Odriel's Heirs

Odriel's Heirs is a 2020 young adult high fantasy novel by Hayley Reese Chow. It is being self-published by the author and is scheduled for release on March 1, 2020. The e-book is currently available for pre-order on Amazon and you can purchase it here.  The author provided me with an advanced copy of the book in exchange for an honest review.

The novel's blurb reads as follows:  As the Dragon Heir, seventeen-year-old Kaia inherited the power of flame to protect her homeland from a godlike necromancer’s undead army. But after centuries of peace, the necromancer has faded to myth, and the Dragon Heir is feared by the people. Persecuted and cast out, Kaia struggles to embrace and control her seemingly useless gift while confined to her family’s farm. But when the necromancer’s undead terrorize the land once again, Kaia runs away to join the battle. With the help of her childhood rival, the handsome Shadow Heir, and a snarky, cursed cat, Kaia must figure out how to control both her fire and her confidence in time to save Okarria. If she fails, she will sacrifice her family, her new friends, and the enchanting world she has only just begun to see. And time is running out.

Before I discuss what I think of the story overall, I'd like to talk about the characters within the story. Kaia is the main character, and our point-of-view character, for the novel. I liked her character, I enjoyed her growth as a character from a girl who's unsure of herself and her powers to a confident and powerful fighter. She had fears and doubts and agency which made her story compelling. Even when she did things that frustrated me, it didn't make me stop liking the character, I just didn't like the choice she made. Best of all, she's a seventeen-year-old character that reads as being a seventeen-year-old. Along her journey, Kaia encounters, and the reader is introduced to, an array of colorful and interesting characters. There is Klaus, the Shadow Heir, and Kaia's childhood rival. At the beginning, he mostly serves as a foil to Kaia as she struggles to gain control. She's unsure of her abilities, while he's confident in his. She's optimistic while he's most pessimistic. Their relationship at the beginning can best be described as "playfully antagonistic"; they aren't friends but for the most part, their fighting isn't serious. Klaus is a well-rounded character in his own right, having needed to come to terms with his own abilities long before the current crisis arose. I liked Kaia and Klaus, but my favorite character by far is Gus, Kaia's ragehound, who serves as a quasi-therapy dog making sure that Kaia keeps her emotions in check. Because as the Dragon Heir, Kaia sometimes experiences something called Dragon Rage, which is pretty self-explanatory. Gus is a good boy and deserves nice things. There are a number of side characters that I could discuss, but it would take me a long time to say what I need to say about all of them. Overall, I liked the diversity with these characters. I liked the fact that characters didn't drop out of the story entirely after they served the initial purpose they seemed to have. I enjoyed the simplicity of the main villain, the necromancer Nifras, as well. He didn't have some complicated motivation where he thought he was doing the right thing. He wanted to use his Lost, the term for the undead in this world, to overrun the world and cover the planet in darkness. Villains that are evil, simply to be evil, are great when utilized properly and Chow did that here. This novel had excellent characters.

Now that I've finished gushing about the characters, let's talk about the story itself. Reading Odriel's Heirs, it's easy to see what works inspired this world and this story, and there's a great deal of variety within that pool. At the same time, while the author took inspiration from Tolkien and others, the story is its own and not an attempt to retread old grounds. I liked the world-building overall, in that there was some information given about specific groups and races, but not everything was spelled out. The reader was able to fill in the blanks and create their own vision of parts of this world. I enjoyed the plot of this novel because things escalated in a way that makes sense. Kaia leaves home to save a handful of people, which turns into needing to save a village and that snowballs into needing to save the world from the undead. The stakes keep getting raised, but they aren't going from very low stakes to extremely high stakes right away. I appreciated that all fight and battle scenes were giving an appropriate number of pages to take place. Short fight scenes didn't run as long as the battle that's going to have more lasting and widespread consequences which is exactly how it should be. Most stories have several plot twists, with some being smaller than others, and this story is no different. I don't spoil books as a rule, and I'm definitely not going to ruin the plot twists of a book that, at the time that I'm writing this, hasn't been released yet. What I will say is that the twist that happens towards the end of the book surprised me in the best way. I didn't see it coming, but on reflection, I could see the hints and pieces of foreshadowing that preceded it. Overall, the novel has a good, solid plot with some fun surprises thrown in.

One of my favorite parts of this book relates to Kaia's character arc, but I wanted to discuss it on its own. That is the focus on problems Kaia faces due to her being the Dragon Heir. Inwardly, there's a great deal of self-doubt and struggle she faces with her role as the Dragon Heir. In-universe it's explained that only the first-born child of the Dragon Heir will inherit his or her parent's gift. Kaia's father is the Dragon Heir and she is also the Dragon Heir because she was born six minutes before her twin brother. One of her biggest struggles is dealing with the fact that, maybe, her brother should be the one with this gift. She wonders if she's going to be enough to stop Nifras. Is she able to live up to the destiny she's supposed to fulfill? At the beginning of the story, she's not sure that she can. She messes up, she fails and she has to learn not only how to use her gifts, but why she's meant to be the Dragon Heir. Aside from Kaia's inner struggle, there's also a degree of outer conflict around her gifts. Normal people are scared of Kaia, scared of what she can do. Even as a child, people were wary and cruel to her. Through a few short interactions, the reader gets to see what the downside to being a Chosen One is. Or what it's like when the people you're meant to defend and protect don't actually want you around to do that. I found the focus on Kaia needing to accept, but internally and externally, that she is the Dragon Heir and that she isn't meant to be normal, to be interesting.

While I enjoyed the book overall, there are a few pieces of criticism I need to share.While the novel has a good, solid plot, the pacing needs a little bit of work. It's a bit too fast-paced in certain parts, making it easy for a reader to get lost or need to go back and reread to figure out what's going on. I liked Chow's writing style overall, but there were some aspects that are indicative of this being a debut novel. Mostly, this was when she told the reader things rather than showing it. This is her first novel, and as a debut, it's excellent, but occasionally, I came across things that reminded me of it being her first novel. The third, and final, criticism I have is about the romance in the story. I didn't think that the romance was bad, but it was a bit predictable. It was predictable, which isn't necessarily bad, and it somewhat relied on a trope that I don't enjoy reading. However, the romance didn't overshadow the rest of the story, so while I'm so-so about that, it didn't take away from my overall enjoyment. 


I loved this book more than I expected to. It told an amazing story and it doesn't read like an author's first novel. While not perfect, it's a solid, enjoyable story. I recommend it to any fantasy reader that finds the premise intriguing. I'm eagerly awaiting the sequel's release, which doesn't have a release date, but the author has announced that there will be one. I'd like to thank Hayley Reese Chow again for providing me with an advance copy of novel so that I could write this review.

Rating: 4.7 stars

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Feathers and Fae

Feathers and Fae is a young adult fantasy novel by Crystal L. Kirkham. It was published in October of 2019 by Kyanite Publishing LLC. I was provided with an advanced copy of the book in exchange for an honest review.

The story follows two teens, Kami and Emmett, who have been best friends for as long as either could remember. Emmett, however, has a secret and his past catches up with him when a dark fae known as the Erlkrönig chases them into another realm, Mythos. When Kami awakes, she can detect when people are lying and that means she knows everything Emmett has ever told her is a lie. Emmett wants to get Kami home, to safety, as quickly as possible while avoiding the Erlkrönig, who is hunting them. On the journey, Emmett’s web of lies starts to unravel and Kami learns the truth, which shakes the foundations of everything she knows to be true.

Feathers and Fae is a book that doesn’t hold many surprises. At the beginning of the story, Emmett is somewhat of an enigma. He clearly has this innate need to protect Kami, although the reason isn’t initially clear. After the pair wind up in Mythos, as a result of Emmett using a previously unknown, to the reader, power, there’s a mystery surrounding what exactly he is. It becomes clear that he also has some sort of connect to the Erlkrönig, which adds some intrigue. All of that intrigue goes out of the window the second time Emmett uses his powers. It becomes very clear exactly what species he is, yet the book continues to try and make it seem like a mystery. Some might say that the title somewhat spoils that particular plot twist, but the title is vague enough to prevent me from saying its entirely predictable in that sense. My biggest complaint centers around the narrative acting like Emmett’s secret is harder to guess than it actually is. Rather than being foreshadowed, it’s pretty much spelled out a hundred pages before someone in the story actually says what he is.

I may be getting ahead of myself. Let’s discuss the characters for a moment. There are about five characters we care about: Emmett, Kami, the seer Jewel, a yeti named Bob and, of course, the bad guy the Erlkrönig. There’s not a lot I can really say about Emmett or Kami. I found them both to be rather bland and one-dimensional. Emmett wants to keep is secrets and get Kami to safety. Kami wants real answers about what the hell is happening and flip-flops between being angry or not angry, at Emmett for being reluctant to give those answers. It felt like a few scenes were repetitive with Kami asking for answers, not getting them and then being grumpy about it, and those scenes started to annoy me after a while. Jewel is a seer they meet to ask how to get home, and she invites herself along on their journey. I liked Jewel for the most part. She was the person who prevented Kami from being completely in the dark, because, as a seer, she knew what information she needed to know at each stage of the adventure. Something that I didn’t like was the fact that Jewel, who’s a seer, keeps ending up in situations where she can’t use her abilities. Her powers aren’t written consistently, and she ends up saying “sorry I didn’t see this” too many times. Bob is a yeti. He’s my favorite character because there isn’t a convoluted backstory or explanation to explain why he’s there. They need a guide through some mountains and he offers to be theirs. Lastly, we have our villain, the Erlkrönig, who’s what most would recognize as a pure evil villain. He wants power. He already has power, but he wants more. He won’t stop until he has all of the power. Emmett beat him once, but didn’t vanquish him, and he’s come back to finish what he started. Fantasy novels are where I see pure evil villains and that’s where they kind of fit the best. They don’t have nuance because they don’t need nuance, they just want to take over the world or whatever. He’s evil and that’s all there is to him.

The plot of Feathers and Fae is a little all over the place. Emmett and Kami wind up in Mythos and they need to get home, to their own realm, before the Erlkrönig finds them and exacts his revenge. The premise is simple, but in a story that’s ultimately about defeating the Erlkrönig, a lot of the story is padded with showing the journey they need to take to get to a portal that’s supposed to take them home. Reaching the portal ends up mattering only in a “if they don’t do x, y can’t happen and thus z is harder to explain” sense. I feel like some of this was done as a way of world-building, but it didn’t feel organic here. If a story is chronicling a journey, then the stops made during that journey need to have an impact on the story as a whole. That doesn’t happen here. The pair, and Jewel, go to the elves territory to use a portal there, only to be turned away. The group then needs to head to the dwarves’ land to use a portal deep in the mountains. The run-in with the elves has no impact later, so the story could’ve worked with the original destination being the dwarves’ land. Once they reach the portal, the story shifts again from being about Emmett and Kami getting home to needing to defeat the Erlkrönig, with very few sightings or threats by him between them coming to Mythos and needing to stop him. If there’d been either less focus on the journey, or if the Erlkrönig was written as a more dire threat during the group’s travels, the flow would’ve worked a little better. There’s a clear reason why the pacing is the way that it is. The long journey gives time for more information about Emmett, and his connection to Kami, to come to light without doing an info dump. The problem is that the most important information is still delivered by Emmett, as a clear info dump, right before the climax. If the same information had been revealed slowly, on the journey, I would’ve liked it better.

Now, let’s discuss the conclusion of the story. Emmett, Kami, Bob and Jewel need to defeat the Erlkrönig to avoid him taking over Mythos, and then the other realms. The book is roughly 380 pages. The final battle, the climax of the story, is 17 pages long. It’s not even 5% of the book. Now, there had been tension building for a while, especially after Emmett encounters the Erlkrönig face-to-face and is captured by him, but that’s an incredibly rushed final confrontation. It’s not like prior to this fight, the characters kept having run-ins with the villain either. For most of the story, they’re traveling, with the vague threat of the bad guy chasing after them. The final confrontation is very rushed. It reads as very rushed. The good guys start losing, Emmett as one last idea to try, and then they win. It’s not dramatic, or drawn out and the way that the heroes win falls just shy of a deus ex machina moment.

Thus far, this review has been very negative. I’m aware of that, but there were some things I enjoyed. I liked the actual realm that the story took place in. it had a rich plethora of creatures, species and locations. As part of the journey, the reader didn’t just get to see one section of the map, but several. Through Emmett and Kami, I learned about the different cultures with this world. The magic system wasn’t completely explained, but the parts that were explored, aside from Jewel’s foresight, were easily demonstrated and well-explained. The best way I can really explain it is that I liked the world, but I wasn’t a big fan of the story that was being told in it.

Feathers and Fae isn’t a bad book, just one that I found disappointing. It could be the first book in a series, but it could also be a stand-alone. If it is the first in a series, that would explain why the plot seems to revolve around building the world rather than the main conflict. I feel like the story is actually two stories that are weakly linked together. There’s the story of Emmett and Kami trying to get back to their own realm. And there’s the story of Kami, Emmett and their companions trying to defeat the Erlkrönig. If the author had chosen the first, it could’ve been good. If she’s chosen the second, it would’ve had potential. Instead, she chose both and I can’t say that I understand why. The story had potential, but that potential wasn't fully realized.

Rating: 2.1 stars

The Wife Between Us

Source: Barnes & Noble

The Wife Between Us is a 2018 thriller written by Greer Hendricks and Sarah Pekkanen. It was published by Pan Macmillian. The New York Time Book Review called it “a fiendishly smart cat-and-mouse thriller”, Glamour’s review stated “Buckle up, because you won’t be able to put this one down” and Publishers Weekly referred to it as “jaw dropping. Unforgettable. Shocking”.

A one-sentence description of the plot is that wealthy man’s jealous ex-wife becomes obsessed with her replacement, a younger, more beautiful woman he’s about to marry. Many other reviews cite a very compelling description from the book itself:

“When you read this book, you will make many assumptions.

You will assume you are reading about a jealous ex-wife.

You will assume she is obsessed with her replacement – a beautiful, younger woman who is about to marry the man they both love. 

You will assume you know the anatomy of this tangled love triangle.

Assume nothing.”

While I won’t begrudge anyone’s opinion, I can’t say I fully agree with the reviews I’ve mentioned above. The narrative is captivating at first. Unfolding through alternating POVs between Vanessa, Richard’s ex-wife, and Nellie, his young fiancé, the first half of the novel reads very well. The suspense builds as Vanessa gets more desperate and makes her way closer to confronting Richard’s new fiancé. Nellie’s fear about a woman who can’t seem to leave her alone, or move on with her life is palpable. The tension continues to build and build to the point where you wonder exactly what will happen when Nellie and Vanessa cross paths.

Then, the twist happens. Halfway through the narrative, a first twist is revealed. It shifts the narrative so that the reader is forced to reevaluate everything occurs up to that point. Unfortunately, the first twist is where the story falls apart. All of the tension built up to by that point washes away and the novel becomes a fairly adequate, by-the-numbers, drama. I would barely call it a thriller since, after that first twist, there’s very little suspense going on. More twists follow, each meaning less and less in terms of the narrative.

The novel is over four hundred pages, but there’s a lot of nothing that happens. Some of the filler in the story, or sidebars to explain certain details, are probably meant to make later twists mean more, or ramp up tension fail to do so. The story doesn’t need to go from one massively important scene or revelation to another, but way too much of the second half of the book is taken up by Vanessa reflecting on “what went wrong” with her marriage, which isn’t hard to figure out.

The novel is very trope heavy. Vanessa is a divorcee living a sad existence after her marriage falls apart. As soon as the divorce happens, her whole life loses meaning and she winds up living with her aunt and working in retail. Nellie is a naïve girl who’s caught up in this whirlwind romance with a successful businessman who gives her everything she could ever want. Richard is suave, powerful and lures Nellie in, despite hiding a secret. My biggest complaint when it comes to tropes is in Vanessa’s behavior towards Richard’s new fiancé. Her actions depict her as a crazy ex-wife which makes it even harder for her to pull off the one thing she’s trying to do. I’m really tired of reading the crazy ex-wife trope or the use of mental illness (its implied by Richard that Vanessa’s mentally ill because her mother was) as a plot device to explain why a character shouldn’t be trusted.

I think my main issue with this novel is how much hype surrounded it. The book was recommended to me by a coworker who claimed I’d enjoy it if I enjoyed Gone Girl. More than one book this year has been pitched to me in the same manner. I heard the same sales pitch last year about a number of books. I feel like the phrase “the next Gone Girl” is thrown around too liberally. Gone Girl was a fantastic thriller. Far too many subpar thrillers published in the following years are equated to it, and I for one think the comparison does an injustice to Gillian Flynn’s work. By saying The Wife Between Us is on the same level, I began reading with very high expectations, and was ultimately disappointed by the story I wound up reading.

The Wife Between Us is a good book, it isn’t fantastic and the narrative treats the plot twists like they are smarter than they really are. If someone asked me “is this book good”, I’d say yes. If I was asked “would you recommend it”, I might say yes, depending on my mood.

Rating: 3 stars.

Behind Closed Doors

Source: Amazon

Behind Closed Doors is a 2016 novel by B.A. Paris. It was published by St. Martin’s Griffin and was both a New York Times and USA Today bestseller. According to the description, it is a “psychological thriller you can’t miss!”

The novel focuses on Grace and Jack Angel. He’s a well-respected attorney focusing on domestic violence victims, while she’s a homemaker. From the outside they seem to have it all. As a tagline on the cover asks however, is this the perfect marriage or the perfect lie? Obviously, with a question like that posed, the answer becomes obvious. Things with the Angels are far from perfect, Jack is not the benevolent attorney, dedicated to saving women from their abusers that he seems to be. The novel centers around Grace trying to figure out what to do about her husband and how to remove herself, and her vulnerable sister Millie, from his sphere of influence.

The narrative unfolds in two timelines: past and present. This shows how Grace meets Jack and they get together while also contrasting it with the life she’s now living. The first chapter, which depicts a dinner party the Angels are hosting, does a fantastic job of filling the reader with a sense of doom and dread. Within a few pages, Grace’s actions and behaviors reminded me of The Stepford Wives. She’s the perfect hostess, the perfect cook, dinner goes down without a single mistake or flub, but at the same time, there’s an underlying fear of what would happen if dinner wasn’t perfect, if she wasn’t the charming hostess. I don’t like using other works to describe a feeling I get, but Stepford Wife was the only way I could describe it. Any work that invokes that comparison instantly gives the impression that either something is about to go horribly wrong, or it already has.

While the beginning creates a sense of dread, once it becomes clear the secret that’s being kept, the rest of the suspense drops off until the climax of the story. The tension in the first few chapters isn’t carried forward as effectively as I would’ve liked. Grace’s desperation is well-crafted and as the story progresses, the feeling of helplessness convinces the reader, or at least this reader, that she might not be able to get away. I’m not sure if I would quite qualify it as a thriller, mostly because there isn’t enough suspense. The actions of Grace and Jack propel the story forward, as opposed to a building up of tension.

As I alluded to earlier, and as the novel makes clear, Jack is hiding a huge secret. I will admit that the secret Jack hides and his motives aren’t quite what I predicted they might be when I read the synopsis of the book, I didn’t completely miss the mark. I went into the book expecting Jack’s secret to be that he’s a domestic violence attorney who, ironically, beats his wife. I expected him to be an abuser who hides behind the façade of someone advocating for abuse victims. That isn’t what his secret is, but he chose his profession deliberately and it isn’t to help others. Another thing I did not expect was the importance Millie, Grace’s 17-year-old sister with Down Syndrome, played in the story. She ended up being a much more important character in the conflict than I anticipated. Millie is smart, she’s resourceful and, despite her dislike of George Clooney, which has a purpose in the story, she’s a good character. Behind Closed Doors is one of the few books have read that has characters with Down Syndrome or another developmental disability that are well-written and multifaceted.

Now, it’s time to discuss some parts and elements that I wasn’t a fan of. There are two chief complaints that I haven’t touched upon yet. One is relatively minor, another related to a huge aspect of the story and plot. My minor complaint is about clichés in this type of work. It’s a psychological drama about the relationship between two people. As an easy way to show that Jack is a psychopath, and how psychopathic he is, he gets Grace a puppy and later kills it. This is the fourth book I’ve read this year where the first sign that the abusive or psychotic husband is abusive or psychotic is that he kills the dog. It does prove Jack’s a monster, but there were plenty of other, more creative, less obvious ways, to show that. Now, to my main complaint, Jack is apparently a supergenius, or psychic. By the time Grace learns the truth about him, he’s already planned for any and every possible contingency to make sure she can’t leave. Even events that are seemingly out of his control, he’s accounted for. The narrative shows only Grace’s perspective, so some aspects might be amplified for dramatic effect because she’s so scared, but his ability to predict any and everything that could happen gets a little annoying. Another thing I found incredibly frustrating is the fact that no one questions his behavior about certain things. No one apparently finds it weird that Grace can’t even go to the bathroom in a restaurant unless he waits outside the door for her. Not every character dismisses it, but far too many chalk it up to them being “so in love”. That behavior, and everyone’s dismissal of it, is part of why Grace is so desperate but it isn’t realistic in the way some of his other behavior is.

The central story is compelling. The twists and turns the story takes are also worth complimenting. Jack is a one-dimensional evil man, but that’s all he needs to be. Grace and Millie are both well-rounded and while I didn’t have a great opinion of Grace at first, as the story unfolds, her behavior had me saying “you’re an idiot, just leave” less and understanding her actions more. Behind Closed Doors is a great book, it’s not a fantastic one. I would recommend it but I don’t see myself gushing about it or insisting that everyone I know read it immediately.

Rating: 3.3 stars

One of Us is Lying

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One of Us is Lying is a young adult novel by Karen M. McManus. It was published in 2017 by Random House. Everyone I know who has read it describes the premise as “The Breakfast Club” meets “Pretty Little Liars” which is a pretty on the nose depiction. The book can be purchased here from Bookshop.org.

The non-spoiler-y summary is as follows: On a Monday afternoon, five students, a brain, a beauty, a criminal, an athlete and an outcast, walk into detention. An hour later, only four walk out. Simon, the outcast and the creator of a gossip app about the school, dies during detention. It’s soon revealed that his death was no accident. The four students in detention with him are the prime suspects and everyone has a motive. More people wanted Simon gone than didn’t.

What unfolds is a complex murder-mystery taking place in a modern high school. One of the strongest points of the book, and the most appealing, is this backdrop of a suburban high school. Unlike traditional mystery novels, a la Sherlock Holmes, the investigation takes place in our time. Simon’s death gains national attention and the investigation unfolds surrounded by, and impacted by, the 24-hour news cycle and the current trend to sensationalize everything. It’s on national news, a 48 Hours-like television program does a piece on the murder while its being investigated. The plot isn’t just impacted by news sources; there’s the added perspective of social media and the role it plays in hew news spreads and how stories are covered. It becomes clear, with some minor characters, that the death doesn’t matter much to them, but the attention the story gains is what they care about.

The novel unfolds through alternating point-of-view segments of the four suspects: Bronwyn (the brain), Addy (the beauty), Nate (the criminal) and Cooper (the athlete). While I’m not always a fan of narratives with alternating POVs, it works extremely well here because it gives the reader a chance to see the murder, and its aftermath, from more than one perspective. Not only does this provide possible motives for every character, but it also allows the reader to understand why a particular character wouldn’t have killed Simon. No one character is presented as being squeaky clean or obviously guilty. While the characters are all archetypes common in media aimed at teenagers, they aren’t one-dimensional, which is refreshing for the reader and adds depth to the story.

One of my favorite aspects of this book is how the characters’ lives are changed by this common event. Others become immediately suspicious of them, but that’s not the only outcome of Simon’s death. The murder, the investigation, the press coverage, the four students trying to solve what happened leads to each individual coming to some kind of realization, whether its about self-acceptance or getting a toxic person out of their life. The murder investigation is obviously a huge plotpoint, and their lives may never be the same, but smaller problems arise, less important details come to life. Despite the fact that they’re all suspects, and that each character only knows their truth about what happened, they are brought closer together by this event and try to work together to determine what exactly happened.

Now, let’s discuss the plot without spoiling the ending. I enjoyed the death itself, mostly because it posed an interesting mystery. Simon doesn’t get shot or stabbed. There isn’t a power outage and when the lights turn back on, he’s dead on the floor. He dies, everyone in the room sees it, but no one’s able to figure out what happened. How he died, and how the killer is able to kill him, is just as compelling as trying to figure out who did it. The revelation of how Simon died, and who killed him, is equally compelling, and unlike some novels, the answer doesn’t come out of nowhere, nor does there need to be an extensive amount of exposition given, for it to make sense. It also isn’t glaringly obvious up front who’s involved with what happened.

While I find McManus’s novel great overall, I do have some minor complaints. A few of the secrets the main four characters want to keep hidden are a bit cliché or overdramatized. Some of that could be chalked up to teenagers having heightened emotions, and everything feeling like a huge deal in high school. Simon, our murder victim, has plenty of enemies and people who aren’t sad to see him die which feels a little bit of a cop-out, but that could just be me. There were a few scenes in the book where a character’s actions seemed a bit over the top or their words didn’t sound like something a normal person would say. Again, this is just my opinion but those scenes kind of took me out of the story a little bit. I found the treatment of one character after her secret gets out, because of course the secrets are revealed, was a little heavy-handed but I’m also picky about the specific topic it covered. My dislikes are mostly related to small details, and not major aspects to the story.

Rating: 4 stars

The Power

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What would happen if, one day, women developed the ability to emit electricity from their fingertips? How would politics and society change as a result of women gaining a power over men? What happens when the powerful find themselves suddenly powerless, and women become the physically dominant gender? These questions rest at the center of The Power by Naomi Alderman. Spoiler alert- the answer isn’t the utopia we’d all like to believe would occur. The novel can be purchased here from Bookshop.org.

The Power is written in a “book within a book” format. It’s framed as a historical novel written by Neil Adam Armon (an anagram of Naomi Alderman’s own name) which he’s sent to a friend to read and review. Having been written 5,000 years after an event called the Cataclysm, it chronicles what happens in the ten years before the Cataclysm that led to the event and society being rebuilt as a matriarchy after the dust settled.

One day, women and post-pubescent girls across the globe develop the ability to electrically shock others with a simple touch, to the extent of being able to electrocute a person if desired. What starts out as a rare ability soon develops into nearly all women having the power. With women now having a power, things soon transition into having most of the power, and the changes that comes with it. Men are no longer the gender to be most feared. Some men aren’t willing to relinquish power and some women feel like comeuppance is in order.

The Power’s concept I found fascinating when it was first suggested to me. Rather than a story about a world without men or a world where humanity was always a matriarchal society, it depicts how modern society would react to a change from patriarchy to matriarchy. It’s also a novel that becomes more difficult to read as things escalate. When the women’s power first becomes known, changes are minimal, and familiar to many female readers. Boys and men are advised not to travel alone or at night. They learn to become much more aware of their surroundings. Things most women today take as common sense. As things progress, tensions escalate and some go overboard now that they have power. As one very poignant line in the book states:

It doesn’t matter that she shouldn’t, that she never would. What matters is that she could, if she wanted.

Alderman depicts, in a stark lighting, why a woman-run world would not and could not be the utopia others might argue it would be, and does so realistically. Men wouldn’t willingly give up power, especially in less developed parts of the world. Women who have suffered all their lives at men’s hands, likewise, wouldn’t gain superiority over them and not attempt to get revenge. Men made women suffer, and now women will make men suffer. It shows that it isn’t sex that makes the powerful do terrible things, it’s the power itself. Alderman weaves a descriptive, even at times horrifying, narrative showing this transition, and the extremes both sides will go to for their agenda.

The aspect of this work I liked most was the way the story unfolds. It begins ten years before the Cataclysm, when the power is first discovered, and each section of the book brings the reader closer and closer to the day the Cataclysm takes place and reveals how this world-ending event came to be. The progression of these events is told from multiple perspectives throughout the book:

• Allie- A troubled teen who discovers her power and, following a confrontation with her abusive foster father, runs away to convent. She becomes a religious figure known as Mother Eve, whose significance becomes amplified in the world post-Cataclysm
• Roxy- One of the first women to discover her power. She attempts to use it to save her mother, unsuccessfully and strives to get revenge. She crosses paths with Mother Eve while trying to grow her power. She’s shown to be the physically strongest wielder of the power, wile Mother Eve is the most skilled at using it.
• Margot- An American politician who was often overlooked by her male colleagues. She advocates for girls to be trained on using their powers. Men fear the training camps she establishes are precursors to creating a militarized force of female soldiers. Her daughter, Jocelyn, develops the power early and struggles to control it.
• Tunde- The only male POV character in the novel-within-a-novel. He is the first person to capture a video of the women’s newfound power. This leads to him becoming a freelance journalist and traversing the globe to report on uprisings as women in male-dominated countries begin uprisings.

These characters’ stories all converge in Moldova just before the Cataclysm. Explaining why and how each character ends up there would spoil significant elements of the individual stories and the narrative as a whole. My favorite thing about these characters is that no one character is the “hero”. Every character exists in the grey area and while some began with good intentions, those get warped.

The Cataclysm isn’t shown, nor its immediate aftermath. The novel ends with Neil, the fictitious writer 5,000 years post-Cataclysm, and Naomi corresponding back and forth about his novel. This is the only glimpse we get of the world after the Cataclysm, and the questions that are brought up sound somewhat familiar.

How much stock should be put in history books about what happened centuries ago? How much information was lost because of personal biases? To what extent should biology define us? Lastly, is the power structure we occupy and the society we live in “natural”? Are we capable of better? Do we simply choose not to be better?

Rating: 4.5 stars

In A Dark, Dark Wood

“In a dark, dark wood, there was a dark, dark house. And in the dark, dark house, there was a dark, dark room.” This theme is common among most horror and thriller stories going back generations. We are told from an early age that the woods and dark places are scary and that we should avoid them. A remote house in the middle of dense woods is the setting for In A Dark, Dark Wood. In A Dark, Dark Wood is a 2015 thriller/mystery novel written by Ruth Ware. It quickly became a New York Times bestseller and was named one of the best books of the year by NPR.

Source: Simon & Schuster

The premise of the book is this: a reclusive writer names Leonora, Nora to her friends, is invited to a hen do, or as its known in the US a bachelorette party, by her friend Clare. Given that she hasn’t seen Clare in ten years, she’s shocked and a little confused that she’s been invited. She somewhat reluctantly agrees to attend. The event is being held at a remote house in the woods owned by a relative of one of the bridesmaids.  As the weekend progresses, it soon becomes clear that not everything is as it seems and the group may not be alone in the woods. Someone may not make it out of the woods alive.

The story is very much told in two parts. There are the events of the bachelorette party and the events that take place after. Someone dies and the “after” storyline depicts the police trying to determine what exactly happened, along with the narrator. The transition back and forth can be a little jarring, but it prevents the reader from learning too much information at any one time.

The writing is pretty good with Ware doing a noteworthy job building suspense as time goes on. The book isn’t badly written, the plot makes sense, and the reveal doesn’t come out of nowhere. If anything, the opposite is true. My criticism comes from two fronts. Predictability and a reliance on convenience.

First, predictability. I was able to accurately guess who the killer was early on. Most of the characters are archetypes that serve a single purpose. It’s clear, once the characters are gathered together, who the killer is and who the "fake-out" murderer is. The character that’s set-up to seem like the killer is painted early on as a nervous wreck, so it becomes clear that person isn’t the killer, due to how obvious it seems. The only thing that I didn’t predict was a detail about Nora’s backstory that is only terribly important as it relates to the killer’s motive. Nora’s backstory is focused on a little too much and, in the end, it exists to make the motive seem more legitimate. There’s nothing wrong with a story being predictable, I was just hoping for more.

The plot relies a lot on convenience. Lenora is in a car accident after the murder, which means she doesn’t remember what happened. The unreliable narrator angle is why the dual storylines work, but the decision to have an unreliable narrator, and the reason why she’s unreliable, is still incredibly convenient. The way the victim ends up at the house is based entirely on convenience. The murder was planned, but how it happened cycles back to one or two very specific events that could've gone differently, preventing the murder altogether. Patterns of behavior are ignored until they suddenly become relevant when the plot needs them to. I understand the need for convenience and red herrings, but there comes a point where the story is too reliant on coincidence.

I read this book on the beach and I liked it, but I wasn’t thrilled by it. It didn’t blow my mind like many others have. I suppose my biggest gripe with it is that there was potential for a compelling story, but it never manifested. The setting in the middle of the woods never gets taken full advantage of. I picked up the book expecting a supernatural thriller or even just a creepy thriller. I didn’t get that. Instead, it was a fairly by-the-numbers murder mystery without that much actual mystery.

Overall rating: 2.5 stars