Ubiety

Ubiety is a 2019 adult fiction novel by Grzegorz Kunowski. The novel has elements of mystery and magical realism as well as some aspects of psychological thriller. I was provided with a free copy of the novel, by the author, in exchange for an honest review.

The description of the novel is as follows: If you were to find yourself at the edge of a dying world with a lingering sense of reality, would you simply fade into the nothingness or would you fight for everything you hold dear? This assertive question is at the heart of the thought-provoking book Ubiety, for this book was designed to help people emerge into reality and find the truth whilst questioning both what could and should be. Join Adam’s journey through the gruelling world of the unforgiving future, diving into the many mysteries which will uncover bittersweet secrets to see if he can save the fate of his daughter along with that of the world, using nothing but his boldness of character, the brilliance of one’s mind and a hint of madness.

One of the strengths of this story comes from how well-written and descriptive the setting is. As Adam moves from one scene to another, one section of the book to another, the author goes to considerable length to make sure the reader isn’t only able to envision a given location, but feel as if they are really there. Some may feel the writing is too vivid at times, but it makes the novel very immersive. There was also a great deal of creativity used in forming the dream sequences that occur in each part of the story. The dream sequences are used to pose philosophical questions about life, the world, the nature of free will and death itself. Make no mistake, Ubiety is a book meant to make the reader think.

There’s not very much I can say about characters, as the only named character in the book is Adam himself. Given that he’s an unreliable narrator, and it’s never made sure how much of what occurs is real and how much isn’t, he doesn’t have a character arc and there’s not a lot that can be said about his personality. He’s a man in a very dark place. Additionally, I can’t say anything about the plot of this book, since there isn’t one. Each section has it’s own plot, in one way or another, but the story lacks a central conflict and resolution, instead being a series of vignettes that are loosely connected.

When I was first contacted by the author, he described the book as being similar to James Joyce’s Ulysses, which I feel is a fair description. Ubiety is written in a way that is intentionally confusing, including run-on sentences that last most of a page and making sure many details of what’s going on aren’t clear. This isn’t an easy, quick read, despite the fact that it’s less than 125 pages. I found myself having to read at a very slow pace to be able to follow what was happening and needing to reread in parts. I do feel like the author went a little overboard with what some call “10 cent words”. Using complex language and words is not something I take issue with, but the amount used here makes this work very frustrating to read. It’s difficult to like a story and become immersed in it if the reader needs a thesaurus to understand every single page. Having said all of that, this book is a success in the sense that the author seems to have achieved what he meant to with his writing style. I didn’t like the writing style, though.

Overall, I can’t really say that I enjoyed Ubiety. It was a struggle to get through, and since its story is all over the place and has no real resolution, I was a bit annoyed when I reached the end. I will commend the author for writing this work at the age of 16 and I feel like, given some time and with some editorial feedback, he could have a very successful career as an author. Fans of dark and intense literature might enjoy this book, as well as anyone who wants to ponder over the meaning of life for a few days. This book simply wasn’t for me.

Rating: 2.3 Stars  

Follow Me Elsewhere: Facebook \ Twitter \ Goodreads \ Instagram

Buy Me A Coffee?

I'm Fine and Neither Are You

This post contains affiliate links. This means when you follow a link and make a purchase, I make a small commission at no additional cost to you, the customer.

I’m Fine and Neither Are You is a 2019 literary fiction novel by Camille Pagan. It was released in April  by Lake Union Press. I stumbled upon it while browsing Amazon one day and the title intrigued me. It’s a Washington Post best selling novel. It can be purchased here from Bookshop.org.

The novel follows Penelope Ruiz-Kar, a married mother of two who seems to be doing it all and barely keeping it together. Her best friend Jenny, meanwhile, seems to have the perfect life and marriage. Jenny’s shocking death reveals that her life was far from perfect, leading Penelope to decide to truly confront the problems in her life, starting with her and her husband Sanjay committing to complete and total honesty. As Penelope’s vow to stop keeping the peace turns her life upside down, she begins to wonder if honesty really is the best policy.

First, I feel like I should say that I probably wasn’t the target demographic for this story. While this is adult fiction, and I am an adult, a 26-year-old single woman with no kids is going to have different tastes than a married woman, a parent or someone who is a little older. I didn’t find tis book to be terrible, but it also wasn’t especially interesting to me. The story started off interestingly enough, but it honestly began to feel like it was going anywhere special. The story centers around a woman trying to fix her semi-broken marriage, which isn’t especially interesting to read and didn’t leave me feeling much of anything.

Penelope spends most of the novel thinking about the way her marriage used to be and how happy she once was with Sanjay. Or contemplating how her job makes her a decent living, but its not really what she’s passionate about. Or how confused and frustrated she is about the secrets Jenny was keeping from her that she learned after her death.  It’s a story where the main character thinks about a lot of things, but very little plot happens. Additionally, Penelope isn’t a main character that I enjoyed. I felt like she didn’t have much personality and the most prevalent personality trait that she did have was whininess. Both before and after Jenny’s death, which serves as the inciting incident of the story, Penelope does a lot of thinking about how she wishes her life were different, she thinks about the problems she’s just been ignoring, but it takes an exceptionally long time for her to say or do anything about it. Some of her actions, which are supposed to feel selfless, read as very selfish or self-obsessed to me, especially where Jenny’s family are involved. Scenes that are meant to be read as empathetic instead feel like an excuse for her to talk about herself and problems she’s had in the past. Between a plot that crawled along and a main character I didn’t like, the book was very hard for me to stick with and enjoy.

I think the most frustrating aspect of this novel is that it did have potential. Jenny’s death, and the cause was the reader learns later, was a good opening to talk about an issue that’s very topical in 2019. I’m Fine and Neither Are You could’ve used the set-up to actually discuss the current issue and show it from many different sides. It could’ve focused on the grieving process itself and how to struggle with grieving someone while also being angry at the secrets they kept. These elements feature in the story, but end up taking a backseat to the marriage melodrama. (As an aside, perhaps I’ve read too many thrillers, but I half expected Jenny’s death to have actually been a murder and thus add something to the story). A story doesn’t have to be a sweeping epic to keep my attention, but the story does need to go somewhere. Something needs to happen, and for the most part, nothing really happened here other than Penelope thinking a lot and her talking to other people a little bit.

This review has been negative so far, but there are some aspects I think the story does well. Penelope and Sanjay’s relationship is one of the most realistic ones I’ve read in a while. I know plenty of people in real life whose marriages look an awful lot like theirs. They don’t hate each other, but clearly a lot of the romance has gone and they’re in the stage where things have become routine. The conclusion of the story is also realistic. Some changes take place, but no one’s life has become drastically different. It’s frustratingly mundane. The author isn’t a bad writer, but the story being told is far from interesting or exciting in my opinion.

I’m Fine and Neither Are You is just as its title says. It’s fine. It’s not great, but it’s also not the worst book I’ve ever read. If I had to assign it a color, the color would be beige. Boring, safe and doesn’t stand out in any way. I think my experience with this book shows that I need to pay a little bit less attention to how highly-recommended a book is on the internet as a whole. This book is a best-seller and the composite rating is high, but just because 20k+ people like it doesn’t mean it’s the right fit for me. It’s a short read. You can easily pass time reading it, but I don’t agree with the reviews saying that this book is interesting or deep or life-changing.

Rating: 2.4 stars

Follow Me Elsewhere: Facebook \ Twitter \ Goodreads

Buy Me A Coffee?

Nothing to See Here

This post contains affiliate links. This means when you follow a link and make a purchase, I make a small commission at no additional cost to you, the customer.

Nothing to See Here is a 2019 novel by Kevin Wilson. It was published in October of 2019 by Ecco, an imprint of Harper Collins. It became a New York Times Bestseller and was named a Best Boom of the Year by New York Time Book Review, The Washington Post, People and several other newspapers and magazines. The novel can be purchased here from Bookshop.org.

The novel tells the story of Lillian, a young woman who works a dead-end job when she’s suddenly contacted by a close friend from her old boarding school Madison. Despite having not seen her for ten years, Madison reaches out to Lillian asking for help with her stepchildren who will soon be coming to live with the family. Lillian agrees to be the children’s caretaker and its only after agreeing to take the position that she learns the twins have a strange affliction- whenever they become upset or angry, they catch fire. Despite the strangeness of the situation, Lillian and the twins begin to trust each other and stay cool, but the machinations of Madison’s politician husband may ruin everything.

The story is, when boiled down to its basic elements, a family drama wrapped up in a story of magical realism. As a result, as with most family dramas, there aren’t an abundance of characters. There are only five or six characters that are seen often enough and given enough personality to warrant discussing. Lillian is the point-of-view character and at the beginning, she’s directionless. She has a dead-end job, a dead-end life and it seems like she agrees to Madison’s proposal because she doesn’t have a reason not to. Once the twins enter the picture, her interactions with them start to show the reader the person she really is. She’s also, seemingly, the only person in the story who isn’t overly perturbed by the situation. The twins are 10-year-olds Bessie and Roland, and they’re actually pretty sweet kids. When I read the blurb for Nothing to See Here, I was expecting the “kids who catch fire when they get upset” characters to behave sort of like Draco Malfoy. I thought I’d hate them; they’d be complete brats who use their gift to terrorize any nanny, teacher or authority figure who told them “no”. Instead, they’re just lost children. They both have issues they need to work through, mostly focused on their mother’s death and their father abandoning them when he divorced their mother, but from almost the first time they appear, it’s clear that the twins are just as scared of their abilities as anyone else. Madison is Lillian’s old friend and Bessie and Roland’s stepmother. She appears to be the perfect wife for a Senator and lives the perfect life. I won’t lie, I hate Madison. I was supposed to hate her. Madison is a character that’s all about appearance and meeting expectations. She went to a prestigious boarding school, because she came from a wealthy family; she went to an elite college because that’s what was expected of her; she married a politician and had an adorable, well-behaved son because that’s exactly what she was supposed to do. Everything she does in the story is about making sure that the family’s image, and her husband’s political ambitions, don’t run into any roadblocks. The twins need to be kept out of sight, with no one aware of their abilities, because it could cause the Senator some unneeded press coverage. Lastly, there is the Senator, Jasper Roberts. He’s a Senator, one who could become the next Secretary of State and by far, the closest thing this story has to a true villain. He’s a complete and total jerk and that’s the nicest way I can say it. if Madison’s main focus is split between the family’s image and Jasper’s ambitions, then his is solely on his political aspirations. He’s decided he going to become the next Secretary of State, and no one, not even his children, are going to get in the way of that. When first introduced, he just seems like an arrogant man, a stereotypical politician who talks a lot but means nothing, As the story progresses, you realize that Jasper only cares about Jasper. He divorced the twins’ mother and decided to pretend like they didn’t even exist and weren’t related to him anymore. He barely interacts with any other characters for much of the story, but when he does appear, I want to crawl into the book and deck him in the face. As I said, he cast of characters is very small.

Nothing to See Here is by far the funniest book I’ve read om 2019. Wilson does an excellent job of mixing humor into a story that would otherwise be a very somber, or downright tragic one. Rather than avoid illuminating the weirdness of the characters or the bizarreness of the situation they’re in, he leans into it, which not only makes the story unique, but compels the reader to keep turning the page. The characters are quirky and strange and the narrative embraces that before using the humor to hit the reader in a way they didn’t see coming. The plot is original in a way no other book I’ve read this year is. Wilson’s skills as a writer must be commended, as not many could take such a strange concept and make it work so effortlessly.

While I did enjoy the book overall, I did feel slightly let down by the ending. I was happy to see that the twins and Lillian all ended up in a situation that was good for them. The resolution of what should happen with the twins was the best possible outcome that the story could have. It was as close to a “happy ending” as one could hope for. The thing that disappointed me were the lack of consequences for other characters though. Jasper never gets what he deserves. Neither does Madison for that matter. They face some consequences, but not as many or as severe as I would’ve liked. While I couldn’t find a smug satisfaction at how Jasper and Madison’s storylines ended, they do reflect the most realistic outcomes. In the real world, a Senator and his wife would get off the hook with little to no real consequences. Still, I would’ve liked at least one of them to be hurt a little more by the result of their own actions. My disappointment at the conclusion is probably a sign of Wilson capturing the real world so effective. Things aren’t wrapped up neatly in a nice little bow, regardless of how much we want them to be.

Nothing to See Here is an inventive, hilarious story. It stands out as one of the best books I’ve read this year. I found the premise very refreshing and I could’ve read another 200 pages and still wanted more. Kevin Wilson weaved a unique, relatable story while also keeping it grounded enough to appeal to many different types of people. I’d recommend any fan of literary fiction or magical realism get it a read.

Rating: 4.8 stars

Follow Me Elsewhere: Facebook \ Twitter \ Goodreads

December TBR

Well, it's that time of the month! Time to talk about all of the books on my TBR list. I'm hoping to get through all of these in this month, but we'll see. I'm not sure how many reviews I'll write this month either, since I wait until after a finish a book to decide if I'm going to review it. Some books I finish, and I don't really feel the need to write a full review. I'm getting off track. Here are the books I'm hoping to read in December, with one holdover from November.



Dune Messiah by Frank Herbert

Dune Messiah continues the story of Paul Atreides, better known--and feared--as the man christened Muad'Dib. As Emperor of the Known Universe, he possesses more power than a single man was ever meant to wield. Worshipped as a religious icon by the fanatical Fremens, Paul faces the enmity of the political houses he displaced when he assumed the throne--and a conspiracy conducted within his own sphere of influence.

And even as House Atreides begins to crumble around him from the machinations of his enemies, the true threat to Paul comes to his lover, Chani, and the unborn heir to his family's dynasty...

Genre: Fiction, Science Fiction



Catch and Kill: Lies, Spies and a Conspiracy to Protect Predators by Ronan Farrow

In 2017, a routine network television investigation led Ronan Farrow to a story only whispered about: one of Hollywood's most powerful producers was a predator, protected by fear, wealth, and a conspiracy of silence. As Farrow drew closer to the truth, shadowy operatives, from high-priced lawyers to elite war-hardened spies, mounted a secret campaign of intimidation, threatening his career, following his every move, and weaponizing an account of abuse in his own family.

All the while, Farrow and his producer faced a degree of resistance they could not explain -- until now. And a trail of clues revealed corruption and cover-ups from Hollywood to Washington and beyond.

This is the untold story of the exotic tactics of surveillance and intimidation deployed by wealthy and connected men to threaten journalists, evade accountability, and silence victims of abuse. And it's the story of the women who risked everything to expose the truth and spark a global movement.

Both a spy thriller and a meticulous work of investigative journalism, Catch and Kill breaks devastating new stories about the rampant abuse of power and sheds far-reaching light on investigations that shook our culture.

Genre: Non-Fiction, True Crime



Nothing to See Here by Kevin Wilson

Lillian and Madison were unlikely roommates and yet inseparable friends at their elite boarding school. But then Lillian had to leave the school unexpectedly in the wake of a scandal and they’ve barely spoken since. Until now, when Lillian gets a letter from Madison pleading for her help.
Madison’s twin stepkids are moving in with her family and she wants Lillian to be their caretaker. However, there’s a catch: the twins spontaneously combust when they get agitated, flames igniting from their skin in a startling but beautiful way. Lillian is convinced Madison is pulling her leg, but it’s the truth. 

Thinking of her dead-end life at home, the life that has consistently disappointed her, Lillian figures she has nothing to lose. Over the course of one humid, demanding summer, Lillian and the twins learn to trust each other—and stay cool—while also staying out of the way of Madison’s buttoned-up politician husband. Surprised by her own ingenuity yet unused to the intense feelings of protectiveness she feels for them, Lillian ultimately begins to accept that she needs these strange children as much as they need her—urgently and fiercely. Couldn’t this be the start of the amazing life she’d always hoped for?

Genre: Fiction, Fantasy

 

The Savior's Champion by Jenna Moreci

Tobias Kaya doesn't care about The Savior. He doesn't care that She's the Ruler of the realm or that She purified the land, and he certainly doesn't care that She's of age to be married. But when competing for Her hand proves to be his last chance to save his family, he’s forced to make The Savior his priority.

Now Tobias is thrown into the Sovereign’s Tournament with nineteen other men, and each of them is fighting—and killing—for the chance to rule at The Savior's side. Instantly his world is plagued with violence, treachery, and manipulation, revealing the hidden ugliness of his proud realm. And when his circumstances seem especially dire, he stumbles into an unexpected romance, one that opens him up to unimaginable dangers and darkness.

Genre: Fiction, Dark Fantasy



Bone Quarry by K.D. McNiven

When the Oceanic Research Institute sends out a team of biologists to find out why there are dead fish washing ashore off the Brazilian coast, they never dreamed of what dangers awaited them. Dive leader, Megan Gerhart and her team discover what appears to be an underwater graveyard, heaped with bones…human bones!

When they call in paleontologist Rourke Wolf to investigate their chilling findings, the team is thrown into a spine-tingling adventure that could cost them their lives, both in and out of the water. Faced with death-defying odds, they must confront dinosaurs believed to be extinct for 8 million years … Does the team have the grit to escape this terrifying encounter alive, when the odds are not in their favor?

Genre: Fiction, Science Fiction


So, we've got a pretty even split here: two fantasy books, two science fiction and one non-fiction. The non-fiction book is the first one I've read in quite a while, but it has excellent reviews. In fact, most of the books on this list are highly recommended. I look forward to seeing if they live up to my expectations.

What's on your TBR?


Follow Me Elsewhere: Facebook \ Twitter \ Goodreads

Days of Rock & Roll

Days of Rock & Roll is a 2018 thriller novel by Kelly Holm.  It was published in July of 2018 by the author. I was provided with an advanced copy of the book in exchange for an honest review.

The story follows a photopgrapher named Ariana who argees to photograph her ex-boyfriend Zak’s band while they’re on tour for a magazine. The pair had a bad break-up many years ago and Zak intends to use Ariana’s assignment as a chance to win her back. Ariana, despite their break-up, hasn’t gotten over Zak as much as she claims and just wants to get through the job as quickly as possible. Complicating both exes plans is the presence of a Hollywood starlet who has decided Zak is hers and a shady figure from Ariana’s past that’s not willing to let her go. When Ariana disappears, Zak does everything he can to find her.

First, let’s begin by discussing the characters in this story. Ariana is one of the point of view characters and one of the two main characters. Ariana is one of my favorite main characters in a while. She’s not a reader-insert type character, she’s her own person and is dripping with personality. Not only that, but she has her own goals, and her own agency, which characters in some stories like this tend to lack. When she finds herself in a dangerous situation, she doesn’t just let things happen to her, but at the same time, she’s smart about how she reacts to things. I was rooting for Ariana from beginning to end in this story. The other main character is, of course, Zak, the guitarist of the world-famous band Dark Horse and Ariana’s ex. I feel a little less favorably towards Zak than I do Ariana, which is mostly because of a few things he does early in the story. He clearly has his own plans, and demons and things going on, but I found myself getting annoyed with him in parts. Rick is Ariana’s boyfriend, who she breaks up with very early in the syory because she thinks he’s too clingy. I hate Rick. Every reader is supposed to hate Rick. At first, I thought he was just going to be an obsessive ex who causes some problems for Ariana because he’s mad they broke up, but it turns out to be that he’s part of some very dark things. Rick is, undoubtedly, the villain of this story. Jules is Ariana’s sister and manager. I expected her to be a side character at first, mostly existing for Ariana to talk about her conflicted feelings for Zak, and not much else. Then, Rick becomes very embittered by their break-up and Jules becomes one of the most important characters in the entire story. The last character to discuss is Josie Winters, the Hollywood starlet who’s decided she and Zak are going to be together, no matter what. She starts off as an annoyance, and continues to be an annoyance, up until the very end of the story where she goes completely off the rails. Like Rick, we as the readers are meant to dislike her. The story is, on its surface, about Zak trying to get Ariana back so any character that threatens the happy ending needs to come off as unlikeable.

The actual writing in Days of Rock & Roll is great. The author does a fantastic job of mixing telling information to the reader with properly displaying it. There’s enough detail being shared for the reader to get into the story and the setting without it being overkill. We know what all of the characters look like, and the places that they are, without it seeming like the author wanted to explain every single object in the room a character is in. There are a few minor mistakes, but nothing that made me want to stop reading. I’ll discuss the pacing in a little bit, but Holm did a fantastic job building tension in the right places. In the climax of the story, when Rick’s almost cornered and Ariana’s almost safe, I wasn’t completely sure if the plan to save her would actually work. I enjoy that in a story. Characters need to struggle, especially in the final confrontation. They need to fail, or get tricked, and here that’s what happened. It’s a very well written book from a character and emotional perspective, but has room for improvement where the plot is concerned.

The pacing of the novel is a little uneven, which in turn makes the plot a little hard to follow and jarring in some places. More than half of the book is about Ariana and Zak remembering the beginning of their relationship and what happened during their break-up, while they also go back and forth about what feelings they still have. A lot of these scenes have the awkward “I’m talking to my ex” feel that gets interrupted by one external factor or another, usually Josie showing up and insisting that she’s dating Zak. The Ariana-Zak drama is broken up by Josie plotting how to “make Zak hers” and Rick getting increasingly angry and frustrated about Ariana dumping him until he goes as far as to kidnap her sister to find out where she is. After he kidnaps Jules, he kidnaps Ariana and that’s the point where the story takes a very hard left turn that had me thinking “what am I reading?”. Rick, it turns out, is nowhere near the person who Ariana thought he was. She broke up with him because he was a little boring, and very clingy. After their break-up and he starts to spiral, it comes to light that he’s a very, very bad person and that he’s not going to stop until he gets what he wants and he doesn’t care who gets hurt or dies because of it. Until this happens, the main antagonist looks to be Josie, who absolutely will not leave Zak alone, and she’s then more or less sidelined until after Rick is dealt with.

I think the root of my criticism about Rick’s actions seeming to come out of nowhere is the lack of foreshadowing. During the first few scenes with him, he seems like just an angry ex-boyfriend. I expected him to chase after Ariana, possibly stalk her. Maybe he gets into a confrontation with Zak because he refuses to accept that they broke up. Then, he kidnaps Jules and it seems like he’s starting to unravel, and a little dangerous, but not a serious threat to Ariana. He then abducts her, and the reader learns his backstory, which is much darker than anyone expected. (I should mention that I can see some problematic elements in Rick’s backstory and motivations. I don’t believe in spoiling major plot points unnecessarily, so I won’t get to in depth, but Rick’s motives, philosophy and especially his behvaior once he thinks he’s “won” create a stereotypical, and damaging image of the culture he’s a part of.) The problem is that Rick, his skills, his connections, et cetera, seem to come out of nowhere. There’s no mention of a mysterious job early on that indicates there’s more to him than appears. Ariana never mentions finding anything off or strange about him. And outside of one character saying Ariana and Rick didn’t make sense as a couple, or a friend of hers saying she never really like him but couldn’t explain why, there’s no indication or foreshadowing that things with Rick are going to get as intense as they do. I don’t like major plot elements spelled out for me, but I also don’t like feeling that they come from absolutely nowhere.

As I mentioned earlier, Josie seems like she might be the main antagonist until Rick turns out to be a complete monster. Josie just seems to be conniving and manipulative. She wants to date Zak, not because she has real feelings for him but because she wants him to make her famous. Her logic is that, if she marries someone super famous, she’ll be super famous too. She doesn’t like Zak, but she loves what he could do for her. She’s even willing to commit fraud and blackmail in order to make him be with her. Her plan of course, makes no sense and blows up in her face, but it was strange to me how much emphasis was placed on her and her plans when they only seemed to have a secondary impact on the plot.

Now that I’ve discussed my biggest criticisms of the story, let me just touch on a few other things I want to mention. I said earlier that the pacing is a little weird, this is because there isn’t a clear divider between one POV and another if its not in between chapters. The same can be said for transitions between Ariana’s memories of her relationship with Zak and the present events. One paragraph, she’s in Berlin five years ago, and the next she’s getting off of the plane in Detroit in the present. Something as simple as a break in between paragraphs would’ve made the transition less jarring.

Days of Rock & Roll is a good book, but the last third or so of it doesn’t seem to fit with the rest. The main conflict sort of comes out of nowhere and it makes a book with very little tension up to that point suddenly become incredibly serious. I can’t decide if the author wanted to write an abduction story and framed the whole “exes reuniting” idea around it, or if she wanted to write about two exes reuniting and then found a way to include the kidnapping plot. In either case, it’s not well-executed, which is a shame because I liked the beginning of the story, and I like the actual kidnapping plot, but they didn’t really work together. I’d recommend this book to others, but not without warning other readers that the conflict seems to come out of nowhere.

Rating: 3.6 stars

Follow Me Elsewhere: Facebook \ Twitter \ Goodreads

November TBR

Hello everybody!

I know that I'm a little late to be doing my monthly TBR, but in my defense, the first week of November was a little crazy. Could I have foreseen the craziness? Yes, but for some reason I didn't and I'm now dealing with the consequences. Anyway, let's just get straight into all of the books I plan to (hopefully) read this month.

The Books


Days of Rock and Roll by Kelly Holm

Ariana is a very talented photographer who agrees to photograph her ex-boyfriend Zak’s band, Dark Horses, for Sound Trip magazine. Zak is thrilled and plans to use the occasion to win her back. However, when Ariana arrives, she catches Zak in a very compromising situation with Hollywood starlet Josie Winters, who wants Zak for herself.

Before Zak can explain to Ariana that what saw was a complete misunderstanding, Ariana mysteriously disappears in the middle of the night, and Zak is filled with guilt and wonder. When he realizes that she has been kidnapped, he’ll stop at nothing to find her. Will Zak find Ariana before it’s too late? 




Beneath A Scarlet Sky by Mark Sullivan

Pino Lella wants nothing to do with the war or the Nazis. He’s a normal Italian teenager—obsessed with music, food, and girls—but his days of innocence are numbered. When his family home in Milan is destroyed by Allied bombs, Pino joins an underground railroad helping Jews escape over the Alps, and falls for Anna, a beautiful widow six years his senior.

In an attempt to protect him, Pino’s parents force him to enlist as a German soldier—a move they think will keep him out of combat. But after Pino is injured, he is recruited at the tender age of eighteen to become the personal driver for Adolf Hitler’s left hand in Italy, General Hans Leyers, one of the Third Reich’s most mysterious and powerful commanders.

Now, with the opportunity to spy for the Allies inside the German High Command, Pino endures the horrors of the war and the Nazi occupation by fighting in secret, his courage bolstered by his love for Anna and for the life he dreams they will one day share.



The Body In Question by Jill Climent

The place: central Florida. The situation: a sensational murder trial, set in a courthouse more Soviet than Le Corbusier; a rich, white teenage girl—a twin—on trial for murdering her toddler brother.

Two of the jurors: Hannah, a married fifty-two-year-old former Rolling Stone and Interview Magazine photographer of rock stars and socialites (she began to photograph animals when she realized she saw people “as a species”), and Graham, a forty-one-year-old anatomy professor. Both are sequestered (she, juror C-2; he, F-17) along with the other jurors at the Econo Lodge off I-75. As the shocking and numbing details of the crime are revealed during a string of days and courtroom hours, and the nights play out in a series of court-financed meals at Outback Steak House (the state isn’t paying for their drinks) and Red Lobster, Hannah and Graham fall into a furtive affair, keeping their oath as jurors never to discuss the trial. During deliberations the lovers learn that they are on opposing sides of the case. Suddenly they look at one another through an altogether different lens, as things become more complicated . . .

After the verdict, Hannah returns home to her much older husband, but the case ignites once again and Hannah’s “one last dalliance before she is too old” takes on profoundly personal and moral consequences as The Body in Question moves to its affecting, powerful, and surprising conclusion.




Dune by Frank Herbert

Set on the desert planet Arrakis, Dune is the story of the boy Paul Atreides, heir to a noble family tasked with ruling an inhospitable world where the only thing of value is the "spice" melange, a drug capable of extending life and enhancing consciousness. Coveted across the known universe, melange is a prize worth killing for...

When House Atreides is betrayed, the destruction of Paul's family will set the boy on a journey toward a destiny greater than he could ever have imagined. And as he evolves into the mysterious man known as Muad'Dib, he will bring to fruition humankind's most ancient and unattainable dream.



Dune Messiah by Frank Herbert

Dune Messiah continues the story of Paul Atreides, better known--and feared--as the man christened Muad'Dib. As Emperor of the Known Universe, he possesses more power than a single man was ever meant to wield. Worshipped as a religious icon by the fanatical Fremens, Paul faces the enmity of the political houses he displaced when he assumed the throne--and a conspiracy conducted within his own sphere of influence.

And even as House Atreides begins to crumble around him from the machinations of his enemies, the true threat to Paul comes to his lover, Chani, and the unborn heir to his family's dynasty...



Of the five books I've mentioned, only one is a reread. I read Dune years ago and I've decided to reread it since there is a film adaptation coming out in 2020. Five books is more than I normally read in a month, but I decided to challenge myself. We'll see how it goes.

What's on your TBR?

Follow Me Elsewhere: Facebook \ Twitter \ Goodreads

Where the Crawdads Sing

This post contains affiliate links. This means when you follow a link and make a purchase, I make a small commission at no additional cost to you, the customer.

Where the Crawdads Sing is a 2018 novel by Delia Owens. It was published by G.P. Putnam’s Sons. It’s topped The New York Times Fiction Best Seller list for 20 non-consecutive weeks in 2019. The book was selected for Reese Witherspoon’s Hello Sunshine Book Club within two months of being published and Barnes & Noble named it one of the best books of 2018. It can be purchased here from Bookshop.org or here from Amazon.

The novel follows the life of Kya Clark, the so-called “Marsh Girl” who’s become a local legend in the town of Barkley Cove, North Carolina. Intelligent and sensitive, she’s lived most of her life alone in the marsh, mostly isolated from people and connecting with nature instead. In 1969, former football star Chase Andrews is discovered dead and the locals immediately being to suspect Kya.

The novel unfolds in two timelines. One depicts Kya’s life following her mother abandoning the family and describes her childhood and young adulthood growing up alone in the marshes. The second timeline explores the investigation of Chase’s death and the trial that follows. While the second timeline has some great moments, its in telling the story of Kya’s upbringing where Owens’ talent shines. She doesn’t simply tell the reader about the marshes, but transports them there. The rich imagery creates a vivid picture of a setting most readers would never witness personally, but somehow it feels familiar. I often find it difficult to full immerse myself in the setting of a book easily, but Where the Crawdads Sing is a rare exception. I found myself wanting to read more about the beautiful, yet sometimes eerie, land.

While the descriptions of the marsh, and the wildlife within it, are spectacular, they pale in comparison to how Kya is written. When I first picked up the book, I thought the premise would be too sad for me. Kya is a child when she is left pretty much on her own, save an alcoholic and often absent father. Others might use such a situation to tell a depressing story about what the loss of human connection can do to one’s mind. Owens is not others, though. While Kya is very obviously alone, I rarely felt a hopeless sense of loneliness. She is isolated from the town, but thanks to a handful of people, she’s not completely alone. Even when she was at her lowest, there was never a feeling of desperation or despair.

While many in town look down on the “marsh people” and sneer at the “Marsh Girl”, Kya is one of the most intelligent characters portrayed. She may have only gone to school for one day, but she knows and understands the animals and plants in the marsh better than anyone else. Kya is reclusive, yes, but its not entirely by choice. She was abandoned by her parents, her siblings, the school system, and a town that made no attempt to aid her, but the marsh, nature itself, did not. Her isolation might’ve been forced at first, but it becomes clear later on that she remains in the marsh by choice.

The book is touted as being somewhat of a murder mystery, but that isn’t the focus on much of the plot. The story centers around Kya and her coming of age in this strange situation. It’s Kya’s story, the murder investigation just happens to tie into that story. The bigger story is about survival and the resilience necessary to survive despite hard circumstances and seemingly no chance of the situation improving. As I mentioned earlier, this story has sad moments, but thanks to Owens’ writing and a well-crafted plot, it isn’t a sad story.

Now, its time to discuss a few tiny complaints I have. They are minor, but in order for this to be a balanced review, I can’t only talk about the positive aspects of Where the Crawdads Sing. The story does drag a little bit in certain parts, especially when Kya’s journey first begins. The prose is still praise-worthy, but some of the passages describing the world of the marsh are a little longer than they need to be. The same goes for different scenes of Kya trying, and failing, to make food the way her mother used to. The biggest letdown for me is how the murder investigation, and subsequent trial, is resolved. It wasn’t badly written, it wasn’t that it didn’t make sense, it was just kinda boring. The courtroom drama seemed as odds with the world the rest of the book created and felt tacked on. The ending was somewhat middling as well. It was a natural, but sadly boring, way to end Kya’s story. Rather than give the reader an ambiguous ending, Owens went for a finite ending, which doesn’t feel quite right for a character as independent and free-spirited as Kya.

 Where the Crawdads Sing is one of the best novels I’ve read this year. It’s a story about survival, love, desperation and hope. It’s a fantastic coming-of-age story that also delves into deeper themes about prejudice, humanity and our connection to nature. I enthusiastically recommend it to anyone slightly intrigued by its premise.

Rating: 4.7 stars  

The Power

This post contains affiliate links. This means when you follow a link and make a purchase, I make a small commission at no additional cost to you, the customer.

What would happen if, one day, women developed the ability to emit electricity from their fingertips? How would politics and society change as a result of women gaining a power over men? What happens when the powerful find themselves suddenly powerless, and women become the physically dominant gender? These questions rest at the center of The Power by Naomi Alderman. Spoiler alert- the answer isn’t the utopia we’d all like to believe would occur. The novel can be purchased here from Bookshop.org.

The Power is written in a “book within a book” format. It’s framed as a historical novel written by Neil Adam Armon (an anagram of Naomi Alderman’s own name) which he’s sent to a friend to read and review. Having been written 5,000 years after an event called the Cataclysm, it chronicles what happens in the ten years before the Cataclysm that led to the event and society being rebuilt as a matriarchy after the dust settled.

One day, women and post-pubescent girls across the globe develop the ability to electrically shock others with a simple touch, to the extent of being able to electrocute a person if desired. What starts out as a rare ability soon develops into nearly all women having the power. With women now having a power, things soon transition into having most of the power, and the changes that comes with it. Men are no longer the gender to be most feared. Some men aren’t willing to relinquish power and some women feel like comeuppance is in order.

The Power’s concept I found fascinating when it was first suggested to me. Rather than a story about a world without men or a world where humanity was always a matriarchal society, it depicts how modern society would react to a change from patriarchy to matriarchy. It’s also a novel that becomes more difficult to read as things escalate. When the women’s power first becomes known, changes are minimal, and familiar to many female readers. Boys and men are advised not to travel alone or at night. They learn to become much more aware of their surroundings. Things most women today take as common sense. As things progress, tensions escalate and some go overboard now that they have power. As one very poignant line in the book states:

It doesn’t matter that she shouldn’t, that she never would. What matters is that she could, if she wanted.

Alderman depicts, in a stark lighting, why a woman-run world would not and could not be the utopia others might argue it would be, and does so realistically. Men wouldn’t willingly give up power, especially in less developed parts of the world. Women who have suffered all their lives at men’s hands, likewise, wouldn’t gain superiority over them and not attempt to get revenge. Men made women suffer, and now women will make men suffer. It shows that it isn’t sex that makes the powerful do terrible things, it’s the power itself. Alderman weaves a descriptive, even at times horrifying, narrative showing this transition, and the extremes both sides will go to for their agenda.

The aspect of this work I liked most was the way the story unfolds. It begins ten years before the Cataclysm, when the power is first discovered, and each section of the book brings the reader closer and closer to the day the Cataclysm takes place and reveals how this world-ending event came to be. The progression of these events is told from multiple perspectives throughout the book:

• Allie- A troubled teen who discovers her power and, following a confrontation with her abusive foster father, runs away to convent. She becomes a religious figure known as Mother Eve, whose significance becomes amplified in the world post-Cataclysm
• Roxy- One of the first women to discover her power. She attempts to use it to save her mother, unsuccessfully and strives to get revenge. She crosses paths with Mother Eve while trying to grow her power. She’s shown to be the physically strongest wielder of the power, wile Mother Eve is the most skilled at using it.
• Margot- An American politician who was often overlooked by her male colleagues. She advocates for girls to be trained on using their powers. Men fear the training camps she establishes are precursors to creating a militarized force of female soldiers. Her daughter, Jocelyn, develops the power early and struggles to control it.
• Tunde- The only male POV character in the novel-within-a-novel. He is the first person to capture a video of the women’s newfound power. This leads to him becoming a freelance journalist and traversing the globe to report on uprisings as women in male-dominated countries begin uprisings.

These characters’ stories all converge in Moldova just before the Cataclysm. Explaining why and how each character ends up there would spoil significant elements of the individual stories and the narrative as a whole. My favorite thing about these characters is that no one character is the “hero”. Every character exists in the grey area and while some began with good intentions, those get warped.

The Cataclysm isn’t shown, nor its immediate aftermath. The novel ends with Neil, the fictitious writer 5,000 years post-Cataclysm, and Naomi corresponding back and forth about his novel. This is the only glimpse we get of the world after the Cataclysm, and the questions that are brought up sound somewhat familiar.

How much stock should be put in history books about what happened centuries ago? How much information was lost because of personal biases? To what extent should biology define us? Lastly, is the power structure we occupy and the society we live in “natural”? Are we capable of better? Do we simply choose not to be better?

Rating: 4.5 stars