The Scarred God is a 2019 novel by Neil Beynon. It was released on August 26, 2019 and was published by Haynes Ltd. It's a fantasy book aimed at teenagers. It was one of the books I mentioned during my October TBR post.
The novel tells the story of a teenager named Anya who escapes being captured with the rest of her village when they're attacked by invaders. The invading army is assisted by an exiled god of her culture and Anya goes on a journey through a spelled forest, alongside the forest's mysterious guardian Vedic, to save her people and defeat the exiled god. Along the way, she learned not much separates heroes from villains.
There are some books I read because they're recommended to me. Others, I stumble upon and the premise instantly grabs me. The Scarred God fits into the second category. The idea intrigued me, starting with the teaser/tagline on the cover of the book reading "how do you kill a god?" Once I read that this novel was about a teenage girl going on a quest to kill a god, I couldn't really resist.
To begin this review, let's discuss Anya. I enjoyed her as a character. She had personality, she was driven. Her motives and morals were clear. She wanted to save her people. She wanted to stop the Kurah's plans. At the same time, she was dealing with doubts about whether she could do what needed to be done. She wasn't always sure the path she was taking was the right one. Mostly, however, I was happy that she was a dynamic character, and not the archetypal "strong female character" that can sometimes fall flat on the page. Anya was a character the reader could connect with.
There were many aspects of this novel that I enjoyed. One of the aspects I found the most interesting was Beynon's use of deities from more than one culture. Rather than only having gods from the Greek pantheon, or only Norse god, etc, there's a variety of gods mentioned. The main gods we see are Danu, a Celtic goddess, Pan, from Greek mythology, and Cernubus, the titular scarred god, although I'm not sure what pantheon he was part of. There are also illusions to gods and myths that aren't named but the average person would recognize. The story gives off the feel that, for example Greek myths are true, but Celtic myths are equally true without the two mythologies contradicting each other.
Another thing I enjoyed was Anya's personal journey and how it pans out. Anya isn't explicitly a "chosen one"; she's capable of defeating the scarred god, but at no point does the narrative make it seem like she's the only person capable of doing that. Her training, at the hands of her warrior grandmother, has given her an edge, but she's the heroine as a result of circumstance, not destiny. Anya and her connection to Vedic, the protector of the woods, is another noteworthy aspect of the story. Vedic isn't helping Anya for completely altrustic reasons, and while I enjoy stories where people work together for the "greater good", I also like characters who are reluctant heroes or mentors.
One of the best aspects of the novel, from a writing standpoint, is the way it avoids certain tropes. There were points in the story where I thought "okay, this is when [insert fantasy trope here] is going to happen". Sometimes the plot went exactly how I imagined, other times it surprised me. I like being surprised narratively.
While I enjoyed the story overall, there are a few critiques I need to share.Most of my criticism comes from a world-building or clarity perspective. There are a few thing within the world of the novel that aren't explained as well as they could be. Certain terms, how one group related to another and the like. There were a few times where a specific term or title was used and I needed to stop and remember what it meant in this world. The phrase that often gets thrown around is "show, don't tell" which I feel is a bit vague. "Show, don't tell" is about balancing those two acts, at least to me. Somethings can be shown, others may need be told to the reader. Beynon doesn't quite achieve the right balance in my opinion, with the things being shown not quite giving the reader enough information to fill in the blanks. While I mention the author didn't explain enough, I'd like to be clear that I prefer his style as opposed to having everything explained as exposition-as-dialogue or there being page after page of explanations without context.
I should note that certain passages of the novel, which are depicted as dreams Anya is having, are intentionally confusing. They relate to a big plot point, so I won't explain too much about them, but I wanted to acknowledge that there's a purpose behind those passages being confusing or hard to follow with the rest of the story. I'll freely admit that I didn't think that that particular plot point was going to have the revelation that it did. I thought the reveal was going in a different direction entirely.
The Scarred God is a good book. It's entertaining. I enjoyed what I saw of the world and would be happy if the author wrote another story in this universe. Yet, when I reached the end, I felt like something was missing. The resolution was satisfying, but it felt like the end wasn't quite complete or was maybe a little rushed. Some of this could easily be having plot elements unresolved for a second book, in which case that makes sense.
Rating: 3.9 stars
