Showing posts with label historical fantasy. Show all posts
Showing posts with label historical fantasy. Show all posts

Monday, June 1, 2020

Warrior of the Wild

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Warrior of the Wild is a 2019 young adult fantasy novel by Tricia Levenseller. It was published by Square Fish. The book was immediately met with praise upon its release. The novel can be purchased here from Bookshop.org

The novel is set in the Viking era and follows Rasmira, the daughter of her village's chieftain. Trained as a warrior her whole life, Rasmira is exiled from her village after her coming-of-age trial is sabotaged. In order to win back her honor and return home, she's tasked with killing the oppressive god who claims tribute from her village or die trying.

My favorite thing about this novel were the characters. The three main characters are Rasmira, Iric and Soren, who are exiled teens from another village. As the main character and the point-of-view character, I enjoyed Rasmira the most. An eighteen-year-old who has been trained as a warrior her whole life, she could've easily been written to be a token "strong female character" with no real personality or depth, but Levenseller avoided that pitfall. Rasmira is a fierce warrior, but there is a sensitive side to her. When she's betrayed during her coming-of-age trial, she doesn't only feel angry, she also feels hurt. Several times in the narrative, she references the fact that yes, she's a fighter, but that doesn't mean she's not allowed to be a normal teenage girl. She makes mistakes, but doesn't let those mistakes keep her from moving forward. The duality between her being a warrior, and also a teenager gives her character a great deal of nuance and made me invested in her story. Soren and Iric are friends and quasi-brothers from another village who have been banished for failing their own coming-of-age trials and given equally difficult tasks to complete in order to return home. They're both incredibly witty, which brings some levity to the story and have a fierce loyalty to one another, and later Rasmira. I love the dynamic of found families, which is what develops between these three young adults. They look out for one another and, thanks to Rasmira's determination to complete her task, gives each of them hope that they can complete their own. There is not much I can say about other characters without spoiling things. The majority of the plot follows Rasmira, Iric and Soren. The main villain is the god Peruxolo who isn't a terribly compelling character given that he's not given much backstory or examination. He's an evil, oppressive deity and Rasmira's quest to defeat him matters more than anything specific about him.

I enjoyed the tasks each character was given and the quest that results in each character trying to fulfill their tasks. Rasmira has to kill a god. Iric is tasked with killing a a sea monster and Soren must climb a mountain and steal the feather of a mythical bird. Since the tasks themselves are so simple, the author has room to write plenty of dynamic and surprising action scenes. It also allows a good deal of world-building and describing the creatures and atmosphere of the story. The wild is immersive and the world is fascinating. I love historical fantasy quests, and this novel gave me three quests in one. The pacing of this book was pretty good. It was a little slow in parts, but overall it kept a consistent and exciting pace. While I enjoyed the conclusion, I liked how the conclusion came about slightly more, which I know is confusing. I liked the final confrontation, but the scenes of Rasmira learning what she needed to and putting all of the pieces together in order to face Peruxolo were much more interesting to me. The explanation of everything was surprising in the best way possible.

While I enjoyed Warrior of the Wild overall, I do have a few criticisms. I felt like the romantic subplot in this book was a little boring and predictable. It wasn't terrible and I'm glad there wasn't some kind of love triangle happening, but I wasn't very invested in it. It just felt a bit unneeded in my opinion. I also felt like the way Rasmira's coming-of-age trial was sabotaged was very predictable and not the plot-twist it was meant to feel like. She's shown to be a very intelligent person who can read people pretty well, but she didn't even have slightest inkling that someone who she's only really known for a short time might be hiding something. If she'd been betrayed by someone she'd been friends with for years, the shock would've been more surprising. There were also some random plot contrivances that I rolled my eyes at, such as Iric just happening to be a master blacksmith when they need weapons and armor, which were clearly meant to move the plot along, but made things feel a bit too easy.

Warrior of the Wild is a great book. It's the first book by Tricia Levenseller that I've read, but it makes me want to read more of her work. I found myself really liking her writing style and the way the story unfolded. I'd recommend it to fans of young adult fantasy, especially anyone who enjoys Viking or Viking-inspired stories.

Rating: 4.2 Stars

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Monday, May 18, 2020

White Elephant


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White Elephant is a 2019 historical fantasy novel by V. E. Ulett. It is the second novel in the Code Black series. While it’s a part of a series, the story itself is a stand-alone novel. I was provided with a free copy of the novel in exchange for an honest review.

The novel follows Miriam, a crew member on the airship Nonesuch. In order to keep her place on board, she must complete a mission for Lord Q and persuade the first white rajah of Sarawak to become loyal to the British Crown once more. When Nonesuch crash lands on the coast of Borneo, Miriam’s mission changes to one of survival. In order to rescue the crew of the Nonesuch, she must trek through the jungle guided by a team of elephants to the would-be empire builder’s capital. The jungle has it’s own laws, however, and Miriam may not emerge with her mission and loyalties unchanged.

Before I get into my review, I wanted to point out a few topics/themes this book deals with. There are multiple mentions of rape and allusions to it. There are scenes involving animal cruelty. There are a few scenes where medical discussions happen, and the description of some of the injuries and conditions might make the reader squeamish.

I wasn’t quite sure what to expect from this novel, especially since it is the second book in a series and I hadn’t read the first Code Black book Golden Dragon. Thankfully, the novel works as a stand-alone book and I was easily able to follow the story without getting confused by the dynamics between characters. I suspect Golden Dragon provides a little more detail about Miriam’s backstory and fleshes out the character of Lord Q a bit, but doesn’t impact this novel beyond that.

I enjoyed the characters in this story a lot. Miriam, the main character, was smart, while also having an edge to her that I liked. She’s a Muslim woman from Tehran and her education and resourcefulness is why Lord Q recruited her. Her behavior and attitude were very realistic for the setting of the story and I enjoyed the journey she went on as a character. My second favorite character was Maximus Thorpe, Miriam’s lover and the captain of the Nonesuch. While most of the story is told through Miriam’s eyes, there are chapters told from Maximus’s as the story begins to come together and the truth about the white rajah starts to become clear. Maximus is very intelligent, and I appreciated the fact that he was skeptical of information he was being told and went with his instincts, on more than one occasion, rather than simply believe what others told him.  This novel has a very diverse cast of characters, including some transgender characters, which was surprising read as historical novels tend to focus on white characters with very few non-white characters included in the background or they’re written as one-dimensional. This is the first historical novel I’ve read to include a trans character.

While the novel is not intended to be an action or adventure story, the actions scenes are well-written and the author maintains the tension through all of the fast-paced action scenes throughout the book without making things seem repetitive. Each scene is unique and each fight feels just as intense, if not more intense, than earlier ones. The novel as a whole is very well-written. The story kept me engaged and the author clearly did a great deal of research in writing it. I was especially impressed when it came to how much information about elephants and their behavior patterns was included. While the elephants start as being just a mode of transportation, they soon become characters in and of themselves. One of the book’s subplot involves the plight of the wild elephants and their treatment at the hands of both the native population and the British hoping to colonize Borneo.  

While I enjoyed the novel overall, I do have a few criticisms. The dialogue can be a bit hard to follow, given that it’s written in vernacular English. For characters who either don’t speak English well or have a strong accent, their dialogue is written to imitate how they’d actually sound. For example, “Miriam” and “England” are spelled like “Maryam” and “Inglang” respectively on several occasions. It’s hard to follow at the beginning, but the more you read of the book, the easier it is to follow. This style also applies to Maximus, who’s Scottish and his dialogue is written to emulate a Scottish accent. I wasn’t a big fan of the climax of the story, due to the way it unfolds. I don’t want to spoil anything, but the reader isn’t able to witness as much of it as I’d hoped. Similarly, the antagonist is described as having gone mad, but the reader isn’t shown enough evidence of this. The reader is shown evidence of him being a terrible person, but the madness, the urgency of Miriam’s mission, really isn’t delivered on. Lastly, there are a few in-universe things that Miriam does that don’t completely make sense. Perhaps I wasn’t pay close enough attention, but for some events, I felt like a little more insight on Miriam’s thought process or feelings would’ve gone a long way.

Overall, I enjoyed White Elephant. It was an engaging read, which I ended up liking a lot more than I expected to. While there are some kinks that need to be worked out and things the author can improve upon, it’s a good novel. I might go back and read the first novel in the series now that I’ve read this one.


Rating: 3.4 Stars

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Monday, May 11, 2020

The First Girl Child

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The First Girl Child is a 2019 historical fantasy-romance by Amy Harmon. It was published in August 2019 by 47North. The story is set during the Viking era. I discovered the book while browsing Kindle Unlimited one day.

The novel takes place in the kingdom of Saylok. The story follows Bayr of Saylok, the bastard son of a powerful chieftain who is haunted by the curse his dying mother cast upon the land. With her dying breath, she cursed Saylok to not have any daughters. Raised among the Keepers at Temple Hill, Bayr is gifted with inhuman strength. But he’s also blessed with an all-too-human heart that beats with one purpose: to protect Alba, the first girl child born in nearly two decades and the salvation for a country at risk. Now the fate of Saylok lies with Alba and Bayr, whose bond grows deeper with every whisper of coming chaos. Charged with battling the enemies of their people, both within and without, Bayr is fueled further by the love of a girl who has defied the scourge of Saylok.

Overall, I think this book was a miss for me. Judging by the blurb, I was expecting a novel that was a mix of fantasy and historical romance, but the book doesn't quite deliver. It is a historical romance with just a dash of fantasy elements thrown in. The magic system of curses and blood runes was under utilized in my opinion. The magic system itself had potential, but it wasn't expanded upon enough or taken proper advantage of. The system was unique and could've made the story interesting, but seemed to mostly serve the purpose of setting the plot in motion and being referenced occasionally later on. The curse itself created an interesting conflict, there are no girls being born and no one knows why, but it too is shunted to the side to focus on the romantic plot. I was also expecting something a little more action-oriented, since this is a Viking romance. There's nothing inherently wrong with the way the story is told and what plot elements received the most emphasis, but this novel simply wasn't for me.

Another issue I had with The First Girl Child was the overall pacing. The novel takes place over the span of about twenty years. It's a slow burn romance with not much action. There are parts of the book that move very slowly and I feel could have been consolidated down or explored in a different, less meandering way. It felt to me, upon finishing, that there were a lot of scenes that didn't really serve a purpose. If the author had chosen to skip over some of those moments, the book would flow a lot more naturally. The issue with pacing also applies to one of the later plot twists. The twist is introduced too late in the plot to be effective and by the time it happens, I was already expecting it. Due to the amount of filler, and amount of discussion happening in the story about Saylok's daughter problem and its consequences, it was almost a given how the king of Saylok would try to resolve the conflict. It also felt ineffective because it didn't conflict with the plotline I was the most invested in. I was curious about when and how the truths about Bayr and Alba were going to be revealed, not what the king was scheming about. So, I didn't really find the twist to be very groundbreaking.

I found it somewhat difficult to connect with any of the characters. The reader is meant to connect with Bayr and Alba, being the main characters, but they don't have much substance. It was hard to feel invested in their relationship as a result as well. The king of Saylok is the villain of the story, and it's very clear from his first appearance that he's meant to be the villain. Every subsequent scene is meant to show how evil he is, but the reader already knows that and those scenes instead put emphasis on the other, secondary characters around him, which doesn't feel intentional. I found myself liking the secondary characters, such as Ghost and Dagmar, more than the main ones, because they had much more nuance and complexity to them.

This review has been negative so far, but I don't want it to seem like I completely hated the book or the author. Harmon is a very skilled writer. The prose was captivating and made it difficult for me to put the book down, despite the aspects I mentioned above. She creates a vivid picture of the world of Saylok and, despite my disappointment in this novel, I want to read more of her work. I found the core idea of this story intriguing, but not the execution.

The First Girl Child was a book that didn't quite work for me. I expected a different story than I ended up reading. I don't want to discourage others from reading this book simply because it didn't fit my tastes. Romance isn't a genre I tend to enjoy, but I wanted to give the story a try. If romance is a genre you enjoy, and this story interests you, I hope my opinion doesn't sway you from deciding to read it. It's objectively a good book, just not the one for me.

Rating: 2.7 Stars

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Monday, April 27, 2020

The Vine Witch

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The Vine Witch is a 2019 historical fantasy by Luanne G. Smith. It was published by 47North. The stroy takes place in turn-of-the-century France. I discovered the novel while browsing Kindle Unlimited one day.

The novel tells the story of a woman named Elena who is a vine witch, witches whose spells have created world-renowned wines for centuries. After breaking a spell that she'd been under for years, Elena returns to the vineyards at Château Renard, the only home she's ever known, only to find that it has fallen upon hard time in her absence. While Elena struggles to regain her former life, she plans her revenge on the witch who cursed her and the lover who wronged her.

One of the most enjoyable aspects of this novel is the magic system. I initially decided to read this book because I was curious about how the author would entwine magic and wine-making in the narrative. Smith not only explained how magic can be used to improve wine-making, but also how it can be used for sabotaged. One of the reasons Elena's beloved vineyard has fallen upon hard times while she was cursed is because another witch has placed a hex on the vineyard, resulting in a series of bad vintages by the winemakers. Vine witches aren't the only type of witches in this story, either. There are witches who specialize in poisons, witches who are experts in healing arts, and plenty of other magical disciplines. I enjoyed the variety of magical abilities on display in the story.

Smith's writing is very vivid, which works in this story's favor. As I was reading, I could practically see the rural landscape. I could taste the wine being described by the narrative. I also enjoyed the pacing of this novel. It is a little slow in the beginning, but the plot escalates in a way that makes sense but also doesn't feel rushed. The story builds up tension appropriately, and while the conclusion felt a little cliche, I didn't have any major complaints about how the story was resolved. One thing that I was surprised by was the revelation of who cursed Elena and turned her into a toad, the curse she breaks at the beginning of the novel. That revelation was one of the few plot elements that genuinely surprised me.

While I liked Smith's overall writing style, and the magic system she created, there were a few things I didn't enjoy about The Vine Witch. The biggest complaint I have is the lack of characterization. Most of the characters fell flat with me, including some of the main characters. They didn't really have much depth to them. The reader wasn't given enough of a reason to hate Bastien, Elena's former fiance who she believes cursed her, other than the fact that she does. He's a shrewd businessman who wants to grow his business, and that fact, combined with her suspicions of him, is supposed to be enough for the reader to want him to fail and suffer. This book also has quite a bit of filler, which I normally wouldn't have a problem with, but this isn't a long book and having as much filler as it does works against its favor. Lastly, there is the romance, which I wasn't a fan of. There isn't enough shown of the developing relationship between Elena and Jean-Paul, so it felt a bit rushed. I also didn't think they had much chemistry. Overall, the romance felt like it existed to tick off a box on a list and not because it was necessary to the story. 

The Vine Witch is a book that I would call average. I don't think it's a groundbreaking, amazing novel, but it isn't terrible either. It lags in places, and is a little boring, but the story overall is sound and well-crafted. It fits into a category that I call "beach reads", which are books that are quick, easy reads that keeps the reader engaged without being overly deep or memorable. The book is enjoyable, but it wasn't a favorite of mine.

Rating: 3.7 Stars

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