were a few instances where two consecutive chapters could’ve been one single chapter instead. There are 430 pages in the book, and it’s 83 chapters when it could’ve been closer to around 50 if some of the chapters had been combined. I know it’s not a huge deal, but I did find that choice to be a little odd. While I enjoyed the story overall, and the ending, I do think there could’ve been a little bit more foreshadowing about some of the revelations at the end, but I can understand why Frankovich might be holding off until the sequel to delve into some of those things. I have some complaints about the novel, but they didn’t distract from my enjoyment of the book.

Until All Curses Are Lifted is a solid epic YA fantasy. The characters are well-written, the world is fascinating and the story is refreshing. I look forward to seeing more of it in the sequel when it’s released. I would recommend it to any epic fantasy fan, both teenagers and adults. It would be especially enjoyable for readers that like hybrid magic systems.

Rating: 3.9 stars

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Odriel's Heirs

Odriel's Heirs is a 2020 young adult high fantasy novel by Hayley Reese Chow. It is being self-published by the author and is scheduled for release on March 1, 2020. The e-book is currently available for pre-order on Amazon and you can purchase it here.  The author provided me with an advanced copy of the book in exchange for an honest review.

The novel's blurb reads as follows:  As the Dragon Heir, seventeen-year-old Kaia inherited the power of flame to protect her homeland from a godlike necromancer’s undead army. But after centuries of peace, the necromancer has faded to myth, and the Dragon Heir is feared by the people. Persecuted and cast out, Kaia struggles to embrace and control her seemingly useless gift while confined to her family’s farm. But when the necromancer’s undead terrorize the land once again, Kaia runs away to join the battle. With the help of her childhood rival, the handsome Shadow Heir, and a snarky, cursed cat, Kaia must figure out how to control both her fire and her confidence in time to save Okarria. If she fails, she will sacrifice her family, her new friends, and the enchanting world she has only just begun to see. And time is running out.

Before I discuss what I think of the story overall, I'd like to talk about the characters within the story. Kaia is the main character, and our point-of-view character, for the novel. I liked her character, I enjoyed her growth as a character from a girl who's unsure of herself and her powers to a confident and powerful fighter. She had fears and doubts and agency which made her story compelling. Even when she did things that frustrated me, it didn't make me stop liking the character, I just didn't like the choice she made. Best of all, she's a seventeen-year-old character that reads as being a seventeen-year-old. Along her journey, Kaia encounters, and the reader is introduced to, an array of colorful and interesting characters. There is Klaus, the Shadow Heir, and Kaia's childhood rival. At the beginning, he mostly serves as a foil to Kaia as she struggles to gain control. She's unsure of her abilities, while he's confident in his. She's optimistic while he's most pessimistic. Their relationship at the beginning can best be described as "playfully antagonistic"; they aren't friends but for the most part, their fighting isn't serious. Klaus is a well-rounded character in his own right, having needed to come to terms with his own abilities long before the current crisis arose. I liked Kaia and Klaus, but my favorite character by far is Gus, Kaia's ragehound, who serves as a quasi-therapy dog making sure that Kaia keeps her emotions in check. Because as the Dragon Heir, Kaia sometimes experiences something called Dragon Rage, which is pretty self-explanatory. Gus is a good boy and deserves nice things. There are a number of side characters that I could discuss, but it would take me a long time to say what I need to say about all of them. Overall, I liked the diversity with these characters. I liked the fact that characters didn't drop out of the story entirely after they served the initial purpose they seemed to have. I enjoyed the simplicity of the main villain, the necromancer Nifras, as well. He didn't have some complicated motivation where he thought he was doing the right thing. He wanted to use his Lost, the term for the undead in this world, to overrun the world and cover the planet in darkness. Villains that are evil, simply to be evil, are great when utilized properly and Chow did that here. This novel had excellent characters.

Now that I've finished gushing about the characters, let's talk about the story itself. Reading Odriel's Heirs, it's easy to see what works inspired this world and this story, and there's a great deal of variety within that pool. At the same time, while the author took inspiration from Tolkien and others, the story is its own and not an attempt to retread old grounds. I liked the world-building overall, in that there was some information given about specific groups and races, but not everything was spelled out. The reader was able to fill in the blanks and create their own vision of parts of this world. I enjoyed the plot of this novel because things escalated in a way that makes sense. Kaia leaves home to save a handful of people, which turns into needing to save a village and that snowballs into needing to save the world from the undead. The stakes keep getting raised, but they aren't going from very low stakes to extremely high stakes right away. I appreciated that all fight and battle scenes were giving an appropriate number of pages to take place. Short fight scenes didn't run as long as the battle that's going to have more lasting and widespread consequences which is exactly how it should be. Most stories have several plot twists, with some being smaller than others, and this story is no different. I don't spoil books as a rule, and I'm definitely not going to ruin the plot twists of a book that, at the time that I'm writing this, hasn't been released yet. What I will say is that the twist that happens towards the end of the book surprised me in the best way. I didn't see it coming, but on reflection, I could see the hints and pieces of foreshadowing that preceded it. Overall, the novel has a good, solid plot with some fun surprises thrown in.

One of my favorite parts of this book relates to Kaia's character arc, but I wanted to discuss it on its own. That is the focus on problems Kaia faces due to her being the Dragon Heir. Inwardly, there's a great deal of self-doubt and struggle she faces with her role as the Dragon Heir. In-universe it's explained that only the first-born child of the Dragon Heir will inherit his or her parent's gift. Kaia's father is the Dragon Heir and she is also the Dragon Heir because she was born six minutes before her twin brother. One of her biggest struggles is dealing with the fact that, maybe, her brother should be the one with this gift. She wonders if she's going to be enough to stop Nifras. Is she able to live up to the destiny she's supposed to fulfill? At the beginning of the story, she's not sure that she can. She messes up, she fails and she has to learn not only how to use her gifts, but why she's meant to be the Dragon Heir. Aside from Kaia's inner struggle, there's also a degree of outer conflict around her gifts. Normal people are scared of Kaia, scared of what she can do. Even as a child, people were wary and cruel to her. Through a few short interactions, the reader gets to see what the downside to being a Chosen One is. Or what it's like when the people you're meant to defend and protect don't actually want you around to do that. I found the focus on Kaia needing to accept, but internally and externally, that she is the Dragon Heir and that she isn't meant to be normal, to be interesting.

While I enjoyed the book overall, there are a few pieces of criticism I need to share.While the novel has a good, solid plot, the pacing needs a little bit of work. It's a bit too fast-paced in certain parts, making it easy for a reader to get lost or need to go back and reread to figure out what's going on. I liked Chow's writing style overall, but there were some aspects that are indicative of this being a debut novel. Mostly, this was when she told the reader things rather than showing it. This is her first novel, and as a debut, it's excellent, but occasionally, I came across things that reminded me of it being her first novel. The third, and final, criticism I have is about the romance in the story. I didn't think that the romance was bad, but it was a bit predictable. It was predictable, which isn't necessarily bad, and it somewhat relied on a trope that I don't enjoy reading. However, the romance didn't overshadow the rest of the story, so while I'm so-so about that, it didn't take away from my overall enjoyment. 


I loved this book more than I expected to. It told an amazing story and it doesn't read like an author's first novel. While not perfect, it's a solid, enjoyable story. I recommend it to any fantasy reader that finds the premise intriguing. I'm eagerly awaiting the sequel's release, which doesn't have a release date, but the author has announced that there will be one. I'd like to thank Hayley Reese Chow again for providing me with an advance copy of novel so that I could write this review.

Rating: 4.7 stars

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A Dream Within A Dream

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A Dream Within A Dream is a 2019 fantasy young adult novel by Kristina Mahr. It was published by Uncommon Universes Press. It is the second and final book in the Dreamworld duology. The first book is titled All That We See or Seem. I read the first book in the series a while ago, but I haven’t written a review because I read it back before I started this blog. Perhaps I should’ve reread the first book in the duology before reading this one, but I remembered enough of the details to be able to follow and understand the story. The novel can be purchase here from Bookshop.org.

The series follows a girl named Reeve who lives in a kingdom called Acarsaid. She travels to another world, Tenebris, when she sleeps due to a magical breach in the spell connecting the two worlds. In the first book, Reeve travels to Tenebris and falls in love with a boy named Bran who lives there, but at the end, a wizard in her kingdom closes the breach so that nefarious forces from Tenebris can’t enter Acarsaid. In A Dream Within A Dream, Reeve is still able to travel there in her sleep, but she’s invisible to everyone, including Bran. She tries to find a way to reopen the breach so that she can be with Bran, as a war between the two kingdoms looms in the distance.

The three most important characters in this novel are Reeve, the narrator and main character, Arden, Reeve’s fiancé who she’s set to marry within the novel’s time frame, and Bran, the Tenebris soldier who she’s fallen in love with and desperate to be reunited with. There are other characters that play a significant role, such as Carrick, the king of Acarsaid and Reeve’s uncle, Thrall, the court wizard, and Rancore, the villain of the series and an evil wizard, but there’s not much I can say about them withour spoiling the end of the series. Of the three most important characters, my favorite was Arden since he was written with the most personality. He was complex, sometimes putting forth a façade of indifference , while at others showing how deeply he truly cares. Additionally, I found the dreams and goals he expresses to be the most understandable and relatable. Trapped within the confines of his own social class, all he wants is to see the world. Of all of the characters, his desires are the most concrete and specific. I had trouble relating to Reeve, which is unfortunate because in the previous book, I was able to connect with her a little better. I know that I don’t necessarily need to like a main character to enjoy a book, but I actually found myself rooting against her in certain parts. Some of her actions didn’t make sense to me and I found myself getting annoyed at her hopelessly romantic attitude. Unlike Arden, who had a set goal he wants to fulfill, Reeve seemed to be of the mindset that if she can make herself visible to Bran and reunite with him, all of her problems would be solved. It seemed a little too simplistic. Bran is kind of a non-entity to me. I can’t remember if I felt this way about him in the previous book, but nothing about him stood out to me in this novel. He felt like a very cookie-cutter YA love interest, and I found myself not being too invested in their relationship.

One thing that I enjoyed about this novel is that it wraps all of the plotlines up. The magical barrier separating Tenebris and Acarsaid is taken care of. The antagonist is defeated. The Arden-Reeve-Bran love triangle is resolved. I know that may sound silly that I’m happy the last book in a duology wraps up the story, but I’ve read a number of duologies that turned into trilogies that then became longer series and, more often than not, the series as a whole suffers. Everything is wrapped up in a nice little bow and there’s no need for a third book. I also enjoyed the world of Tenebris, the so-called dreamworld. The kingdom is dark, and depressing and there were elements of it that I genuinely found fascinating, but they weren’t explored enough in my mind. The sorcery keeping the two worlds separate and the rules of how magic works in each world took a backseat to the romance aspect of the story and that decreased my enjoyment. The cover art is also incredibly beautiful and I like the mirrored  world aspects of it. A Dream Within A Dream has potential to be a more interesting story, but it wasn’t taken advantage of.

While there were elements of the story that I enjoyed, this book was a miss for me.  Kristina Mahr’s writing style wasn’t really to my taste. Sometimes the language got a little too flowery. At points, I felt like she was repeating words to make a point that the reader had already gotten. There were a few parts where I read a sentence or a paragraph and it felt like they were intended to sound deep or thought-provoking, but it didn’t really work. The pacing was also a little weird. The majority of the pages are spent with Reeve thinking about how much she wants to be with Bran or considering whether she should move on and marry Arden. The dreamworld, which should be the focus of the series, took a backseat to the relationship stuff. In fact, so much of the plot is driven by the romance aspects that the ending feels completely rushed. The better part of two books are spent building up Rancore as this massive threat who wants revenge and will destroy anything and everything in his way. It’s disappointing then when he only appears a handful of times in the entirety of the second book and is defeated incredibly easily. The battle between good and evil could’ve been a very interesting and high-stakes fight, where the tides keep turning. The good guys are winning at first, but then Rancore turns the tables of them and it starts to look like they might not triumph, making the victory sweeter. The ending could’ve been a great magical fight but instead, its more of a one-punch knockout. All in all, it didn’t quite live up to me expectations.

A Dream Within A Dream is a slightly below average book. I wasn’t a big fan of the writing style, finding it a little distracting at points. Some parts of the plot weren’t given enough attention or depth while others dragged on a bit too much. Overall, my disappointment stems from the fact that it’s miscategorized in my opinion. It’s categorized as fantasy and the blurb makes it seem like a fantasy novel with some romance thrown in, but it’s actually a romance with some bits of fantasy thrown in. It’s a quick read and a pretty easy story to follow though.

Rating: 2.6 stars

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The Girl the Sea Gave Back

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The Girl the Sea Gave Back is a 2019 young adult fantasy novel by Adrienne Young. It was published by Wednesday books. It is part of the same series as Sky in the Deep, but reading Sky in the Deep prior to this novel is not necessary to understanding it. In the interest of full disclosure, I didn’t read Sky in the Deep prior to this novel, so please keep that in mind for this review. The novel can be purchased here from Bookshop.org.

The novel follows Tova who has lived among the Svell people after being found washed ashore in their lands as a child. She is a Truthtongue, able to read portents and see in the future, which is a gift the Svell have used to their advantage for years. With two nearby clans joining together, the chieftain of the Svell looks to Tova to advise them on what course of action to take. By looking into the future, she sets into motion a series of events that could change everything. The conflict could give Tova the one thing she thought she’d never have again- a home.

The Girl the Sea Gave Back doesn’t have one protagonist but two. Tova is a Truthtongue and half of the novel follows her story. The other main character is Halvard, the man who will be the next chieftain of the Nadhir people. The Nadhir are the group the Svell are debating whether to go to war with or not. Switching between Tova and Halvard’s perspective, the conflict between the two group draws the pair close together and it’s clear from early on that the two share a connection. Given that I would describe the story as being more plot-driven than character-driven, there’s not a lot I can say about Tova or Halvard. Halvard is a young man, only 18, who is unexpectedly called to lead his people in the midst of a crisis. He wants to lead his people in the best way he can, but has no idea how to do that. Tova is an outsider who has always wanted a place to belong but has never found it. Despite her abilities making her valuable to the Svell, a number of them want her dead and believe her to be cursed. As expected, Tova finds a place to belong over the course of the story and Halvard learns how to lead his people.

Aside from the two main characters, there are a few others worth mentioning, most of whom are Svell. Jorrund is a Tala, a religious figure, of the Svell. He was the person who found Tova as a child. While there are moments where its clear he cares about his surrogate daughter, one starts to wonder if he cares about her or the power her abilities give him the more the story progresses. Vigdis is one of the tribal leaders of the Svell and becomes the new chieftain after the old one, his brother, is killed early in the book. He’s the villain of the story, being responsible for both the main conflict, the war between the two peoples, and the inner conflict Tova feels throughout the story. There are a number of friends and mentors Halvard has, but the most interesting of which is Kjeld, who is one of the Kyrr. The Kyrr are another tribe that live on the headlands of the sea, while the other tribes live along fjords and the coasts. Tova is also one of the Kyrr, although she remembers very little of her homeland, as she was found by the Svell at the age of six. She believed they had cast her out and left her to die. The two Kyrr meeting in the midst of this conflict pushes Tova further in her journey of self-discovery and changes the tide of the war.

One of the central themes of the book, and most consistent one, revolves around destiny. Tova is perhaps the only character who fully understands how fate works, given that she can see the future. Everyone else, especially the Svell, are under the impression that nothing is destined to happen, even as events she predicts come to pass. An interesting pattern I noticed was the unspoken idea of self-fulfilling prophecies. In telling the Svell the future she sees in her omens, is she causing it to change or would things always turn out this way? This idea is something she struggles with in the middle of the book when she believes that her casting stones, the way she sees the future, about whether war is wise led to the destruction of an entire village. She believes her reading caused the destruction, while it could be argued that it was the Svell’s leadership’s actions that are responsible. The connection between Halvard and Tova is hinted to be as a result of destiny. When she looks into her own future, she sees him and this causes her to seek him out to understand why.

The story is told mostly in first person from Tova and Halvard’s alternating perspectives. The prologue and a few chapters that take place in the past are told from the third person perspective and give insight on both narrators’ childhoods and events that shaped who they are. I’m normally not a fan of alternating perspectives because, more often than not, I think that they don’t serve a purpose. I often see alternating POVs being used to serve a plot twist rather than something that serves the plot itself. Alternating perspectives are effective in this story because Young doesn’t just show events from two different perspectives, but also provides extra context along the way. Being told from only one perspective would make the story feel a little disjointed and the climax wouldn’t make as much sense.

I found the story and the world enjoyable. The clans are inspired by Viking history from what I can tell and it shows. Young does an excellent job weaving the story together and explaining aspects of the world without making it seem like too much or too little. Each clan felt unique, as did their way of life and beliefs. It was the most enjoyable coming of age story, and self-discovery story, that I’ve read in a while. And, while certain aspects of the plot are a little predictable, I liked the risks the author was willing to take. The Girl the Sea Gave Back isn’t a story where only specific character archetypes die. it’s not a story that’s entirely black and white and the gray area leads to some interesting character dynamics and changes to the plot. Characters you’d think are one-dimensional actually have quite a bit of depth and characters who appear trustworthy turn out not to be.

One thing I wish there had been more of was explanation about the Kyrr. There is a scene at the very beginning of the book, showing how Tova ended up in the Svell village, but aside from that not much about that group is explained until the very end, and even then, it’s not much. I suppose the reason for this could be to keep the Kyrr as mysterious as possible. Depending on which character is describing the Kyrr, they’re either demons or this strange, almost mystical race that no one knows much about. Another critique I have is the pacing of the story. The main conflict between the Svell and Nadhir is concluded in the span of about 10-20 pages and the way it was resolved felt a tiny bit forced to me. If the ending went on for a little longer, or the closing events felt less contrived, I would’ve enjoyed the story a lot more.

The Girl the Sea Gave Back is a book that I found by random chance. I picked it up on a whim due to both the title, which intrigued me, and the cover art which is beautiful. I was happy to discover that the story within its pages more than met my expectations. It’s not a perfect book, but better than I expected it to be. The fantasy aspect doesn’t make the story too difficult to follow, making it an ideal choice for someone looking to start reading fantasy. It’s also a novel that is easy to read quickly, once the first few chapters are over and the story truly starts. I would recommend and I plan on reading the author’s first book that takes place in this world.

Rating: 3.9 stars

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Nothing to See Here

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Nothing to See Here is a 2019 novel by Kevin Wilson. It was published in October of 2019 by Ecco, an imprint of Harper Collins. It became a New York Times Bestseller and was named a Best Boom of the Year by New York Time Book Review, The Washington Post, People and several other newspapers and magazines. The novel can be purchased here from Bookshop.org.

The novel tells the story of Lillian, a young woman who works a dead-end job when she’s suddenly contacted by a close friend from her old boarding school Madison. Despite having not seen her for ten years, Madison reaches out to Lillian asking for help with her stepchildren who will soon be coming to live with the family. Lillian agrees to be the children’s caretaker and its only after agreeing to take the position that she learns the twins have a strange affliction- whenever they become upset or angry, they catch fire. Despite the strangeness of the situation, Lillian and the twins begin to trust each other and stay cool, but the machinations of Madison’s politician husband may ruin everything.

The story is, when boiled down to its basic elements, a family drama wrapped up in a story of magical realism. As a result, as with most family dramas, there aren’t an abundance of characters. There are only five or six characters that are seen often enough and given enough personality to warrant discussing. Lillian is the point-of-view character and at the beginning, she’s directionless. She has a dead-end job, a dead-end life and it seems like she agrees to Madison’s proposal because she doesn’t have a reason not to. Once the twins enter the picture, her interactions with them start to show the reader the person she really is. She’s also, seemingly, the only person in the story who isn’t overly perturbed by the situation. The twins are 10-year-olds Bessie and Roland, and they’re actually pretty sweet kids. When I read the blurb for Nothing to See Here, I was expecting the “kids who catch fire when they get upset” characters to behave sort of like Draco Malfoy. I thought I’d hate them; they’d be complete brats who use their gift to terrorize any nanny, teacher or authority figure who told them “no”. Instead, they’re just lost children. They both have issues they need to work through, mostly focused on their mother’s death and their father abandoning them when he divorced their mother, but from almost the first time they appear, it’s clear that the twins are just as scared of their abilities as anyone else. Madison is Lillian’s old friend and Bessie and Roland’s stepmother. She appears to be the perfect wife for a Senator and lives the perfect life. I won’t lie, I hate Madison. I was supposed to hate her. Madison is a character that’s all about appearance and meeting expectations. She went to a prestigious boarding school, because she came from a wealthy family; she went to an elite college because that’s what was expected of her; she married a politician and had an adorable, well-behaved son because that’s exactly what she was supposed to do. Everything she does in the story is about making sure that the family’s image, and her husband’s political ambitions, don’t run into any roadblocks. The twins need to be kept out of sight, with no one aware of their abilities, because it could cause the Senator some unneeded press coverage. Lastly, there is the Senator, Jasper Roberts. He’s a Senator, one who could become the next Secretary of State and by far, the closest thing this story has to a true villain. He’s a complete and total jerk and that’s the nicest way I can say it. if Madison’s main focus is split between the family’s image and Jasper’s ambitions, then his is solely on his political aspirations. He’s decided he going to become the next Secretary of State, and no one, not even his children, are going to get in the way of that. When first introduced, he just seems like an arrogant man, a stereotypical politician who talks a lot but means nothing, As the story progresses, you realize that Jasper only cares about Jasper. He divorced the twins’ mother and decided to pretend like they didn’t even exist and weren’t related to him anymore. He barely interacts with any other characters for much of the story, but when he does appear, I want to crawl into the book and deck him in the face. As I said, he cast of characters is very small.

Nothing to See Here is by far the funniest book I’ve read om 2019. Wilson does an excellent job of mixing humor into a story that would otherwise be a very somber, or downright tragic one. Rather than avoid illuminating the weirdness of the characters or the bizarreness of the situation they’re in, he leans into it, which not only makes the story unique, but compels the reader to keep turning the page. The characters are quirky and strange and the narrative embraces that before using the humor to hit the reader in a way they didn’t see coming. The plot is original in a way no other book I’ve read this year is. Wilson’s skills as a writer must be commended, as not many could take such a strange concept and make it work so effortlessly.

While I did enjoy the book overall, I did feel slightly let down by the ending. I was happy to see that the twins and Lillian all ended up in a situation that was good for them. The resolution of what should happen with the twins was the best possible outcome that the story could have. It was as close to a “happy ending” as one could hope for. The thing that disappointed me were the lack of consequences for other characters though. Jasper never gets what he deserves. Neither does Madison for that matter. They face some consequences, but not as many or as severe as I would’ve liked. While I couldn’t find a smug satisfaction at how Jasper and Madison’s storylines ended, they do reflect the most realistic outcomes. In the real world, a Senator and his wife would get off the hook with little to no real consequences. Still, I would’ve liked at least one of them to be hurt a little more by the result of their own actions. My disappointment at the conclusion is probably a sign of Wilson capturing the real world so effective. Things aren’t wrapped up neatly in a nice little bow, regardless of how much we want them to be.

Nothing to See Here is an inventive, hilarious story. It stands out as one of the best books I’ve read this year. I found the premise very refreshing and I could’ve read another 200 pages and still wanted more. Kevin Wilson weaved a unique, relatable story while also keeping it grounded enough to appeal to many different types of people. I’d recommend any fan of literary fiction or magical realism get it a read.

Rating: 4.8 stars

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December TBR

Well, it's that time of the month! Time to talk about all of the books on my TBR list. I'm hoping to get through all of these in this month, but we'll see. I'm not sure how many reviews I'll write this month either, since I wait until after a finish a book to decide if I'm going to review it. Some books I finish, and I don't really feel the need to write a full review. I'm getting off track. Here are the books I'm hoping to read in December, with one holdover from November.



Dune Messiah by Frank Herbert

Dune Messiah continues the story of Paul Atreides, better known--and feared--as the man christened Muad'Dib. As Emperor of the Known Universe, he possesses more power than a single man was ever meant to wield. Worshipped as a religious icon by the fanatical Fremens, Paul faces the enmity of the political houses he displaced when he assumed the throne--and a conspiracy conducted within his own sphere of influence.

And even as House Atreides begins to crumble around him from the machinations of his enemies, the true threat to Paul comes to his lover, Chani, and the unborn heir to his family's dynasty...

Genre: Fiction, Science Fiction



Catch and Kill: Lies, Spies and a Conspiracy to Protect Predators by Ronan Farrow

In 2017, a routine network television investigation led Ronan Farrow to a story only whispered about: one of Hollywood's most powerful producers was a predator, protected by fear, wealth, and a conspiracy of silence. As Farrow drew closer to the truth, shadowy operatives, from high-priced lawyers to elite war-hardened spies, mounted a secret campaign of intimidation, threatening his career, following his every move, and weaponizing an account of abuse in his own family.

All the while, Farrow and his producer faced a degree of resistance they could not explain -- until now. And a trail of clues revealed corruption and cover-ups from Hollywood to Washington and beyond.

This is the untold story of the exotic tactics of surveillance and intimidation deployed by wealthy and connected men to threaten journalists, evade accountability, and silence victims of abuse. And it's the story of the women who risked everything to expose the truth and spark a global movement.

Both a spy thriller and a meticulous work of investigative journalism, Catch and Kill breaks devastating new stories about the rampant abuse of power and sheds far-reaching light on investigations that shook our culture.

Genre: Non-Fiction, True Crime



Nothing to See Here by Kevin Wilson

Lillian and Madison were unlikely roommates and yet inseparable friends at their elite boarding school. But then Lillian had to leave the school unexpectedly in the wake of a scandal and they’ve barely spoken since. Until now, when Lillian gets a letter from Madison pleading for her help.
Madison’s twin stepkids are moving in with her family and she wants Lillian to be their caretaker. However, there’s a catch: the twins spontaneously combust when they get agitated, flames igniting from their skin in a startling but beautiful way. Lillian is convinced Madison is pulling her leg, but it’s the truth. 

Thinking of her dead-end life at home, the life that has consistently disappointed her, Lillian figures she has nothing to lose. Over the course of one humid, demanding summer, Lillian and the twins learn to trust each other—and stay cool—while also staying out of the way of Madison’s buttoned-up politician husband. Surprised by her own ingenuity yet unused to the intense feelings of protectiveness she feels for them, Lillian ultimately begins to accept that she needs these strange children as much as they need her—urgently and fiercely. Couldn’t this be the start of the amazing life she’d always hoped for?

Genre: Fiction, Fantasy

 

The Savior's Champion by Jenna Moreci

Tobias Kaya doesn't care about The Savior. He doesn't care that She's the Ruler of the realm or that She purified the land, and he certainly doesn't care that She's of age to be married. But when competing for Her hand proves to be his last chance to save his family, he’s forced to make The Savior his priority.

Now Tobias is thrown into the Sovereign’s Tournament with nineteen other men, and each of them is fighting—and killing—for the chance to rule at The Savior's side. Instantly his world is plagued with violence, treachery, and manipulation, revealing the hidden ugliness of his proud realm. And when his circumstances seem especially dire, he stumbles into an unexpected romance, one that opens him up to unimaginable dangers and darkness.

Genre: Fiction, Dark Fantasy



Bone Quarry by K.D. McNiven

When the Oceanic Research Institute sends out a team of biologists to find out why there are dead fish washing ashore off the Brazilian coast, they never dreamed of what dangers awaited them. Dive leader, Megan Gerhart and her team discover what appears to be an underwater graveyard, heaped with bones…human bones!

When they call in paleontologist Rourke Wolf to investigate their chilling findings, the team is thrown into a spine-tingling adventure that could cost them their lives, both in and out of the water. Faced with death-defying odds, they must confront dinosaurs believed to be extinct for 8 million years … Does the team have the grit to escape this terrifying encounter alive, when the odds are not in their favor?

Genre: Fiction, Science Fiction


So, we've got a pretty even split here: two fantasy books, two science fiction and one non-fiction. The non-fiction book is the first one I've read in quite a while, but it has excellent reviews. In fact, most of the books on this list are highly recommended. I look forward to seeing if they live up to my expectations.

What's on your TBR?


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November TBR

Hello everybody!

I know that I'm a little late to be doing my monthly TBR, but in my defense, the first week of November was a little crazy. Could I have foreseen the craziness? Yes, but for some reason I didn't and I'm now dealing with the consequences. Anyway, let's just get straight into all of the books I plan to (hopefully) read this month.

The Books


Days of Rock and Roll by Kelly Holm

Ariana is a very talented photographer who agrees to photograph her ex-boyfriend Zak’s band, Dark Horses, for Sound Trip magazine. Zak is thrilled and plans to use the occasion to win her back. However, when Ariana arrives, she catches Zak in a very compromising situation with Hollywood starlet Josie Winters, who wants Zak for herself.

Before Zak can explain to Ariana that what saw was a complete misunderstanding, Ariana mysteriously disappears in the middle of the night, and Zak is filled with guilt and wonder. When he realizes that she has been kidnapped, he’ll stop at nothing to find her. Will Zak find Ariana before it’s too late? 




Beneath A Scarlet Sky by Mark Sullivan

Pino Lella wants nothing to do with the war or the Nazis. He’s a normal Italian teenager—obsessed with music, food, and girls—but his days of innocence are numbered. When his family home in Milan is destroyed by Allied bombs, Pino joins an underground railroad helping Jews escape over the Alps, and falls for Anna, a beautiful widow six years his senior.

In an attempt to protect him, Pino’s parents force him to enlist as a German soldier—a move they think will keep him out of combat. But after Pino is injured, he is recruited at the tender age of eighteen to become the personal driver for Adolf Hitler’s left hand in Italy, General Hans Leyers, one of the Third Reich’s most mysterious and powerful commanders.

Now, with the opportunity to spy for the Allies inside the German High Command, Pino endures the horrors of the war and the Nazi occupation by fighting in secret, his courage bolstered by his love for Anna and for the life he dreams they will one day share.



The Body In Question by Jill Climent

The place: central Florida. The situation: a sensational murder trial, set in a courthouse more Soviet than Le Corbusier; a rich, white teenage girl—a twin—on trial for murdering her toddler brother.

Two of the jurors: Hannah, a married fifty-two-year-old former Rolling Stone and Interview Magazine photographer of rock stars and socialites (she began to photograph animals when she realized she saw people “as a species”), and Graham, a forty-one-year-old anatomy professor. Both are sequestered (she, juror C-2; he, F-17) along with the other jurors at the Econo Lodge off I-75. As the shocking and numbing details of the crime are revealed during a string of days and courtroom hours, and the nights play out in a series of court-financed meals at Outback Steak House (the state isn’t paying for their drinks) and Red Lobster, Hannah and Graham fall into a furtive affair, keeping their oath as jurors never to discuss the trial. During deliberations the lovers learn that they are on opposing sides of the case. Suddenly they look at one another through an altogether different lens, as things become more complicated . . .

After the verdict, Hannah returns home to her much older husband, but the case ignites once again and Hannah’s “one last dalliance before she is too old” takes on profoundly personal and moral consequences as The Body in Question moves to its affecting, powerful, and surprising conclusion.




Dune by Frank Herbert

Set on the desert planet Arrakis, Dune is the story of the boy Paul Atreides, heir to a noble family tasked with ruling an inhospitable world where the only thing of value is the "spice" melange, a drug capable of extending life and enhancing consciousness. Coveted across the known universe, melange is a prize worth killing for...

When House Atreides is betrayed, the destruction of Paul's family will set the boy on a journey toward a destiny greater than he could ever have imagined. And as he evolves into the mysterious man known as Muad'Dib, he will bring to fruition humankind's most ancient and unattainable dream.



Dune Messiah by Frank Herbert

Dune Messiah continues the story of Paul Atreides, better known--and feared--as the man christened Muad'Dib. As Emperor of the Known Universe, he possesses more power than a single man was ever meant to wield. Worshipped as a religious icon by the fanatical Fremens, Paul faces the enmity of the political houses he displaced when he assumed the throne--and a conspiracy conducted within his own sphere of influence.

And even as House Atreides begins to crumble around him from the machinations of his enemies, the true threat to Paul comes to his lover, Chani, and the unborn heir to his family's dynasty...



Of the five books I've mentioned, only one is a reread. I read Dune years ago and I've decided to reread it since there is a film adaptation coming out in 2020. Five books is more than I normally read in a month, but I decided to challenge myself. We'll see how it goes.

What's on your TBR?

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Feathers and Fae

Feathers and Fae is a young adult fantasy novel by Crystal L. Kirkham. It was published in October of 2019 by Kyanite Publishing LLC. I was provided with an advanced copy of the book in exchange for an honest review.

The story follows two teens, Kami and Emmett, who have been best friends for as long as either could remember. Emmett, however, has a secret and his past catches up with him when a dark fae known as the Erlkrönig chases them into another realm, Mythos. When Kami awakes, she can detect when people are lying and that means she knows everything Emmett has ever told her is a lie. Emmett wants to get Kami home, to safety, as quickly as possible while avoiding the Erlkrönig, who is hunting them. On the journey, Emmett’s web of lies starts to unravel and Kami learns the truth, which shakes the foundations of everything she knows to be true.

Feathers and Fae is a book that doesn’t hold many surprises. At the beginning of the story, Emmett is somewhat of an enigma. He clearly has this innate need to protect Kami, although the reason isn’t initially clear. After the pair wind up in Mythos, as a result of Emmett using a previously unknown, to the reader, power, there’s a mystery surrounding what exactly he is. It becomes clear that he also has some sort of connect to the Erlkrönig, which adds some intrigue. All of that intrigue goes out of the window the second time Emmett uses his powers. It becomes very clear exactly what species he is, yet the book continues to try and make it seem like a mystery. Some might say that the title somewhat spoils that particular plot twist, but the title is vague enough to prevent me from saying its entirely predictable in that sense. My biggest complaint centers around the narrative acting like Emmett’s secret is harder to guess than it actually is. Rather than being foreshadowed, it’s pretty much spelled out a hundred pages before someone in the story actually says what he is.

I may be getting ahead of myself. Let’s discuss the characters for a moment. There are about five characters we care about: Emmett, Kami, the seer Jewel, a yeti named Bob and, of course, the bad guy the Erlkrönig. There’s not a lot I can really say about Emmett or Kami. I found them both to be rather bland and one-dimensional. Emmett wants to keep is secrets and get Kami to safety. Kami wants real answers about what the hell is happening and flip-flops between being angry or not angry, at Emmett for being reluctant to give those answers. It felt like a few scenes were repetitive with Kami asking for answers, not getting them and then being grumpy about it, and those scenes started to annoy me after a while. Jewel is a seer they meet to ask how to get home, and she invites herself along on their journey. I liked Jewel for the most part. She was the person who prevented Kami from being completely in the dark, because, as a seer, she knew what information she needed to know at each stage of the adventure. Something that I didn’t like was the fact that Jewel, who’s a seer, keeps ending up in situations where she can’t use her abilities. Her powers aren’t written consistently, and she ends up saying “sorry I didn’t see this” too many times. Bob is a yeti. He’s my favorite character because there isn’t a convoluted backstory or explanation to explain why he’s there. They need a guide through some mountains and he offers to be theirs. Lastly, we have our villain, the Erlkrönig, who’s what most would recognize as a pure evil villain. He wants power. He already has power, but he wants more. He won’t stop until he has all of the power. Emmett beat him once, but didn’t vanquish him, and he’s come back to finish what he started. Fantasy novels are where I see pure evil villains and that’s where they kind of fit the best. They don’t have nuance because they don’t need nuance, they just want to take over the world or whatever. He’s evil and that’s all there is to him.

The plot of Feathers and Fae is a little all over the place. Emmett and Kami wind up in Mythos and they need to get home, to their own realm, before the Erlkrönig finds them and exacts his revenge. The premise is simple, but in a story that’s ultimately about defeating the Erlkrönig, a lot of the story is padded with showing the journey they need to take to get to a portal that’s supposed to take them home. Reaching the portal ends up mattering only in a “if they don’t do x, y can’t happen and thus z is harder to explain” sense. I feel like some of this was done as a way of world-building, but it didn’t feel organic here. If a story is chronicling a journey, then the stops made during that journey need to have an impact on the story as a whole. That doesn’t happen here. The pair, and Jewel, go to the elves territory to use a portal there, only to be turned away. The group then needs to head to the dwarves’ land to use a portal deep in the mountains. The run-in with the elves has no impact later, so the story could’ve worked with the original destination being the dwarves’ land. Once they reach the portal, the story shifts again from being about Emmett and Kami getting home to needing to defeat the Erlkrönig, with very few sightings or threats by him between them coming to Mythos and needing to stop him. If there’d been either less focus on the journey, or if the Erlkrönig was written as a more dire threat during the group’s travels, the flow would’ve worked a little better. There’s a clear reason why the pacing is the way that it is. The long journey gives time for more information about Emmett, and his connection to Kami, to come to light without doing an info dump. The problem is that the most important information is still delivered by Emmett, as a clear info dump, right before the climax. If the same information had been revealed slowly, on the journey, I would’ve liked it better.

Now, let’s discuss the conclusion of the story. Emmett, Kami, Bob and Jewel need to defeat the Erlkrönig to avoid him taking over Mythos, and then the other realms. The book is roughly 380 pages. The final battle, the climax of the story, is 17 pages long. It’s not even 5% of the book. Now, there had been tension building for a while, especially after Emmett encounters the Erlkrönig face-to-face and is captured by him, but that’s an incredibly rushed final confrontation. It’s not like prior to this fight, the characters kept having run-ins with the villain either. For most of the story, they’re traveling, with the vague threat of the bad guy chasing after them. The final confrontation is very rushed. It reads as very rushed. The good guys start losing, Emmett as one last idea to try, and then they win. It’s not dramatic, or drawn out and the way that the heroes win falls just shy of a deus ex machina moment.

Thus far, this review has been very negative. I’m aware of that, but there were some things I enjoyed. I liked the actual realm that the story took place in. it had a rich plethora of creatures, species and locations. As part of the journey, the reader didn’t just get to see one section of the map, but several. Through Emmett and Kami, I learned about the different cultures with this world. The magic system wasn’t completely explained, but the parts that were explored, aside from Jewel’s foresight, were easily demonstrated and well-explained. The best way I can really explain it is that I liked the world, but I wasn’t a big fan of the story that was being told in it.

Feathers and Fae isn’t a bad book, just one that I found disappointing. It could be the first book in a series, but it could also be a stand-alone. If it is the first in a series, that would explain why the plot seems to revolve around building the world rather than the main conflict. I feel like the story is actually two stories that are weakly linked together. There’s the story of Emmett and Kami trying to get back to their own realm. And there’s the story of Kami, Emmett and their companions trying to defeat the Erlkrönig. If the author had chosen the first, it could’ve been good. If she’s chosen the second, it would’ve had potential. Instead, she chose both and I can’t say that I understand why. The story had potential, but that potential wasn't fully realized.

Rating: 2.1 stars

Blogtober Day 14: The Scarred God

The Scarred God is a 2019 novel by Neil Beynon. It was released on August 26, 2019 and was published by Haynes Ltd. It's a fantasy book aimed at teenagers. It was one of the books I mentioned during my October TBR post.

The novel tells the story of a teenager named Anya who escapes being captured with the rest of her village when they're attacked by invaders. The invading army is assisted by an exiled god of her culture and Anya goes on a journey through a spelled forest, alongside the forest's mysterious guardian Vedic, to save her people and defeat the exiled god. Along the way, she learned not much separates heroes from villains.

There are some books I read because they're recommended to me. Others, I stumble upon and the premise instantly grabs me. The Scarred God fits into the second category. The idea intrigued me, starting with the teaser/tagline on the cover of the book reading "how do you kill a god?" Once I read that this novel was about a teenage girl going on a quest to kill a god, I couldn't really resist.

To begin this review, let's discuss Anya. I enjoyed her as a character. She had personality, she was driven. Her motives and morals were clear. She wanted to save her people. She wanted to stop the Kurah's plans. At the same time, she was dealing with doubts about whether she could do what needed to be done. She wasn't always sure the path she was taking was the right one. Mostly, however, I was happy that she was a dynamic character, and not the archetypal "strong female character" that can sometimes fall flat on the page. Anya was a character the reader could connect with.

There were many aspects of this novel that I enjoyed. One of the aspects I found the most interesting was Beynon's use of deities from more than one culture. Rather than only having gods from the Greek pantheon, or only Norse god, etc, there's a variety of gods mentioned. The main gods we see are Danu, a Celtic goddess, Pan, from Greek mythology, and Cernubus, the titular scarred god, although I'm not sure what pantheon he was part of. There are also illusions to gods and myths that aren't named but the average person would recognize. The story gives off the feel that, for example Greek myths are true, but Celtic myths are equally true without the two mythologies contradicting each other.

Another thing I enjoyed was Anya's personal journey and how it pans out. Anya isn't explicitly a "chosen one"; she's capable of defeating the scarred god, but at no point does the narrative make it seem like she's the only person capable of doing that. Her training, at the hands of her warrior grandmother, has given her an edge, but she's the heroine as a result of circumstance, not destiny. Anya and her connection to Vedic, the protector of the woods, is another noteworthy aspect of the story. Vedic isn't helping Anya for completely altrustic reasons, and while I enjoy stories where people work together for the "greater good", I also like characters who are reluctant heroes or mentors.

One of the best aspects of the novel, from a writing standpoint, is the way it avoids certain tropes. There were points in the story where I thought "okay, this is when [insert fantasy trope here] is going to happen". Sometimes the plot went exactly how I imagined, other times it surprised me. I like being surprised narratively.

While I enjoyed the story overall, there are a few critiques I need to share.Most of my criticism comes from a world-building or clarity perspective. There are a few thing within the world of the novel that aren't explained as well as they could be. Certain terms, how one group related to another and the like.  There were a few times where a specific term or title was used and I needed to stop and remember what it meant in this world. The phrase that often gets thrown around is "show, don't tell" which I feel is a bit vague. "Show, don't tell" is about balancing those two acts, at least to me. Somethings can be shown, others may need be told to the reader. Beynon doesn't quite achieve the right balance in my opinion, with the things being shown not quite giving the reader enough information to fill in the blanks. While I mention the author didn't explain enough, I'd like to be clear that I prefer his style as opposed to having everything explained as exposition-as-dialogue or there being page after page of explanations without context.

I should note that certain passages of the novel, which are depicted as dreams Anya is having, are intentionally confusing. They relate to a big plot point, so I won't explain too much about them, but I wanted to acknowledge that there's a purpose behind those passages being confusing or hard to follow with the rest of the story. I'll freely admit that I didn't think that that particular plot point was going to have the revelation that it did. I thought the reveal was going in a different direction entirely.

The Scarred God is a good book. It's entertaining. I enjoyed what I saw of the world and would be happy if the author wrote another story in this universe. Yet, when I reached the end, I felt like something was missing. The resolution was satisfying, but it felt like the end wasn't quite complete or was maybe a little rushed. Some of this could easily be having plot elements unresolved for a second book, in which case that makes sense.

Rating: 3.9 stars

Top 5 High Fantasy Series

Despite the fact that, at time of writing, most of my reviews are for some form of thriller, thriller actually is not my favorite literary genre. Fantasy, more specifically high-fantasy, is my favorite genre to read. Given that I needed a bit of a break from reviews for a little bit, I’ve decided to write about my five favorite high fantasy series.

By definition, high fantasy is defined as fantasy fiction set primarily in an alternative, entirely fictional world, rather than the real world. The fictional world is usually internally consistent but its rules differ in some way from those of the real world. Low fantasy, by contrast, takes place in the real world but has the inclusion of magical elements. The Mortal Instruments series is low fantasy; The Hobbit is high fantasy.

5) Earthsea by Ursula K. Le Guin

The novels, beginning with A Wizard of Earthsea, take place in a world that is mostly ocean with humanity living on small islands. The world is inhabited by humans and dragons, with some humans being wizards or sorcerers. Unlike the other series on this list, humans and dragons are the only notable species that live in this world.

The first novel begins with a young boy, known as Duny but later named Ged, learning he has innate magical power. His aunt teaches him the little magic she knows, and one exhibition of his power gains the attention of a powerful mage. Unfortunately, Ged inadvertently releases a shadow creature. The rest of the novel follows Ged as he attempts to get ride of the creature plaguing him.

Earthsea is unique from two standpoints. One is the shifting of perspectives. There isn’t one protagonist across the series, unlike most book series. Characters from later books interact and meet characters from earlier novels, but the story isn’t focused on Ged and Ged alone. The second aspect that I feel makes Earthsea unique is its central theme about balance. Wizards in this world are meant to keep balance between the magical forces. Bad things don’t necessarily happen because someone evil causes it, they happen because they go against the balance that needs to be maintained. When I read this series, I found the concept of good and evil being more about choice than innate nature intriguing.

4) The Inheritance Cycle by Christopher Paolini

I wasn’t aware of this series existence until the first two books, Eragon and Eldest had already been released. I read those two very quickly and eagerly awaiting the third novel Brisingr and later the fourth and final book Inheritance.

Taking place in the fictional world of Alagaesia, it chronicles the tale of a farmboy Eragon, who finds a dragon egg while hunting and becomes the first Dragon Rider since the evil king Galbatorix killed all the others one hundred years earlier. Eragon is then swept up a journey to end the evil king’s reign and restore the order of Dragon Riders.

The Inheritance Cycle has a lot of similarities with, and clearly the author was inspired by, older works, most notably J.R.R. Tolkien’s works. Alagaesia and many of its inhabitants are similar to Middle Earth and the different races of beings that live there. While the worlds may be the same, the plots differ quite bit. Eragon’s journey isn’t about defeating an ultimate evil, its about overthrowing a corrupt leader. The conflicts between the protagonists and antagonists in Eragon and the other novels in the series, begin on a more personal level than most fantasy novels.

3) The Chronicles of Narnia by C.S. Lewis

Some of you may believe this entry is cheating, since each book in the series starts with the main characters in the real world. However, given that the entirety of each book’s action and plot take place in the fictional land of Narnia, I’ve decided to include it.

The Chronicles of Narnia was actually the first high-fantasy series I read. A great deal of my love for it is no doubt a result of nostalgia from my childhood. These books will always hold a special place in my heart for being my introduction to fantasy as a genre. The allegories between events in Narnia and Christian theology are a lot more obvious as an adult, and Lewis has been criticized for some harmful stereotypes others have noticed in the novels, but this piece is neither the time nor the place to discuss that.

The world is expansive. There are different creatures throughout the world. There are humans, talking animals, minotaurs, sprites, and dozens of others. Magic exists in Narnia and the rules within the world are easy to understand and they stay consistent throughout There is the essential battle between Good and Evil, in various forms, throughout the series.

2) A Song of Ice and Fire by George R.R. Martin

I think we all knew this one was going to be on here. No discussion about fantasy is complete anymore without mentioning A Song of Ice and Fire due to the popularity of Game of Thrones. (Just as an aside, I will only be discussing Martin’s novels here, and not any events from the television series). I’m not sure what I can say about Westeros that hasn’t already been said, but here we go.

Martin gives the reader a rich, expansive world with hundreds of unique characters. Of all of the fantasy worlds mentioned in this piece, Martin’s uses magic the least often. Magic does exist, but it only seems to come up in certain situations and can only be performed by certain characters. A Song of Ice and Fire first gained popularity due to how shockingly events played out. No characters are safe, anyone can be killed, which went against the common trope in fantasy that the protagonist wouldn’t and couldn’t get killed, regardless of how dangerous of a situation they found themselves in. The series popularity stems from the world, but mostly in Martin’s ability to shock readers and avoid tropes of the fantasy genre.

Another thing worth noting is that, outside of the threat of the Others/White Walkers, there isn’t a main villain or some greater evil that needs to be defeated. There are plenty of “bad guys” but outside of the Others, they’re all ordinary people. While a lot of the world is clearly inspired by Tolkien’s work, including some character archetypes, the themes of the novels center around human conflict as opposed to the battle between good and evil.

1)The Lord of the Rings by J.R.R. Tolkien

I really don’t think there was ever another option for my favorite fantasy series. While I have read all of these series more than once, The Lord of the Rings is the one I read the most often. Tolkien is the father of modern fantasy. Many of the tropes, themes and aspects of other fantasy worlds are based on, or at least inspired by, Tolkien’s works. Any discussion about lore and world-building would be incomplete without mentioning how much time, effort and thought went into creating the world of The Lord of the Rings. He created multiple constructed languages, and created multiple dialects each language. Middle Earth doesn’t just have a very long history going back thousands of years, it has its own creation myth.

But enough about how in-depth the lore goes, or how much effort and detail Tolkien put into his works. Let’s talk about the works themselves. The Lord of the Rings isn’t just my favorite fantasy story, its my favorite story period. The central conflict is a battle between good and evil, the quintessential need to defeat evil. Sauron is a pure evil force that can’t be reasoned with, can’t be talked down and the Fellowship needs to succeed because if they fail, the world falls into darkness. There isn’t a Chosen One, just a group of people banding together because they must and because defeating Sauron is what’s right. Even as the world gets darker, and evil gains a little more of a foothold, there’s never a point where there’s no hope. Even after members of the Fellowship get separated, they remain part of the same story, and impact the journey the others are having. They are one part of an ongoing story.

Tolkien changed the way fantasy was written, and unfortunately, that meant a number of the themes in his writing were ignored or swept under the rug in other works. When a work is compared to Tolkien, it usually refers to the worldbuilding, but not the core themes. The Lord of the Rings is about more than just elves, dwarves, talking trees and defeating evil. It’s about having hope, despite seemingly insurmountable odds. It’s about power, and how absolute power corrupts absolutely, and a little power corrupts a little. Mostly, its about how the smallest person can change the course of the future.

Those are my favorite high fantasy series. What are yours?