10 Bookish Pet Peeves

I've been thinking a lot about the tropes I do and don't like in books. Thinking about this quickly turned into me realizing that I have some literary pet peeves that I need to get off my chest. Here are my ten biggest book pet peeves that no one asked for. These aren't in any particular order.

Watered Down Tolkien

I'm not going to sit here and pretend like all high-fantasy isn't compared to Tolkien. The Lord of the Rings had huge influence on the development of the genre and authors who would go on to write high-fantasy. I won't, and can't, fault an author for taking inspiration from Tolkien. My issue is when it's clear an author is trying to be the next Tolkien. You can have all the elves, dwarves and orcs that you want, but if you don't do anything new with those races, if there isn't something unique about the story, it feels like you're just ripping off Tolkien.

Non-sensical (Or Unneeded) Plot Twists

Plot twists need to make sense. There need to be breadcrumbs spread throughout the story giving the reader a sense of foreshadowing. If a happy-go-lucky side character changes for the last three pages to suddenly be a jerk because the bad guy shapeshifted to look like him, that's a bad twist. If the same character gets separated from the rest of the group halfway through, and when he's reunited he's been acting "strange" or seems less happy, that same twist works a little better. Plot twists also need to be crucial for the story to move forward. A book can have multiple plot twists, but the story needs to justify it. Either the thriller's two POV characters are actually the same person from different points in time or the main character is suffering from dissociative identity disorder. You can't have both just for shock value. Don't have a twist just to have a twist.

Bad Allegory

I feel like people want to write an allegorical novel, or have an aspect of their story be an allegory to something else, but they aren't willing to commit to it. In a science fiction novel, the treatment of one alien population by another is meant to be an allegory for racism, but the author doesn't go deep enough into the idea by exploring or expanding upon the in-universe consequences of the idea. So, the "racism" allegory falls apart and the message becomes very surface level. That's just an example, but I think we can all name at least one book where the author meant for it to be deep and thought-provoking, but failed.

Mean Girls Who Don't Make Sense

This one might need an explanation. I don't have a problem with "mean girl" characters, if it makes sense to have them in a story. They fit YA coming-of-age stories or contemporary fiction, maybe even in romance. Mean girls in fantasy or science fiction though? That's where I have an issue. If the protagonist is already dealing with an evil wizard, why do they also have to encounter Regina George?

Everyone Ends Up Married

I'm not the only person who has problems with this one, but I thought it should feature here. I'm not saying that a book can't have romance. I just hate it when the last chapter or two of a book consists solely of giving every character a partner. Especially for books that are not primarily romances. Please don't waste my time pairing people up. I don't care that much about the romantic subplots.

Jerky Love Interests

I mentioned this in my post about my feelings about romantic subplots, but I thought I should mention it here. You can write a bad boy without needing to make him a misunderstood outcast with a heart of gold. If he's a jerk for most of the book, and then does one nice thing, that doesn't make him a viable love interest. Enemies to lovers is one thing, if done well. But if I'm actively wishing that the protagonist ends up with anyone else, the romantic tension is actually complete and utter disdain.

Excessive Unanswered Questions

I know that some books are meant to make you think. Some authors end books the way that they do to make the reader want more. But sometimes, there are a boatload of unanswered questions at the end of a book because there wasn't enough world-building or the author didn't show/tell the reader enough information in the text to understand. "What happens next?" is very different than "I know what I read, but I have no idea what it's supposed to mean". Even if I don't know everything about the world, I should know enough or be able to fill in the blanks enough so that the cliffhanger/set up for the sequel, is actually a cliffhanger and not result in me wondering why I should suddenly care about this new character/threat.

Inconsistent or Unrealistic Dialogue

People are inconsistent. It's a fact of life and realistic characters might have inconsistencies. However, when characters speak a certain way, whether it's an absence of slang terms or not using contractions, or sounding like they stepped out of a Shakespeare play, for most of a novel and then suddenly the dialogue pattern changes, it becomes glaringly obvious and it feels weird to the reader. Likewise, who a character is needs to be taken into account when writing dialogue. A teenager's dialogue should sound like a teenager, not a 40-year-old housewife. It's very obvious when characters in specific groups are being written by people who've haven't spoken to members of that group in a while.

Two Minute Battles

I may have mentioned this in some of my reviews, but how the antagonist is stopped is just as important as writing a compelling villain. Don't spend 290 out of 300 pages telling me how evil and powerful the bad guy is only to have him be defeated in two pages. Unless this is a fake-out, and the heroes were fighting an underling disguised as the bad guy, it's a letdown. If the conflict with the antagonist isn't the main focus of the story (say, the romance comes first), don't build the villain up to be a huge threat.

Everything-But-The-Kitchen-Sink-itis

I know that's a long name for it, but it fully encapsulates how it feels while reading something that falls into this category. There are a few books I can name where the author clearly had too many ideas and not enough pages to devote to them. Instead of cutting some ideas out, and saving them for a sequel or another story entirely, they decide to include everything. As a result, all of these ideas are thrown in and there's not enough time to do each idea justice. To use The Hunger Games as an example, there's a reason why the 74th Games and the war against the Capitol didn't happen in the same book. It allowed the author a chance to give each one the attention it deserved. By having too many "big events" happen in one book, each one suffers.

Those are my ten biggest bookish pet peeves. Or at least the ten biggest I can think of at the moment What are some of your literary pet peeves? Are there any I mentioned that you like?

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Anthologies That I Love

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I don't know if I've made this obvious on this blog yet, but I love anthologies. I love full-length novels, but there's also a special place in my heart for short story collections. So, I've decided to spread the love and discuss some of my favorite collections.


  
Wastelands and Wastelands 2 Edited by John Joseph Adams

Genre: Post-apocalyptic & Science Fiction

Synopsis (Goodreads): Famine, Death, War, and Pestilence - the Four Horsemen of the Apocalypse, the harbingers of Armageddon - these are our guides through the Wastelands.

From the Book of Revelation to The Road Warrior, from A Canticle for Leibowitz to The Road, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: The nature of life in the aftermath of total societal collapse.

Gathering together the best post-apocalyptic literature of the last two decades from many of today's most renowned authors of speculative fiction - including George R. R. Martin, Gene Wolfe, Orson Scott Card, Carol Emshwiller, Jonathan Lethem, Octavia E. Butler, and Stephen King - Wastelands explores the scientific, psychological, and philosophical questions of what it means to remain human in the wake of Armageddon. Whether the end of the world comes through nuclear war, ecological disaster, or cosmological cataclysm, these are tales of survivors, in some cases struggling to rebuild the society that was, in others, merely surviving, scrounging for food in depopulated ruins and defending themselves against monsters, mutants, and marauders.

Wastelands delves into this bleak landscape, uncovering the raw human emotion and heart-pounding thrills at the genre's core.



The Year's Best Dark Fantasy & Horror Edited by Paula Guran. This is an annual release which started in 2010 and continues to today.

Genre: Fantasy & Horror

Synopsis (Goodreads):  The supernatural, the surreal, and the all-too real . . . tales of the dark. Such stories have always fascinated us, and modern authors carry on the disquieting traditions of the past while inventing imaginative new ways to unsettle us. Chosen from a wide variety of venues, these stories are as eclectic and varied as shadows. This volume of 2018's best dark fantasy and horror offers more than five hundred pages of tales from some of today's finest writers of the fantastique--sure to delight as well as disturb. 



Am I Blue?: Coming Out of the Silence Edited by Marion Dane Bauer

Genre: LGBT, Young Adult

Synopsis (Goodreads): Each of these stories is original, each is by a noted author for young adults, and each honestly portrays its subject and theme--growing up gay or lesbian, or with gay or lesbian parents or friends.



Places I Never Meant to Be: Original Stories by Censored Writers Edited by Judy Blume

Genre: Fiction

Synopsis (Goodreads): "What effect does [the climate of censorship] have on a writer?....It's chilling.
It's easy to become discouraged, to second-guess everything you write. There seemed to be no one to stand up to the censors....so I began to speak out about my experiences. And once I did, I found that I wasn't as alone as I'd thought."
-- from Judy Blume's introduction to Places I Never Meant to Be

Judy Blume is not alone: Many of today's most distinguished authors of books for young people have found their work censored or challenged. Eleven of them have contributed original stories to this collection. Along with a story written by the late Norma Klein when she was a student at Barnard College, they comprise a stunning literary achievement as well as a battle cry against censorship.



Firebirds: An Anthology of Original Fantasy and Science Fiction Edited by Sharyn November 

Genre: Fantasy & Science Fiction

Synopsis (Goodreads): Firebirds is more than simply an anthology -- it is a celebration of wonderful writing. It gathers together sixteen original stories by some of today's finest writers of fantasy and science fiction. Together, they have won virtually every major prize -- from the National Book Award to the World Fantasy Award to the Newbery Medal -- and have made best-seller lists worldwide. These authors, including Lloyd Alexander (The Chronicles of Prydain), Diana Wynne Jones (The Merlin Conspiracy), Garth Nix (The Abhorsen Trilogy), Patricia A. McKillip (Ombria in Shadow), Meredith Ann Pierce (The Darkangel Trilogy), and Nancy Farmer (The House of the Scorpion), each with his or her own inimitable style, tell stories that will entertain, provoke, startle, amuse, and resonate long after the last page has been turned.The writers featured in Firebirds all share a connection to Firebird Books, an imprint that is dedicated to publishing the best fantasy and science fiction for teenage and adult readers.



Toil and Trouble Edited By Tess Sharpe & Jessica Spotswood

Genre: Fantasy & Paranormal

Synopsis (Goodreads): Are you a good witch or a bad witch?

Glinda the Good Witch. Elphaba the Wicked Witch. Willow. Sabrina. Gemma Doyle. The Mayfair Witches. Ursula the Sea Witch. Morgan le Fey. The three weird sisters from Macbeth.

History tells us women accused of witchcraft were often outsiders: educated, independent, unmarried, unwilling to fall in line with traditional societal expectations.

Bold. Powerful. Rebellious.

A bruja’s traditional love spell has unexpected results. A witch’s healing hands begin to take life instead of giving it when she ignores her attraction to a fellow witch. In a terrifying future, women are captured by a cabal of men crying witchcraft and the one true witch among them must fight to free them all. In a desolate past, three orphaned sisters prophesize for a murderous king. Somewhere in the present, a teen girl just wants to kiss a boy without causing a hurricane.

From good witches to bad witches, to witches who are a bit of both, this is an anthology of diverse witchy tales from a collection of diverse, feminist authors. The collective strength of women working together—magically or mundanely--has long frightened society, to the point that women’s rights are challenged, legislated against, and denied all over the world. Toil & Trouble delves deep into the truly diverse mythology of witchcraft from many cultures and feminist points of view, to create modern and unique tales of witchery that have yet to be explored.



Geektastic: Stories from the Nerd Herd Edited by Holly Black & Cecil Castellucci

Genre: Fiction, Young Adult

Synopsis (Goodreads): Acclaimed authors Holly Black (Ironside) and Cecil Castellucci (Boy Proof) have united in geekdom to edit short stories from some of the best selling and most promising geeks in young adult literature: M.T. Anderson, Libba Bray, Cassandra Clare, John Green, Tracy Lynn, Cynthia and Greg Leitich Smith, David Levithan, Kelly Link, Barry Lyga, Wendy Mass, Garth Nix, Scott Westerfield, Lisa Yee, and Sara Zarr.

With illustrated interstitials from comic book artists Hope Larson and Bryan Lee
O'Malley, Geektastic covers all things geeky, from Klingons and Jedi Knights to fan fiction, theater geeks, and cosplayers. Whether you're a former, current, or future geek, or if you just want to get in touch with your inner geek, Geektastic will help you get your geek on!



Those are just a handful of anthologies that I love. Do you have any favorites? What's your opinion on anthologies?

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The February Short List

Photo by Ed Robertson on Unsplash

The Short List is the list of books that I read in a given month, but for one reason or another, I didn't write a full review for. I still wanted to be able to talk about these books, and I've found that this format is the easiest way to do so.

The Devil In the White City by Erik Larson

Blurb: Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America’s rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair’s brilliant director of works and the builder of many of the country’s most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his “World’s Fair Hotel” just west of the fairgrounds—a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium. Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake.

My Thoughts: This was a re-read for me, so the story wasn't able to surprise me. That being said, this feels like it's two separate books. One accounting the story behind the World's Fair in Chicago, and another about H.H. Holmes crimes as one of America's first serial killers. It's understandable why both stories could be told together, but they do feel a bit disconnected. The writing itself is good and Larson did an extensive amount of research, but this wasn't my favorite read. It's an interesting read, even if the two plots feel disjointed at times.

Gheist by Richard Mosses

Blurb: After losing a card game to Las Vegas gangster Danton, Kat McKay is kidnapped, her heart removed from her chest. Bizarrely, Kat wakes up with a newfound power: she can see the dead. Together with a motley crew of criminal ghosts, including mobster Clint, stage magician Melchior and hitman Jack The Knife, she sets on a quest to restore their freedom - and her heart. But who is worthy of her trust, and can she regain what was taken from her?

My Thoughts: This book has a great premise but not a good execution. From the description, I thought it would be more interesting than it was. The story was slow to start off, and even after the inciting incident, things moved slower than I would've liked. There was a great deal of focus on side character's backstories that I didn't feel were that important. I was expecting Ocean's Eleven, but with ghosts and instead, the story was a normal heist story with very little supernatural elements thrown in.

  

Crisis on Infinite Earths Giant #1 and Crisis on Infinite Earths Giant #2

Summary: Between December of 2019 and January of 2020, the CW's Arrowverse had its big crossover event, Crisis on Infinite Earth, which they've been building towards for six years. These two comics are a tie-in for that event, with two all new stories, and are also a reprint of some issues from the original Crisis on Infinite Earths event.

My Thoughts: I'm a big comic book fan. I'm also a big fan of Arrow. While I have some strong opinions about the "Crisis on Infinite Earths" television event, I did enjoy these two comics.



E=MC2: A Biography of the World's Most Famous Equation by David Bodanis

Summary: This book outlines the history of Einstein's famous formulation, which was overlooked when he released it in 1905, and delves into how groundbreaking such a simple equation has been, the discoveries made as a result of its application and what it means to our understanding of the universe and the future of said universe.

My Thoughts: This was a re-read for me. I first read this book in high school and remember thinking how cool it was that E=mc² led to such a diverse range of discoveries. Reading it now as a college graduate with a degree in math and having taken higher-level physics courses, I can fully both understand and enjoy the content of this book. It's an interesting read, especially for anyone with an interest in physics, and poses some thought-provoking questions towards the end.

Those were all of the books I completed in February but did not write a full review for. What are some books that you read this months? Any recommendations?

The January Short List

Photo by Ed Robertson on Unsplash

I know some of you might be reading this and thinking “the short list, what does that mean?”. Well, its pretty simple. I read a lot of books, but I don’t necessarily review all of them. This is for a variety of reasons. Sometimes there are books that I don’t feel strongly enough about to review, and for some it just doesn’t work. Sometimes, the book in question discusses a very niche topic or it’s one of those books that isn’t meant to be taken too seriously or analyzed. I’ve been thinking quite a bit about books like this, so I’ve decided to create The Short List, which gives me a chance to talk about these books without writing a full review. In order to preserve my own sanity, I will be posting these towards the end of every month.

With my explanation out of the way, let’s get into January’s Short List.

Is God a Mathematiician by Mario Livio

This is a non-fiction book written by an astrophysicist. The book examines the connection between mathematics, which is a collection of abstract concepts, and the physical world. It tried to answer the questions of how, if math is an entirely intangible concepts that humans invented, can it be used to so easily explain things in physical reality? For example, the work of  British mathematician who was well-known for his contribution to number theory (the study the properties of whole, positive numbers), was used decades later to make breakthroughs in cryptography. There’s also the matter of earlier individuals such as Pythagoras, Archimedes and Isaac Newton, whose discoveries in their time have wide applicability today. The book attempts to answers a simple question: did we discover math when learning about the world around us or did we invent math and it just so happens to explain so much about the world around us?

This book is on the Short List, because not many people I know personally would be interested in a book like this. I have a math degree. If I had the money, I’d probably be working on earning a Master’s degree in math right now. I found this book interesting, but not everyone will.

I Could Pee on This (And Other Poems by Cats) by Francesco Marciuliano

Yes, this is a book of poems. Yes, these poems are written from a cat’s perspective. It’s a little weird, but it’s a fun book with a creative premise. I bought it on a whim because the title made me laugh. It’s a short, cute, fun read and anyone that has or had cats should read it. There are lots of cute cats pictures inside as well.

What Will I Be? STEM Edition By Katie Greiner

I know you might be thinking, this is a kid’s book. Why did you read a kids book? Well, two reasons. One, I have somewhat of a connection to the author. While I’ve never met her, she and I are both alumnae of the same sorority, from different colleges, for women studying in technical fields. I wanted to support one of my sisters. Second I liked the message it was sending. 

There’s a stigma around women studying math, science and technology and I, for one, am tired of it. This book tells kids, especially girls, that they can be a doctor or an astronaut or a computer scientist and I like that message.

The Prose Edda

This is, no doubt, the oldest book I’ve ever read that’s not about the Trojan War. It was written in the 13^th century in Iceland. It’s one of the most well-known pieces of Scandinavian literature and our biggest source of information about Norse Mythology. Unlike its older relative, The Poetic Edda, it gives more detail into the myths it tells and it’s a little easier to understand, since The Poetic Edda is, as one might guess, a collection of poems. Given that The Prose Edda takes inspiration from The Poetic Edda, they’re sometimes referred to as the Younger Edda and the Elder Edda respectively.

As someone who, up until reading this, had only read Greek myths, the differences are quite fascinating. Every mythology has a creation myth, but very few have a detailed, soon-to-come destruction myth. I would advise anyone thinking of reading this, or anything derived from this book, to leave anything you learned from Marvel comics at the door, since they changed quite a bit.


Those were all of the books I completed in January but did not review. I know that this is a very varied list, but variety is the spice of life as they say. What are some books that you read this months? Any recommendations?

Top 5 High Fantasy Series

Despite the fact that, at time of writing, most of my reviews are for some form of thriller, thriller actually is not my favorite literary genre. Fantasy, more specifically high-fantasy, is my favorite genre to read. Given that I needed a bit of a break from reviews for a little bit, I’ve decided to write about my five favorite high fantasy series.

By definition, high fantasy is defined as fantasy fiction set primarily in an alternative, entirely fictional world, rather than the real world. The fictional world is usually internally consistent but its rules differ in some way from those of the real world. Low fantasy, by contrast, takes place in the real world but has the inclusion of magical elements. The Mortal Instruments series is low fantasy; The Hobbit is high fantasy.

5) Earthsea by Ursula K. Le Guin

The novels, beginning with A Wizard of Earthsea, take place in a world that is mostly ocean with humanity living on small islands. The world is inhabited by humans and dragons, with some humans being wizards or sorcerers. Unlike the other series on this list, humans and dragons are the only notable species that live in this world.

The first novel begins with a young boy, known as Duny but later named Ged, learning he has innate magical power. His aunt teaches him the little magic she knows, and one exhibition of his power gains the attention of a powerful mage. Unfortunately, Ged inadvertently releases a shadow creature. The rest of the novel follows Ged as he attempts to get ride of the creature plaguing him.

Earthsea is unique from two standpoints. One is the shifting of perspectives. There isn’t one protagonist across the series, unlike most book series. Characters from later books interact and meet characters from earlier novels, but the story isn’t focused on Ged and Ged alone. The second aspect that I feel makes Earthsea unique is its central theme about balance. Wizards in this world are meant to keep balance between the magical forces. Bad things don’t necessarily happen because someone evil causes it, they happen because they go against the balance that needs to be maintained. When I read this series, I found the concept of good and evil being more about choice than innate nature intriguing.

4) The Inheritance Cycle by Christopher Paolini

I wasn’t aware of this series existence until the first two books, Eragon and Eldest had already been released. I read those two very quickly and eagerly awaiting the third novel Brisingr and later the fourth and final book Inheritance.

Taking place in the fictional world of Alagaesia, it chronicles the tale of a farmboy Eragon, who finds a dragon egg while hunting and becomes the first Dragon Rider since the evil king Galbatorix killed all the others one hundred years earlier. Eragon is then swept up a journey to end the evil king’s reign and restore the order of Dragon Riders.

The Inheritance Cycle has a lot of similarities with, and clearly the author was inspired by, older works, most notably J.R.R. Tolkien’s works. Alagaesia and many of its inhabitants are similar to Middle Earth and the different races of beings that live there. While the worlds may be the same, the plots differ quite bit. Eragon’s journey isn’t about defeating an ultimate evil, its about overthrowing a corrupt leader. The conflicts between the protagonists and antagonists in Eragon and the other novels in the series, begin on a more personal level than most fantasy novels.

3) The Chronicles of Narnia by C.S. Lewis

Some of you may believe this entry is cheating, since each book in the series starts with the main characters in the real world. However, given that the entirety of each book’s action and plot take place in the fictional land of Narnia, I’ve decided to include it.

The Chronicles of Narnia was actually the first high-fantasy series I read. A great deal of my love for it is no doubt a result of nostalgia from my childhood. These books will always hold a special place in my heart for being my introduction to fantasy as a genre. The allegories between events in Narnia and Christian theology are a lot more obvious as an adult, and Lewis has been criticized for some harmful stereotypes others have noticed in the novels, but this piece is neither the time nor the place to discuss that.

The world is expansive. There are different creatures throughout the world. There are humans, talking animals, minotaurs, sprites, and dozens of others. Magic exists in Narnia and the rules within the world are easy to understand and they stay consistent throughout There is the essential battle between Good and Evil, in various forms, throughout the series.

2) A Song of Ice and Fire by George R.R. Martin

I think we all knew this one was going to be on here. No discussion about fantasy is complete anymore without mentioning A Song of Ice and Fire due to the popularity of Game of Thrones. (Just as an aside, I will only be discussing Martin’s novels here, and not any events from the television series). I’m not sure what I can say about Westeros that hasn’t already been said, but here we go.

Martin gives the reader a rich, expansive world with hundreds of unique characters. Of all of the fantasy worlds mentioned in this piece, Martin’s uses magic the least often. Magic does exist, but it only seems to come up in certain situations and can only be performed by certain characters. A Song of Ice and Fire first gained popularity due to how shockingly events played out. No characters are safe, anyone can be killed, which went against the common trope in fantasy that the protagonist wouldn’t and couldn’t get killed, regardless of how dangerous of a situation they found themselves in. The series popularity stems from the world, but mostly in Martin’s ability to shock readers and avoid tropes of the fantasy genre.

Another thing worth noting is that, outside of the threat of the Others/White Walkers, there isn’t a main villain or some greater evil that needs to be defeated. There are plenty of “bad guys” but outside of the Others, they’re all ordinary people. While a lot of the world is clearly inspired by Tolkien’s work, including some character archetypes, the themes of the novels center around human conflict as opposed to the battle between good and evil.

1)The Lord of the Rings by J.R.R. Tolkien

I really don’t think there was ever another option for my favorite fantasy series. While I have read all of these series more than once, The Lord of the Rings is the one I read the most often. Tolkien is the father of modern fantasy. Many of the tropes, themes and aspects of other fantasy worlds are based on, or at least inspired by, Tolkien’s works. Any discussion about lore and world-building would be incomplete without mentioning how much time, effort and thought went into creating the world of The Lord of the Rings. He created multiple constructed languages, and created multiple dialects each language. Middle Earth doesn’t just have a very long history going back thousands of years, it has its own creation myth.

But enough about how in-depth the lore goes, or how much effort and detail Tolkien put into his works. Let’s talk about the works themselves. The Lord of the Rings isn’t just my favorite fantasy story, its my favorite story period. The central conflict is a battle between good and evil, the quintessential need to defeat evil. Sauron is a pure evil force that can’t be reasoned with, can’t be talked down and the Fellowship needs to succeed because if they fail, the world falls into darkness. There isn’t a Chosen One, just a group of people banding together because they must and because defeating Sauron is what’s right. Even as the world gets darker, and evil gains a little more of a foothold, there’s never a point where there’s no hope. Even after members of the Fellowship get separated, they remain part of the same story, and impact the journey the others are having. They are one part of an ongoing story.

Tolkien changed the way fantasy was written, and unfortunately, that meant a number of the themes in his writing were ignored or swept under the rug in other works. When a work is compared to Tolkien, it usually refers to the worldbuilding, but not the core themes. The Lord of the Rings is about more than just elves, dwarves, talking trees and defeating evil. It’s about having hope, despite seemingly insurmountable odds. It’s about power, and how absolute power corrupts absolutely, and a little power corrupts a little. Mostly, its about how the smallest person can change the course of the future.

Those are my favorite high fantasy series. What are yours?