The Vine Witch

The Vine Witch is a 2019 historical fantasy by Luanne G. Smith. It was published by 47North. The stroy takes place in turn-of-the-century France. I discovered the novel while browsing Kindle Unlimited one day.

The novel tells the story of a woman named Elena who is a vine witch, witches whose spells have created world-renowned wines for centuries. After breaking a spell that she'd been under for years, Elena returns to the vineyards at Château Renard, the only home she's ever known, only to find that it has fallen upon hard time in her absence. While Elena struggles to regain her former life, she plans her revenge on the witch who cursed her and the lover who wronged her.

One of the most enjoyable aspects of this novel is the magic system. I initially decided to read this book because I was curious about how the author would entwine magic and wine-making in the narrative. Smith not only explained how magic can be used to improve wine-making, but also how it can be used for sabotaged. One of the reasons Elena's beloved vineyard has fallen upon hard times while she was cursed is because another witch has placed a hex on the vineyard, resulting in a series of bad vintages by the winemakers. Vine witches aren't the only type of witches in this story, either. There are witches who specialize in poisons, witches who are experts in healing arts, and plenty of other magical disciplines. I enjoyed the variety of magical abilities on display in the story.

Smith's writing is very vivid, which works in this story's favor. As I was reading, I could practically see the rural landscape. I could taste the wine being described by the narrative. I also enjoyed the pacing of this novel. It is a little slow in the beginning, but the plot escalates in a way that makes sense but also doesn't feel rushed. The story builds up tension appropriately, and while the conclusion felt a little cliche, I didn't have any major complaints about how the story was resolved. One thing that I was surprised by was the revelation of who cursed Elena and turned her into a toad, the curse she breaks at the beginning of the novel. That revelation was one of the few plot elements that genuinely surprised me.

While I liked Smith's overall writing style, and the magic system she created, there were a few things I didn't enjoy about The Vine Witch. The biggest complaint I have is the lack of characterization. Most of the characters fell flat with me, including some of the main characters. They didn't really have much depth to them. The reader wasn't given enough of a reason to hate Bastien, Elena's former fiance who she believes cursed her, other than the fact that she does. He's a shrewd businessman who wants to grow his business, and that fact, combined with her suspicions of him, is supposed to be enough for the reader to want him to fail and suffer. This book also has quite a bit of filler, which I normally wouldn't have a problem with, but this isn't a long book and having as much filler as it does works against its favor. Lastly, there is the romance, which I wasn't a fan of. There isn't enough shown of the developing relationship between Elena and Jean-Paul, so it felt a bit rushed. I also didn't think they had much chemistry. Overall, the romance felt like it existed to tick off a box on a list and not because it was necessary to the story. 

The Vine Witch is a book that I would call average. I don't think it's a groundbreaking, amazing novel, but it isn't terrible either. It lags in places, and is a little boring, but the story overall is sound and well-crafted. It fits into a category that I call "beach reads", which are books that are quick, easy reads that keeps the reader engaged without being overly deep or memorable. The book is enjoyable, but it wasn't a favorite of mine.

Rating: 3.7 Stars

Follow Me Elsewhere: Facebook \ Twitter \ Goodreads \ Instagram

Buy Me A Coffee?

Eleanor Oliphant is Completely Fine

Eleanor Oliphant is Completely Fine is a 2019 literary fiction novel by Gail Honeyman. It was published by Penguin Randomhouse in 2019 and became a New York Times bestseller. Reese Witherspoon selected it as one of her book club picks and it’s going to become a motion picture in the near future.

The novel follows the titular character Eleanor Oliphant, an accounting clerk in her late twenties living a very lonely and strictly scheduled life. Everything changes when she meets her new coworker Raymond who is determined to find a way to bring Eleanor out of her shell. Along the way, his big heart helps her repair her own heavily damaged one.

To start off, I’d like to point out that this book is not a romance. I know the blurb written above, which I paraphrased from the back of the book, makes it sound like one, but its not. The novel isn’t the story of a man and a woman meeting unexpectedly and falling in love. Instead, it’s a story about an unlikely friendship and said friendship being that catalyst in Eleanor realizing some difficult truths about herself and her past.

This book was recommended to me by a coworker. She’d begun reading it and thought it was an amusing story, which it is at first. At the beginning, Eleanor’s inner monologue is funny. She doesn’t have great social skills, she doesn’t know how to relate to people and doesn’t have a filter. She’s, for lack of a better term, a weirdo and spends a lot of time judging people for perfectly normal behavior that she finds strange. At first, Eleanor’s eccentricities were funny. I was reading about a story about an incredibly strange woman who was wondering why everyone else seemed so strange to her. Before long, however, it stopped being funny. Because Eleanor’s whole life, a boring job, no real connections to anyone, adhering to a strict schedule, is the result of a very troubled upbringing. She strives to be normal, but her childhood makes any idea of “normal” completely impossible. There are small moments of humor, but mostly the book is rather sad.

I don’t want to make it seem like I didn’t enjoy this book, because I did. It was a thorough deep-dive into self-discovery and self-improvement. It also delves into discussion trauma and how it can affect people. The author went out of her way to show Eleanor going through a major change in her life without it changing her personality completely. Eleanor still has her quirks at the end of the book, and she wouldn’t be described as “normal” but she’s in a healthier place. She’s stopped ignoring her problems and confronted some of the issues she’s been burying for so long.

Eleanor is an interesting character, although a tad bit annoying at times. Scenes where she’s being overly judgmental towards people for doing things like not knowing how to respond to something she said, or trying to have a conversation with her are hard to read. Her inability to relate to people makes sense in the context of the story, but until it becomes clear that there’s more to her than just that, she’s difficult to like. Raymond is one of the first people Eleanor really lets in because he seems to accept her exactly as she is. Sure, sometimes if she says something that’s inappropriate he’ll tell her, but he’s not trying to change her. He realizes that she’s not doing well, and wants to help her, but not in a way that’s self-serving. She’s his friend and he wants his friend to get better. Even in moments when Eleanor doesn’t want his help, but needs it. Another character that changes Eleanor’s life is an elderly man Sammy. Shortly after Eleanor and Raymond meet, they save Sammy when he falls and injures himself. Raymond continues to check in on Sammy after he’s taken to the hospital and talks Eleanor into joining him. During these visits, Eleanor starts to open up a bit more to both men and for the first time in a long time, develops a real connection with other people. The last character I want to discuss, and the one who had the biggest impact on Eleanor by far, is Mummy, her mother. Eleanor doesn’t see Mummy but at the beginning of the novel, they talk over the phone every Wednesday night. Mummy is a piece of work to say the least. Several of their calls are depicted in the story, but you only need one to understand their relationship dynamic. Mummy is a terrible mother, abusive in more than one way, and yet everything Eleanor does is in an attempt to please her mother. Mummy is the antagonist of this story, and her connection to Eleanor’s trauma is what propels the story forward.

I liked Eleanor’s character journey. I like the realizations she came to along the way as she let more people in and realized that she wasn't “fine” regardless of how often she claimed to be. What I liked most, however, was that the ending didn’t wrap everything up neatly. Eleanor doesn’t end the book by being completely recovered from her trauma. There isn’t a happy ending, just a realistic one. She’s getting better, her life has improved, but she still has a long way to go.

I didn’t love this book. I also didn’t hate it. I wish that the blurb adhered a little closer to the actual story than it did. Still, it’s an entertaining slice-of-life story while also discussing heavier themes. I’m not eagerly awaiting the motion picture, unlike some other readers I've talked to, but it’s a good book overall.

Rating: 2.9 stars

Follow Me Elsewhere: Facebook \ Twitter \ Goodreads \ Instagram

Buy Me A Coffee?

I'm Fine and Neither Are You

This post contains affiliate links. This means when you follow a link and make a purchase, I make a small commission at no additional cost to you, the customer.

I’m Fine and Neither Are You is a 2019 literary fiction novel by Camille Pagan. It was released in April  by Lake Union Press. I stumbled upon it while browsing Amazon one day and the title intrigued me. It’s a Washington Post best selling novel. It can be purchased here from Bookshop.org.

The novel follows Penelope Ruiz-Kar, a married mother of two who seems to be doing it all and barely keeping it together. Her best friend Jenny, meanwhile, seems to have the perfect life and marriage. Jenny’s shocking death reveals that her life was far from perfect, leading Penelope to decide to truly confront the problems in her life, starting with her and her husband Sanjay committing to complete and total honesty. As Penelope’s vow to stop keeping the peace turns her life upside down, she begins to wonder if honesty really is the best policy.

First, I feel like I should say that I probably wasn’t the target demographic for this story. While this is adult fiction, and I am an adult, a 26-year-old single woman with no kids is going to have different tastes than a married woman, a parent or someone who is a little older. I didn’t find tis book to be terrible, but it also wasn’t especially interesting to me. The story started off interestingly enough, but it honestly began to feel like it was going anywhere special. The story centers around a woman trying to fix her semi-broken marriage, which isn’t especially interesting to read and didn’t leave me feeling much of anything.

Penelope spends most of the novel thinking about the way her marriage used to be and how happy she once was with Sanjay. Or contemplating how her job makes her a decent living, but its not really what she’s passionate about. Or how confused and frustrated she is about the secrets Jenny was keeping from her that she learned after her death.  It’s a story where the main character thinks about a lot of things, but very little plot happens. Additionally, Penelope isn’t a main character that I enjoyed. I felt like she didn’t have much personality and the most prevalent personality trait that she did have was whininess. Both before and after Jenny’s death, which serves as the inciting incident of the story, Penelope does a lot of thinking about how she wishes her life were different, she thinks about the problems she’s just been ignoring, but it takes an exceptionally long time for her to say or do anything about it. Some of her actions, which are supposed to feel selfless, read as very selfish or self-obsessed to me, especially where Jenny’s family are involved. Scenes that are meant to be read as empathetic instead feel like an excuse for her to talk about herself and problems she’s had in the past. Between a plot that crawled along and a main character I didn’t like, the book was very hard for me to stick with and enjoy.

I think the most frustrating aspect of this novel is that it did have potential. Jenny’s death, and the cause was the reader learns later, was a good opening to talk about an issue that’s very topical in 2019. I’m Fine and Neither Are You could’ve used the set-up to actually discuss the current issue and show it from many different sides. It could’ve focused on the grieving process itself and how to struggle with grieving someone while also being angry at the secrets they kept. These elements feature in the story, but end up taking a backseat to the marriage melodrama. (As an aside, perhaps I’ve read too many thrillers, but I half expected Jenny’s death to have actually been a murder and thus add something to the story). A story doesn’t have to be a sweeping epic to keep my attention, but the story does need to go somewhere. Something needs to happen, and for the most part, nothing really happened here other than Penelope thinking a lot and her talking to other people a little bit.

This review has been negative so far, but there are some aspects I think the story does well. Penelope and Sanjay’s relationship is one of the most realistic ones I’ve read in a while. I know plenty of people in real life whose marriages look an awful lot like theirs. They don’t hate each other, but clearly a lot of the romance has gone and they’re in the stage where things have become routine. The conclusion of the story is also realistic. Some changes take place, but no one’s life has become drastically different. It’s frustratingly mundane. The author isn’t a bad writer, but the story being told is far from interesting or exciting in my opinion.

I’m Fine and Neither Are You is just as its title says. It’s fine. It’s not great, but it’s also not the worst book I’ve ever read. If I had to assign it a color, the color would be beige. Boring, safe and doesn’t stand out in any way. I think my experience with this book shows that I need to pay a little bit less attention to how highly-recommended a book is on the internet as a whole. This book is a best-seller and the composite rating is high, but just because 20k+ people like it doesn’t mean it’s the right fit for me. It’s a short read. You can easily pass time reading it, but I don’t agree with the reviews saying that this book is interesting or deep or life-changing.

Rating: 2.4 stars

Follow Me Elsewhere: Facebook \ Twitter \ Goodreads

Buy Me A Coffee?

The Body In Question

The Body In Question is a 2019 literary fiction novel by Jill Ciment. It was published in June 2019 by Pantheon. I read it as part of a book club, along with another book. The novel tells the story of two sequestered jurors engaging in an affair during a highly-publicized murder trial. Although they agree to keep their oaths as jurors not to discuss the trial, things become complicated once deliberations begin.

The two main characters are C-2, the woman Hannah, and F-17, the man Graham. Other characters include the other jurors, who are referred to be nicknames C-2 gives them, and C-2's husband. There isn't a lot that's shared about these characters at all. F-17 is an anatomy professor who falls in love with C-2 during their affair. C-2 is a married photographer whose much older husband is dying and she begins the affair mostly to get it out of her system before she becomes a widow. She tries to insist she has no attachment to F-17, much to the evidence otherwise. The other characters are entirely one-dimensional and serve a purpose to either make the pair suspicious that they've been discovered or provide filler. No one seemed to have any motivations or personality beyond surface-level traits. The characters are basically paper cut-outs with no personality. Call me crazy, but if I'm reading a book, I need to at least feel something for the characters within.

One thing I dislike most about the story is that the focus seems to be on the wrong thing. Yes, the blurb explains that the story is about the forbidden love affair between two jurors, but Ciment made a mistake in creating the story of the trial they're jurors for. Rather than the pair be jurors for just any highly-publicized murder trial, the crime in question involves the death of a child in a fire and if the defendant, the victim's older autistic sister, set the fire on purpose. This part of the story was meant to be just the simple backdrop, the plot device bringing the two characters together, but was actually the most intriguing part of the story.

The trial, in the few scenes where the trial is actually about the crime and not C-2 waxing about details that don't really matter or her lover, presents an interesting mystery. Was the defendants confession coerced? Did her twin force her to confess? Why would she kill her brother? The mystery, sadly, takes second place to two very boring characters having a affair and being paranoid about being caught. Then, it's time for the jury to deliberate and, shocker, the two lovers are on different sides. One is the hold-out preventing a unanimous decision from being reached which only annoyed me more. Eventually, a decision is reached and the trial ends. The defendant is found guilty. Shortly after the trial, someone leaks it to the press that C-2 and F-17 were having an affair. Now, I was expecting some kind of consequences for the secret being revealed. Maybe the defendant's lawyers get her a new trial citing that one influenced the other's decision. Maybe the two jurors are held in contempt for violating the court's orders regarding how sequestration works. None of that happens. C-2's husband feels understandably betrayed, F-17 seemingly faces no consequences and the other jurors get trashed in the media at first for the verdict and later for not speaking up.

While I didn't like the plot, I can't say that this book is all bad. From a technical writing perspective alone, the book isn't bad. The writer clearly has a lot of talent and based on the reviews for her other books, this one seems to be an outlier. It's also a very short book, which works in its favor. Coming in at under 200 pages, I wasn't completely outraged at how I felt about the story when it was over. If this book had been twice as long, but with the same outcome, I'd be a lot angrier about the time I had wasted.

I honestly thought this book was a waste of time. In literature, words such as "story arc" or "journey" or "growth" get thrown around a lot. The Body In Question has none of that. The conclusion isn't really a conclusion. Nothing happens. The story goes exactly nowhere. C-2 isn't different at the end of the book. F-17 isn't. None of the events that happen after the trial make any difference or sends any kind of message to the reader. The most that happens is the jurors doing a symbolic "revote" on the verdict, but that's it. I've read books with good endings, I've read books with bad endings, but this is the first time that I've encountered a book with a pointless ending. There wasn't enough substance in this novel to justify an ending of any kind. If there was more focus on the characters, and they had actual personality, I might feel differently, but the lack of anything sticking out to me makes me feel like this book was a complete waste of time. I wasn't given enough reason to care about the jurors, their affair or anything going on, which made this book completely unremarkable. I can imagine that, in a few years, someone might ask me if I've read this book, and because its so unremarkable and unmemorable, I'll say "no" because I'll have completely forgotten about it.

Rating: 1.3 stars

Follow Me Elsewhere: Facebook \ Twitter \ Goodreads

Days of Rock & Roll

Days of Rock & Roll is a 2018 thriller novel by Kelly Holm.  It was published in July of 2018 by the author. I was provided with an advanced copy of the book in exchange for an honest review.

The story follows a photopgrapher named Ariana who argees to photograph her ex-boyfriend Zak’s band while they’re on tour for a magazine. The pair had a bad break-up many years ago and Zak intends to use Ariana’s assignment as a chance to win her back. Ariana, despite their break-up, hasn’t gotten over Zak as much as she claims and just wants to get through the job as quickly as possible. Complicating both exes plans is the presence of a Hollywood starlet who has decided Zak is hers and a shady figure from Ariana’s past that’s not willing to let her go. When Ariana disappears, Zak does everything he can to find her.

First, let’s begin by discussing the characters in this story. Ariana is one of the point of view characters and one of the two main characters. Ariana is one of my favorite main characters in a while. She’s not a reader-insert type character, she’s her own person and is dripping with personality. Not only that, but she has her own goals, and her own agency, which characters in some stories like this tend to lack. When she finds herself in a dangerous situation, she doesn’t just let things happen to her, but at the same time, she’s smart about how she reacts to things. I was rooting for Ariana from beginning to end in this story. The other main character is, of course, Zak, the guitarist of the world-famous band Dark Horse and Ariana’s ex. I feel a little less favorably towards Zak than I do Ariana, which is mostly because of a few things he does early in the story. He clearly has his own plans, and demons and things going on, but I found myself getting annoyed with him in parts. Rick is Ariana’s boyfriend, who she breaks up with very early in the syory because she thinks he’s too clingy. I hate Rick. Every reader is supposed to hate Rick. At first, I thought he was just going to be an obsessive ex who causes some problems for Ariana because he’s mad they broke up, but it turns out to be that he’s part of some very dark things. Rick is, undoubtedly, the villain of this story. Jules is Ariana’s sister and manager. I expected her to be a side character at first, mostly existing for Ariana to talk about her conflicted feelings for Zak, and not much else. Then, Rick becomes very embittered by their break-up and Jules becomes one of the most important characters in the entire story. The last character to discuss is Josie Winters, the Hollywood starlet who’s decided she and Zak are going to be together, no matter what. She starts off as an annoyance, and continues to be an annoyance, up until the very end of the story where she goes completely off the rails. Like Rick, we as the readers are meant to dislike her. The story is, on its surface, about Zak trying to get Ariana back so any character that threatens the happy ending needs to come off as unlikeable.

The actual writing in Days of Rock & Roll is great. The author does a fantastic job of mixing telling information to the reader with properly displaying it. There’s enough detail being shared for the reader to get into the story and the setting without it being overkill. We know what all of the characters look like, and the places that they are, without it seeming like the author wanted to explain every single object in the room a character is in. There are a few minor mistakes, but nothing that made me want to stop reading. I’ll discuss the pacing in a little bit, but Holm did a fantastic job building tension in the right places. In the climax of the story, when Rick’s almost cornered and Ariana’s almost safe, I wasn’t completely sure if the plan to save her would actually work. I enjoy that in a story. Characters need to struggle, especially in the final confrontation. They need to fail, or get tricked, and here that’s what happened. It’s a very well written book from a character and emotional perspective, but has room for improvement where the plot is concerned.

The pacing of the novel is a little uneven, which in turn makes the plot a little hard to follow and jarring in some places. More than half of the book is about Ariana and Zak remembering the beginning of their relationship and what happened during their break-up, while they also go back and forth about what feelings they still have. A lot of these scenes have the awkward “I’m talking to my ex” feel that gets interrupted by one external factor or another, usually Josie showing up and insisting that she’s dating Zak. The Ariana-Zak drama is broken up by Josie plotting how to “make Zak hers” and Rick getting increasingly angry and frustrated about Ariana dumping him until he goes as far as to kidnap her sister to find out where she is. After he kidnaps Jules, he kidnaps Ariana and that’s the point where the story takes a very hard left turn that had me thinking “what am I reading?”. Rick, it turns out, is nowhere near the person who Ariana thought he was. She broke up with him because he was a little boring, and very clingy. After their break-up and he starts to spiral, it comes to light that he’s a very, very bad person and that he’s not going to stop until he gets what he wants and he doesn’t care who gets hurt or dies because of it. Until this happens, the main antagonist looks to be Josie, who absolutely will not leave Zak alone, and she’s then more or less sidelined until after Rick is dealt with.

I think the root of my criticism about Rick’s actions seeming to come out of nowhere is the lack of foreshadowing. During the first few scenes with him, he seems like just an angry ex-boyfriend. I expected him to chase after Ariana, possibly stalk her. Maybe he gets into a confrontation with Zak because he refuses to accept that they broke up. Then, he kidnaps Jules and it seems like he’s starting to unravel, and a little dangerous, but not a serious threat to Ariana. He then abducts her, and the reader learns his backstory, which is much darker than anyone expected. (I should mention that I can see some problematic elements in Rick’s backstory and motivations. I don’t believe in spoiling major plot points unnecessarily, so I won’t get to in depth, but Rick’s motives, philosophy and especially his behvaior once he thinks he’s “won” create a stereotypical, and damaging image of the culture he’s a part of.) The problem is that Rick, his skills, his connections, et cetera, seem to come out of nowhere. There’s no mention of a mysterious job early on that indicates there’s more to him than appears. Ariana never mentions finding anything off or strange about him. And outside of one character saying Ariana and Rick didn’t make sense as a couple, or a friend of hers saying she never really like him but couldn’t explain why, there’s no indication or foreshadowing that things with Rick are going to get as intense as they do. I don’t like major plot elements spelled out for me, but I also don’t like feeling that they come from absolutely nowhere.

As I mentioned earlier, Josie seems like she might be the main antagonist until Rick turns out to be a complete monster. Josie just seems to be conniving and manipulative. She wants to date Zak, not because she has real feelings for him but because she wants him to make her famous. Her logic is that, if she marries someone super famous, she’ll be super famous too. She doesn’t like Zak, but she loves what he could do for her. She’s even willing to commit fraud and blackmail in order to make him be with her. Her plan of course, makes no sense and blows up in her face, but it was strange to me how much emphasis was placed on her and her plans when they only seemed to have a secondary impact on the plot.

Now that I’ve discussed my biggest criticisms of the story, let me just touch on a few other things I want to mention. I said earlier that the pacing is a little weird, this is because there isn’t a clear divider between one POV and another if its not in between chapters. The same can be said for transitions between Ariana’s memories of her relationship with Zak and the present events. One paragraph, she’s in Berlin five years ago, and the next she’s getting off of the plane in Detroit in the present. Something as simple as a break in between paragraphs would’ve made the transition less jarring.

Days of Rock & Roll is a good book, but the last third or so of it doesn’t seem to fit with the rest. The main conflict sort of comes out of nowhere and it makes a book with very little tension up to that point suddenly become incredibly serious. I can’t decide if the author wanted to write an abduction story and framed the whole “exes reuniting” idea around it, or if she wanted to write about two exes reuniting and then found a way to include the kidnapping plot. In either case, it’s not well-executed, which is a shame because I liked the beginning of the story, and I like the actual kidnapping plot, but they didn’t really work together. I’d recommend this book to others, but not without warning other readers that the conflict seems to come out of nowhere.

Rating: 3.6 stars

Follow Me Elsewhere: Facebook \ Twitter \ Goodreads

November TBR

Hello everybody!

I know that I'm a little late to be doing my monthly TBR, but in my defense, the first week of November was a little crazy. Could I have foreseen the craziness? Yes, but for some reason I didn't and I'm now dealing with the consequences. Anyway, let's just get straight into all of the books I plan to (hopefully) read this month.

The Books


Days of Rock and Roll by Kelly Holm

Ariana is a very talented photographer who agrees to photograph her ex-boyfriend Zak’s band, Dark Horses, for Sound Trip magazine. Zak is thrilled and plans to use the occasion to win her back. However, when Ariana arrives, she catches Zak in a very compromising situation with Hollywood starlet Josie Winters, who wants Zak for herself.

Before Zak can explain to Ariana that what saw was a complete misunderstanding, Ariana mysteriously disappears in the middle of the night, and Zak is filled with guilt and wonder. When he realizes that she has been kidnapped, he’ll stop at nothing to find her. Will Zak find Ariana before it’s too late? 




Beneath A Scarlet Sky by Mark Sullivan

Pino Lella wants nothing to do with the war or the Nazis. He’s a normal Italian teenager—obsessed with music, food, and girls—but his days of innocence are numbered. When his family home in Milan is destroyed by Allied bombs, Pino joins an underground railroad helping Jews escape over the Alps, and falls for Anna, a beautiful widow six years his senior.

In an attempt to protect him, Pino’s parents force him to enlist as a German soldier—a move they think will keep him out of combat. But after Pino is injured, he is recruited at the tender age of eighteen to become the personal driver for Adolf Hitler’s left hand in Italy, General Hans Leyers, one of the Third Reich’s most mysterious and powerful commanders.

Now, with the opportunity to spy for the Allies inside the German High Command, Pino endures the horrors of the war and the Nazi occupation by fighting in secret, his courage bolstered by his love for Anna and for the life he dreams they will one day share.



The Body In Question by Jill Climent

The place: central Florida. The situation: a sensational murder trial, set in a courthouse more Soviet than Le Corbusier; a rich, white teenage girl—a twin—on trial for murdering her toddler brother.

Two of the jurors: Hannah, a married fifty-two-year-old former Rolling Stone and Interview Magazine photographer of rock stars and socialites (she began to photograph animals when she realized she saw people “as a species”), and Graham, a forty-one-year-old anatomy professor. Both are sequestered (she, juror C-2; he, F-17) along with the other jurors at the Econo Lodge off I-75. As the shocking and numbing details of the crime are revealed during a string of days and courtroom hours, and the nights play out in a series of court-financed meals at Outback Steak House (the state isn’t paying for their drinks) and Red Lobster, Hannah and Graham fall into a furtive affair, keeping their oath as jurors never to discuss the trial. During deliberations the lovers learn that they are on opposing sides of the case. Suddenly they look at one another through an altogether different lens, as things become more complicated . . .

After the verdict, Hannah returns home to her much older husband, but the case ignites once again and Hannah’s “one last dalliance before she is too old” takes on profoundly personal and moral consequences as The Body in Question moves to its affecting, powerful, and surprising conclusion.




Dune by Frank Herbert

Set on the desert planet Arrakis, Dune is the story of the boy Paul Atreides, heir to a noble family tasked with ruling an inhospitable world where the only thing of value is the "spice" melange, a drug capable of extending life and enhancing consciousness. Coveted across the known universe, melange is a prize worth killing for...

When House Atreides is betrayed, the destruction of Paul's family will set the boy on a journey toward a destiny greater than he could ever have imagined. And as he evolves into the mysterious man known as Muad'Dib, he will bring to fruition humankind's most ancient and unattainable dream.



Dune Messiah by Frank Herbert

Dune Messiah continues the story of Paul Atreides, better known--and feared--as the man christened Muad'Dib. As Emperor of the Known Universe, he possesses more power than a single man was ever meant to wield. Worshipped as a religious icon by the fanatical Fremens, Paul faces the enmity of the political houses he displaced when he assumed the throne--and a conspiracy conducted within his own sphere of influence.

And even as House Atreides begins to crumble around him from the machinations of his enemies, the true threat to Paul comes to his lover, Chani, and the unborn heir to his family's dynasty...



Of the five books I've mentioned, only one is a reread. I read Dune years ago and I've decided to reread it since there is a film adaptation coming out in 2020. Five books is more than I normally read in a month, but I decided to challenge myself. We'll see how it goes.

What's on your TBR?

Follow Me Elsewhere: Facebook \ Twitter \ Goodreads