After Alice

After Alice is a 2015 fantasy novel by Gregory Maguire. It was published by William Morrow in October 2015. The novel is a retelling of Lewis Carroll's Alice's Adventures in Wonderland.

The novel follows Ada, Alice's friend, who arrives a moment too late to prevent Alice from going down the rabbit hole and ends up taking a trip to Wonderland herself. Ada traverses Wonderland to try and bring her friend home. Meanwhile, Ada's governess Miss and Alice's sister Lydia search for the missing girls.

While I wanted to enjoy this story, I feel like Maguire chose to put the wrong amount of emphasis on certain parts of this novel. I can't speak for anyone else, but when I read the blurb on the back of this book, I was expecting a story about a new character traveling through Wonderland and getting to experience it for the first time. Perhaps the reader would get to see new parts of Wonderland that weren't mention, or were barely touched upon, in Carroll's original story. Unfortunately, that isn't what happens in this novel. Over half of the novel focuses on events happening in Victorian England as opposed to Wonderland itself. Ada's governess Miss Armstrong searches for Ada while Lydia is more concerned with learning about the visitor, Mr. Winter, than her missing sister. There is also a section of Lydia's story where discussions about slavery and evolution occur. While slavery was still happening in America when Alice in Wonderland is set, and Charles Darwin is a character in this story, around the time he released The Origin of Species, these topics felt out of place with the rest of the story. The commentary on those topics were almost completely unnecessary and distracted from the story Maguire set out to tell. While some may have wondered what happened in England while Alice was in Wonderland, the chapters taking place in Victorian England really slowed the story down and distracted from the parts of the story I wanted to read most.

The chapters of the story that did not focus on life in Victorian London took place in Wonderland. Sadly, Ada's adventure through Wonderland was far less entertaining and exciting as Alice's. For the majority of Ada's adventure in Wonderland, she's simply trying to find Alice and has no adventures for herself. She often arrives just after an iconic scene from Alice in Wonderland has ended, missing all of the excitement and most of the wonder. For example, she arrives at the Mad Hatter's tea party after Alice has already left. Ada could've had her own adventure, but instead spends page after page chasing after Alice and not being able to truly experience Wonderland. Due to a combination of too much emphasis on Victorian England, and no excitement in the Wonderland chapters, I found After Alice to be rather boring.

I chose to read this book because I loved Maguire's more famous work, Wicked: The Life and Times of the Wicked Witch of the West. I was amazed by the character work and character development he created in that story.He turned a character who was seen as pure evil, the Wicked Witch, and gave her personality and complex motivations. I was expecting the same to happen in After Alice, but sadly we don't get that. While there are a plethora of characters, none are fully-fleshed out. Lydia is a stereotypical self-involved teenager and Ada's most notable character trait is a dislike for her governess and the fact that she's awkward. The characters aren't really characters, and thus there's no character growth or real character arcs that take place. It's difficult for me to read a novel where I don't connect, or even like, a single character, and that's what happened here.

While I wasn't a fan of this book overall, there were some things that I enjoyed. Maguire's writing style has always enraptured me. He excels at writing his descriptions and creating a clear, vivid picture of the world for the reader. In the case of After Alice, he took great pains to try and replicate Lewis Carroll's clever writing, and in places, he achieves that goal. He gets closer than most Alice-inspired works do at capturing Carroll's voice, and while I didn't enjoy the plot overall, his ability to imitate the original work kept me closing the book and giving up.

Overall, I have to say that After Alice simply wasn't the novel for me. The writing is amazing, but the plot and character-work left me feeling unfulfilled. My main issues with the novel stem from one factor: the story is incredibly boring. There's no wonder in Wonderland and while the blurb promises a new story, the promise goes unfulfilled.

Rating: 1.7 Stars

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The YA Series No One Talks About

Since I started this blog, I've been thinking a lot about books I've read over the years. Not only have I been remembering books that changed my life on a very deep level, but also some series I remember loving that I'd forgotten about. When I was making a list of young adult series that I love for another post, I was suddenly reminded of the Shadow Children series by Margaret Peterson Haddix. So, I decided to dedicate an entire post to that series by itself.

The Shadow Children series consists of seven novels (Among the Hidden, Among the Impostors, Among the Betrayed, Among the Barons, Among the Brave, Among the Enemy and Among the Free). It takes place in a dystopian country where the government has enforced strict population control laws in order to control overpopulation after environmental conditions have severely limited resources, particularly food. As a result, it is against the law for families to have more than two children; the law is strictly enforced by the Population Police, who are said to conduct raids specifically to find and punish families who have more than two children. Due to these circumstance, the third, and any subsequent, children are denied the right to exist and must spend their lives hidden to avoid imprisonment or death.

The first book in this series, Among the Hidden, was the book that sparked my interest in dystopian novels. While I'd read some dystopian fiction before it, I either didn't understand the dysptopian elements at the time, or I didn't find the story particularly interesting. Not with this series though. They were the perfect book to get me into dystopias. From this series, I found The Hunger Games and other, more widely-discussed dystopian series.

While books such as The Hunger Games certainly deserve the attention they get, I feel like this series is being forgotten by people. I read these books in middle school, and while several other students read them, I don't think that was the case for everyone. I think they've been largely overlooked, as many people I've asked haven't heard of them. Or maybe I've been asking the wrong people. It's a good series for the middle grade and young adult audience, being on the right reading level and age-appropriate for readers at the younger end of the YA age range. It's being overlooked, and it doesn't deserve to.

In conclusion, if you enjoy dystopia fiction and you haven't read this series, I think you should check it out. If you have read this series, what did you think of it? Are there any novels or series you think aren't getting the attention they deserve?


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April Book Haul

With everything going on, I've been doing a lot of reading. As a result, I've inevitably gone on more than one book-buying binge recently. Strangely, all of the books I purchased arrived on the same day, so I've decided to make a book haul post to show off my purchases.

(Please note, all book blurbs are copied from Goodreads.com)

And I Darken by Kiersten White || Genre: Fantasy

Blurb: No one expects a princess to be brutal. And Lada Dragwlya likes it that way. Ever since she and her gentle younger brother, Radu, were wrenched from their homeland of Wallachia and abandoned by their father to be raised in the Ottoman courts, Lada has known that being ruthless is the key to survival. She and Radu are doomed to act as pawns in a vicious game, an unseen sword hovering over their every move. For the lineage that makes them special also makes them targets. 

Lada despises the Ottomans and bides her time, planning her vengeance for the day when she can return to Wallachia and claim her birthright. Radu longs only for a place where he feels safe. And when they meet Mehmed, the defiant and lonely son of the sultan, Radu feels that he’s made a true friend—and Lada wonders if she’s finally found someone worthy of her passion. 

But Mehmed is heir to the very empire that Lada has sworn to fight against—and that Radu now considers home. Together, Lada, Radu, and Mehmed form a toxic triangle that strains the bonds of love and loyalty to the breaking point.

God Emperor of Dune by Frank Herbet || Genre: Science Fiction

Blurb: More than three thousand years have passed since the first events recorded in DUNE. Only one link survives with those tumultuous times: the grotesque figure of Leto Atreides, son of the prophet Paul Muad'Dib, and now the virtually immortal God Emperor of Dune. He alone understands the future, and he knows with a terrible certainty that the evolution of his race is at an end unless he can breed new qualities into his species. But to achieve his final victory, Leto Atreides must also bring about his own downfall.

Prelude to Extinction by Andreas Karpf || Genre: Science Fiction

Blurb: When Jack Harrison climbed down the short ladder from the airlock and stepped onto the debris covered soil, the ground crackled with the sound of dried leaves and twigs. Warm sunlight shined through his helmet, making him almost forget the decade he just spent captaining Earth’s first ship to another star system. The serene tropical surroundings, though, stood in stark contrast to the long abandoned structures that lay nearby.

Evidence points to a massacre – the systematic extermination of an alien colony hundreds of millennia ahead of humanity. Time, however, has erased any trace of the attackers. Jack and his crew barely start probing the ruins before their curiosity betrays them as an abandoned alien device cuts them off from their main ship. Lost and short on supplies, survival soon becomes their only goal. Even their short-lived rescue by an alien race, who themselves are under siege, offers little hope. As they struggle to find a way home, signs begin pointing to a danger darker than any they could have foreseen. Jack knows that playing it safe may no longer be an option – but his only other choice is to confront a threat that they don’t even begin to understand.

Batman Volume 1: The Court of Owls by Scott Snyder || Genre: Comics

Blurb: After a series of brutal murders rocks Gotham City, Batman begins to realize that perhaps these crimes go far deeper than appearances suggest. As the Caped Crusader begins to unravel this deadly mystery, he discovers a conspiracy going back to his youth and beyond to the origins of the city he's sworn to protect. Could the Court of Owls, once thought to be nothing more than an urban legend, be behind the crime and corruption? Or is Bruce Wayne losing his grip on sanity and falling prey to the pressures of his war on crime?

Superman, Volume 1: Son of Superman by Peter J. Tomasi || Genre: Comics

Blurb: After the stunning events of DC Universe: Rebirth, the world is left without Superman! Luckily, there is another Man of Steel to fill his shoes: the pre-Flashpoint Kal-El! However, can this new Superman protect the world while raising a super-son with his wife, Lois Lane? And should they help their boy use his new and rapidly increasing abilities, or hide them from the world?

Those are the books I bought during my book-buying sprees. I know it's not a huge haul, but it's more books than I've bought in a while, and I felt like sharing them.

Have you bought any new books recently? Any books you'd recommend?

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Ubiety

Ubiety is a 2019 adult fiction novel by Grzegorz Kunowski. The novel has elements of mystery and magical realism as well as some aspects of psychological thriller. I was provided with a free copy of the novel, by the author, in exchange for an honest review.

The description of the novel is as follows: If you were to find yourself at the edge of a dying world with a lingering sense of reality, would you simply fade into the nothingness or would you fight for everything you hold dear? This assertive question is at the heart of the thought-provoking book Ubiety, for this book was designed to help people emerge into reality and find the truth whilst questioning both what could and should be. Join Adam’s journey through the gruelling world of the unforgiving future, diving into the many mysteries which will uncover bittersweet secrets to see if he can save the fate of his daughter along with that of the world, using nothing but his boldness of character, the brilliance of one’s mind and a hint of madness.

One of the strengths of this story comes from how well-written and descriptive the setting is. As Adam moves from one scene to another, one section of the book to another, the author goes to considerable length to make sure the reader isn’t only able to envision a given location, but feel as if they are really there. Some may feel the writing is too vivid at times, but it makes the novel very immersive. There was also a great deal of creativity used in forming the dream sequences that occur in each part of the story. The dream sequences are used to pose philosophical questions about life, the world, the nature of free will and death itself. Make no mistake, Ubiety is a book meant to make the reader think.

There’s not very much I can say about characters, as the only named character in the book is Adam himself. Given that he’s an unreliable narrator, and it’s never made sure how much of what occurs is real and how much isn’t, he doesn’t have a character arc and there’s not a lot that can be said about his personality. He’s a man in a very dark place. Additionally, I can’t say anything about the plot of this book, since there isn’t one. Each section has it’s own plot, in one way or another, but the story lacks a central conflict and resolution, instead being a series of vignettes that are loosely connected.

When I was first contacted by the author, he described the book as being similar to James Joyce’s Ulysses, which I feel is a fair description. Ubiety is written in a way that is intentionally confusing, including run-on sentences that last most of a page and making sure many details of what’s going on aren’t clear. This isn’t an easy, quick read, despite the fact that it’s less than 125 pages. I found myself having to read at a very slow pace to be able to follow what was happening and needing to reread in parts. I do feel like the author went a little overboard with what some call “10 cent words”. Using complex language and words is not something I take issue with, but the amount used here makes this work very frustrating to read. It’s difficult to like a story and become immersed in it if the reader needs a thesaurus to understand every single page. Having said all of that, this book is a success in the sense that the author seems to have achieved what he meant to with his writing style. I didn’t like the writing style, though.

Overall, I can’t really say that I enjoyed Ubiety. It was a struggle to get through, and since its story is all over the place and has no real resolution, I was a bit annoyed when I reached the end. I will commend the author for writing this work at the age of 16 and I feel like, given some time and with some editorial feedback, he could have a very successful career as an author. Fans of dark and intense literature might enjoy this book, as well as anyone who wants to ponder over the meaning of life for a few days. This book simply wasn’t for me.

Rating: 2.3 Stars  

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The TBR Book Tag

I was tagged by Krista over on The Bookish Hedgemom to do this tag. So, let's dig into my seemingly endless TBR pile.

HOW DO YOU KEEP TRACK OF YOUR TBR?

I have a spreadsheet which shows all the books I've bought, ARCs I've received and books I own but haven't read. Whenever a new book is purchased, it's added to the list. When a book is read, I move it to a separate column. I also use Goodreads, but I'm not as diligent about keeping the to-read shelf up to date, because it feels overwhelming.

IS YOUR TBR MOSTLY PRINT OR EBOOK?

Honestly, it's about 75/25. Most of my TBR are physical books, but I have quite a few eBooks on the list as well. 

HOW DO YOU DECIDE WHAT TO READ NEXT?

Every few weeks, I break out my calendar and plan for the next month. Obviously, adjustments are made if I'm not in the right mood to read a certain book, but for the most part, that's how I decided what's next.

A BOOK THAT'S BEEN ON YOUR TBR THE LONGEST?

The Witcher series. I have most of the books, and I've had them since before the Netflix series, but I just haven't gotten around to reading them yet.

A BOOK THAT YOU RECENTLY ADDED TO YOUR TBR

And I Darken by Kiersten White. In fact, it's so recent that I don't even have the book itself yet.

A BOOK THAT'S ON YOUR TBR BECAUSE OF THE BEAUTIFUL COVER

The Hollowed Gods by A.J. Vrana. The cover just looks so gorgeous to me.

A BOOK ON YOUR TBR THAT YOU NEVER ACTUALLY PLAN ON READING

While I want to say that I plan to read everything on my TBR, I'm pretty sure that I probably won't ever actually end up reading The Once and Future King

AN UNPUBLISHED BOOK ON YOUR TBR THAT YOU'RE EXCITED FOR



The Orphanage of Gods by Helena Coggan. This cover is gorgeous and the description makes me wish it was already June.

A BOOK ON YOUR TBR THAT EVERYONE HAD READ EXCEPT YOU

Blood Heir by Amelie Wen Zhao. I keep seeing it in everyone's tweets and bookstagram posts

A BOOK ON YOUR TBR THAT EVERYONE RECOMMENDS TO YOU.

This is a tie between Red, White and Royal Blue and the Six of Crows duology.

A BOOK ON YOUR TBR THAT YOU ARE DYING TO READ

Children of Virtue and Vengeance by Tomi Adeyemi. I loved Children of Blood and Bone and I can't wait to see where the story goes from there.

THE NUMBER OF BOOKS ON YOUR GOODREADS SHELF

16, but as I said on the first question, most of my TBR list isn't on Goodreads, because seeing too many things on the TBR shelf stresses me out. The actual number is around 40.


And that's the tag. I'm not good at tagging people in these things, because I never know who has/hasn't done the tag before. If this looks interesting to you, consider yourself tagged!

WWW Wednesday

Hello everyone! Today is Wednesday, which means it's time to do the three Ws. For those who don't know, the three Ws are:What did you recently finish reading? What are you currently reading? What are you reading next?

What I Recently Finished:

I recently finished Eleanor Oliphant is Completely Fine by Gail Honeyman. While I didn't hate it, it wasn't exactly my cup of tea. My review can be found here.

I also finished Wonder Woman: Year One by Greg Rucka, Nicola Scott and Romulo Fajado Jr. Maybe this is an unpopular opinion, but I count comics and graphic novels as reading.

What I'm Currently Reading:
      

I'm currently reading Ubiety by Grzegorz Kunoski. I'm about 90% through it as I write this. My next read will be Norse Mythology by Neil Gaiman, which I'll be starting either today or tomorrow.

What I'm reading next:

My next read will be After Alice by Gregory Maguire which is a retelling of Alice in Wonderland that I picked up because I enjoyed Maguire's more well-known novel, Wicked: The Life and Times of the Wicked Witch of the West.

What are you guys reading right now? What are you planning on reading next? Let me know in the comments!

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Eleanor Oliphant is Completely Fine

Eleanor Oliphant is Completely Fine is a 2019 literary fiction novel by Gail Honeyman. It was published by Penguin Randomhouse in 2019 and became a New York Times bestseller. Reese Witherspoon selected it as one of her book club picks and it’s going to become a motion picture in the near future.

The novel follows the titular character Eleanor Oliphant, an accounting clerk in her late twenties living a very lonely and strictly scheduled life. Everything changes when she meets her new coworker Raymond who is determined to find a way to bring Eleanor out of her shell. Along the way, his big heart helps her repair her own heavily damaged one.

To start off, I’d like to point out that this book is not a romance. I know the blurb written above, which I paraphrased from the back of the book, makes it sound like one, but its not. The novel isn’t the story of a man and a woman meeting unexpectedly and falling in love. Instead, it’s a story about an unlikely friendship and said friendship being that catalyst in Eleanor realizing some difficult truths about herself and her past.

This book was recommended to me by a coworker. She’d begun reading it and thought it was an amusing story, which it is at first. At the beginning, Eleanor’s inner monologue is funny. She doesn’t have great social skills, she doesn’t know how to relate to people and doesn’t have a filter. She’s, for lack of a better term, a weirdo and spends a lot of time judging people for perfectly normal behavior that she finds strange. At first, Eleanor’s eccentricities were funny. I was reading about a story about an incredibly strange woman who was wondering why everyone else seemed so strange to her. Before long, however, it stopped being funny. Because Eleanor’s whole life, a boring job, no real connections to anyone, adhering to a strict schedule, is the result of a very troubled upbringing. She strives to be normal, but her childhood makes any idea of “normal” completely impossible. There are small moments of humor, but mostly the book is rather sad.

I don’t want to make it seem like I didn’t enjoy this book, because I did. It was a thorough deep-dive into self-discovery and self-improvement. It also delves into discussion trauma and how it can affect people. The author went out of her way to show Eleanor going through a major change in her life without it changing her personality completely. Eleanor still has her quirks at the end of the book, and she wouldn’t be described as “normal” but she’s in a healthier place. She’s stopped ignoring her problems and confronted some of the issues she’s been burying for so long.

Eleanor is an interesting character, although a tad bit annoying at times. Scenes where she’s being overly judgmental towards people for doing things like not knowing how to respond to something she said, or trying to have a conversation with her are hard to read. Her inability to relate to people makes sense in the context of the story, but until it becomes clear that there’s more to her than just that, she’s difficult to like. Raymond is one of the first people Eleanor really lets in because he seems to accept her exactly as she is. Sure, sometimes if she says something that’s inappropriate he’ll tell her, but he’s not trying to change her. He realizes that she’s not doing well, and wants to help her, but not in a way that’s self-serving. She’s his friend and he wants his friend to get better. Even in moments when Eleanor doesn’t want his help, but needs it. Another character that changes Eleanor’s life is an elderly man Sammy. Shortly after Eleanor and Raymond meet, they save Sammy when he falls and injures himself. Raymond continues to check in on Sammy after he’s taken to the hospital and talks Eleanor into joining him. During these visits, Eleanor starts to open up a bit more to both men and for the first time in a long time, develops a real connection with other people. The last character I want to discuss, and the one who had the biggest impact on Eleanor by far, is Mummy, her mother. Eleanor doesn’t see Mummy but at the beginning of the novel, they talk over the phone every Wednesday night. Mummy is a piece of work to say the least. Several of their calls are depicted in the story, but you only need one to understand their relationship dynamic. Mummy is a terrible mother, abusive in more than one way, and yet everything Eleanor does is in an attempt to please her mother. Mummy is the antagonist of this story, and her connection to Eleanor’s trauma is what propels the story forward.

I liked Eleanor’s character journey. I like the realizations she came to along the way as she let more people in and realized that she wasn't “fine” regardless of how often she claimed to be. What I liked most, however, was that the ending didn’t wrap everything up neatly. Eleanor doesn’t end the book by being completely recovered from her trauma. There isn’t a happy ending, just a realistic one. She’s getting better, her life has improved, but she still has a long way to go.

I didn’t love this book. I also didn’t hate it. I wish that the blurb adhered a little closer to the actual story than it did. Still, it’s an entertaining slice-of-life story while also discussing heavier themes. I’m not eagerly awaiting the motion picture, unlike some other readers I've talked to, but it’s a good book overall.

Rating: 2.9 stars

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March Wrap-Up

For the last two months, I wrote a wrap-up post going over the books I read but didn't review in a given month. I've decided to stop doing that, since it ends up being more work for me and it was getting overly complicated. So, instead, I'm going to go over all of the books I read in March, because that's just easier for me. Now that I've explained all of that, let's go over the month of March

Books I Read and Reviewed

Until All Curses Are Lifted by Tim Frankovich - 3.9 Stars

Children of Dune by Frank Herbert- 3.9 Stars

Eve: The Awakening by Jenna Moreci- 2.3 Stars

Children of Blood and Bone by Tomi Adeyemi - 4.8 Stars

Tying the Leaves by June Toher- 3.6 Stars

Books I Read, Only Reviewed on Goodreads

Alexandra Forever 2337 by D.W. Richards- 4.5 Stars (Goodreads review here)

Animal Farm by George Orwell- 3.5 Stars

Mad Max Fury Road by George Miller, Illustrated by Mark Sexton- 4.0 Stars

A Day in the Garden by Su Kim- 5.0 Stars (Goodreads review here)

The Sea by Sophie Jupillat Posey- 2.5 Stars (Goodreads review here)

Genres Read

Comic Book/Graphic Novel: 2

Fantasy: 2

Science Fiction: 2

Literary Fiction: 3

Children's Book: 1

Figures

Number of DNFs: 1

Total Books Read: 10

Pages Read: 2,292

Average Rating: 3.8 Stars

What did you read in March? Any recommendations?

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Tying the Leaves

Tying the Leaves is a 2019 young adult novel by June Toher. It was published by Toher’s Tales in October of 2019. The novel is concerned with the subjects of climate change and environmentalism with elements of magical realism. I was provided with a free copy of the book in exchange for an honest review.

Tying the Leaves follows a timid Virginia boy named Jamie and his three friends, Tony, Raj and Keisha. After they travel seventy years into the future, they are horrified to find the Earth devastated by climate change and dirty energy pollution. They return to the present, determined to make sure that the future they saw doesn’t come to pass. They launch an international online kids organization to save the planet, team up with a U.S. senator on a controversial environmental bill, and fight the fossil fuel industry. All the while, the same industries the kids are fighting are contributing to air pollution that threatens the life of Jamie’s little sister.

Overall, I liked the novel. I found Jamie and his friends to be very well-written. Jamie begins the book as a shy twelve-year-old who lacks self-esteem, is struggling with grief and is terrified about his asthmatic sister’s health. In the process of trying to get others to pay attention to climate change, and trying to get others to listen and care about what’s happening, he becomes a much more confident person. The other three kids, Keisha, Tony and Raj have their own character arcs which center around other coming-of-age issues such as parental acceptance. Additionally, this story has an antagonist that’s incredibly realistic, in the form of a lobbyist for the fossil fuel industry.

While I liked the characters, I enjoyed the plot more. The story is told in a very up close and personal way. The kids journey from learning about climate change in school, to traveling to the future and upon their return, founding CAPE, Children Against Polluting Earth. The story depicts the trials and tribulations of starting an organization like that and trying to affect change. The kids don’t go from one high point to the next high point, there’s struggle and conflict, which adds an element of realism to this novel that not all young adult novels have. The conclusion of the story doesn’t show every problem being fixed, but instead focuses on things being on track for a better, brighter future. The struggles they face, and the main ideas about climate change and environmentalism are very topical right now and I feel like those issues and the arguments surrounding them were dealt with rather well in this story.

Tying the Leaves is a book with a very clear message, and that is what sets this novel apart more than characters or plot. Toher clearly did an extensive amount of research about climate change, renewal energy and other environmental issues in the process of writing this novel. It shows in the writing how knowledgeable she became about these topics, given that she’s able to display how the issue of climate change will affect the world as a whole, as well as its impact on individuals, as seen with Katie’s asthma and other lung problems. The issue of climate change is something she feels passionately about, which is reflected in her writing. She did a wonderful job of giving vivid detail to both the future Earth, ravaged by climate change, and the present Earth, in order to contrast the two. I enjoyed the imagery and the atmosphere of this story.

While I liked the plot and the characters as a whole, there are a few things about Tying the Leaves that didn’t quite work for me. None of them are major problems, but in order for this to be a balanced and honest review, I do need to address them. There are some stereotypes that are used that I wasn’t the biggest fan of, but those stereotypes were mostly to make characters have dimension and personality, so they didn’t take away from the story, but I did feel a little weird about them. Sometimes, the dialogue was a bit clunky or didn’t seem realistic. This mostly happened in regards to slang people were using, but there were other situations where the dialogue drew me out of the story. Some elements of the plot, especially around the climax, felt a bit unrealistic for an otherwise very realistic story. The antagonist does a few things in an attempt to stop the kids that don’t make sense with the rest of the story.

Typing the Leaves is a novel with a very important message. June Toher delivered that message perfectly. While it’s not perfect, the novel is good. This is a book that I think most young adults should read, mostly because it provides information about climate change that might be inaccessible to younger readers. It explains aspects about environmentalism in an easy to digest way. To any reader who is interested in fictional stories about the environment, I’d say to give this book a shot.

Rating: 3.6 Stars

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Let's Talk About Romantic Subplots

So, romance, its a thing. Not only is it a genre in its own right, it's also a trait that a lot of stories share. High-fantasy can have romance. Mystery can have romance. Adventure can have romance. In any fictional genre, you can find romance. However, just because romance can fit into the story doesn't mean that it should be in the story. I'd like to discuss my thoughts on romance, more specifically romantic subplots. (If I was slightly more organized, this post might've been up right after Valentine's Day. but I wasn't, so it wasn't, so I'm talking about it now.)

First, let me just say that I don't have anything against romances in general. I'm not a huge fan of the genre, but I'm not going to tell an avid romance reader that they're wrong or have bad taste. You read what you want, and I'll read what I want. I've actually read books with great romances and relationships that I liked. And, I've also read some where the romantic subplot was boring, or felt unnecessary or took up too much of the book. Now, I think I can divide my negative opinions about romance and romantic subplots into three categories: overdone, unnecessary and just problematic.

Overdone
I know a lot of people love Romeo and Juliet but I'm not one of them. I'm tired of books being adaptations of the play. Some retellings have been done very well, but there's an over-saturation. I like star-crossed lovers just fine, but star-crossed lovers where one or both have to die in order for the story to stick with you? It's been done to death, and I hate it. If you want your romance to be broken up because there needs to be some type of sacrifice, it doesn't have to be death. Imprisonment, exile, and even plot devices like "if I ever see you again, the world will explode" make the two characters splitting up much more impactful than one or both characters dying.

Also in this category, love triangles. There doesn't need to be one in every YA series. If yo're going to write about Girl Character not being sure if she wants Boy A or Boy B, fine. But the "triangle" can't just be the fact that both boys like her and she doesn't want to choose. Show why she's torn between Boy A and Boy B and why she should and shouldn't chose each one. Also, please don't make Boy A a childhood friend and Boy B a handsome new kid, because we know what's going to happen there. The reason why I don't like love triangles is that, if the book is not categorized as strictly romance, it can rob the story of its impact. For an example, The Hunger Games is about overthrowing an oppressive regime that forces children to fight to the death, but too many people turned it into Peeta vs. Gale.

Unnecessary
As mentioned above, not every story requires a romantic subplot. And, even if there is romance in the story, it doesn't need to be a huge focus. My favorite book on Earth is The Hobbit. There is no romance in The Hobbit because the story doesn't need it. The Harry Potter series has romantic elements sprinkled throughout, but you could cut out, or skip past those scenes, and it doesn't effect the story.

I've read so many books where 2/3 of the way through, I was enjoying the book, and then all of the tension turned from "stop the bad guy", "solve the crime" etc to whether or not two characters would get together and the main plot was shunted to the back. That ruined those books for me. I would also put last minute coupling in this category. If the main conflict has been resolved, and the rest of the book is just Character A and Character B admitting their feelings, I don't really need it. Especially if, prior to the conversation where they admit their feelings, there's been no indication that either character felt anything stronger than friendship for the other.

Problematic
I know a lot of people cringe at the term problematic, but romances that fit in this category make me cringe, which is why I'm using it. Some of these tropes are fine, just not my taste, while others I find very troubling.

First, the "not my taste" ones. I hate the trope of male characters that are jerks to their own love interests. I don't mean ones where they butt heads at first, or don't like each other at the beginning but slowly get closer and dislike turns into friendship and then love, by the way. I mean ones where the guy is a huge jerk, he stays a huge jerk, but his love interest still wants to be with him. Or thinks she can change him. Or knows that he's actually just damaged and that makes him act this way. Not a good romance, actually really toxic and I don't like it. To a lesser extent, this includes the "I was mean to you as a kid because I had a crush on you" plot, because again, that doesn't excuse the behavior.  Insta-love is another one that I'm just not a fan of. If I'm going to be invested in a couple, I want to actually see their relationship develop, not just read "he saw her and knew she was the one. The end".

Now, to the romances that I think are very troubling. One: killing off one or both members of the only gay, lesbian or bisexual relationship in the story. If you do that, you brag about how representative your story is, because its not. In a similar vein, if you write a bisexual character and they end up with someone of the opposite gender, that doesn't make them straight, so don't treat it like it does. (Basically, write happy, healthy non-straight relationships, okay?) Two: romanticizing abuse. I shouldn't have to explain this but there are still people who think the Joker and Harley Quinn dynamic is "goals". Emotional abuse, physical abuse, manipulation, its not cute and it's not romantic. Lastly, relationships involving one adult and one character who is not an adult. We have a word for that, and it's not romantic. Some might argue this one saying that "Character A is 15 and Character B is 18-21, its not that bad". No, it is. Because the author chose to make the characters those ages. They could've both been in their 20s, or both been teenagers, but they chose to have one be an adult and one be underage. Maybe it wasn't intended to be predatory, but it easily comes across that way.


Romance when written well adds a layer to the story being told. Sometimes, that simply raises the stakes. In other scenarios, it brings about a form of character growth. The problems arise when romance isn't handle well. If it's shoehorned it, or it distracts from the main story being told, then I take issue with it. As I said earlier, I don't have a problem with romance in general, just it being misused.

The Good Reading Habits Tag

I love doing book tags and I like getting tagged by other book bloggers in tags. I want to thank Mackenzie at Lit Lemon Books for tagging me.

Rules:

• Pingback to the creator’s post
• List some of your good reading habits, the things you think you do well
• Nominate some of your blogging friends

My Good Reading Habits

Setting aside reading time

This might sound like something that should be given, but I feel like I’m able to read as much as I do because I make a point to set aside time to read everyday. Not only does it make it easier for me to meet my reading goals, but it also means I have enough time to really read books as opposed to trying to rush through them.

Planning my reads

When I finish a book, I always know what my next read is going to be. This means I don’t waste time debating which book to read next or procrastinate on making a decision. This doesn’t always work out exactly as planned, but more often than not it does. It also makes me way less stressed because when I don’t have a plan, I tend to freak out.

Reducing my purchases of new books

This is a fairly new good habit I’ve picked up. I’ve focused on reading the books I already own as opposed to buying new ones. I’ve also taken advantage of my local library and services such as Kindle Unlimited to reduce my spending. In reducing the amount I spend, I’ve ended up reading a number of books I’ve owned for years but hadn’t “gotten around” to reading yet.

Those are my good reading habits. Thank you for reading and I hope you enjoyed!

I Tag:

Leah at Leah’s Books and Cooks, Krista at The Bookish Hedgemom and anyone else who wants to give this tag a try!

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Children of Blood and Bone

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Children of Blood and Bone is a 2018 young adult fantasy novel by Tomi Adeyemi. It was published by Henry Holt Books for Young Readers and was the author’s debut novel. It is the first book in the Legacy of Orisha series. The novel debuted at number one on The New York Times best-seller list. The film rights were sold to Fox 2000 prior to the book's publication. Children of Blood and Bone can be purchased here from Bookshop.org 

The novel takes place in the land of Orisha, which is home to two distinct groups of people: diviners, who have the potential to become the magical maji, and the non-magical kosidan. Eleven years prior to the start of the story, Orisha’s king, Saran, discovered a way to render the maji powerless and ordered the slaughter of many defenseless diviners, including the mother of Zelie Adebola. Since that time, diviners have been severely oppressed and without hope. While in the capital, Zelie, a diviner, and her brother Tzain encounter a rogue princess, Amari, who has discovered a way to give magic back to the maji. They are pursued on their journey by the crown prince Inan, who is determined to eradicate magic for good.

As with any novel, there are many memorable characters, but I don't have time to talk about all of them, otherwise this review would be two or three times the length it currently is. Instead, I will focus on the five characters most crucial to the plot. Zelie is the heroine of the story, a maji with the ability to call forth the spirits of the dead, referred to in-universe as a Reaper. Having been ostracized and oppressed for most of her life because she's different from most of those around her, she welcomes the chance to resort magic to Orisha and give her people a way to protect themselves and fight back against their oppressors. I liked Zelie and her arc as a character. She's uncertain of herself, she struggles with her abilities and several times, wonders if she's able to fulfill the task that others say she's desperate for. Tzain is Zelie’s brother, who is one of the kosidan. He comes with her on her journey at their father’s request and serves as a voice of reason. Zelie can be brash and impulsive and he is usually the one who convinces her to find better solutions to a given problem. Amari is the princess of Orisha, who's escape from the palace with a magical artifact sets the story into motion. While she has been raised her whole life to be scared and wary of the diviners, she clearly doesn't believe that they're the monsters others say that they are.  She's a compassionate person, which many others see as a weakness, but her compassion is what drives her to join Zelie on her quest and try to make things better for the diviners. Amari begins the novel appearing to be very weak-willed and underestimated, but through the journey she takes with the Adebola siblings, she comes into her own and learns how to be comfortable with who she is. Inan is Zelie’s older brother and the heir to the throne. He's a very difficult character to talk about without spoiling a few things in the book, but let's just say he's an antagonist mostly just by circumstance. He's pursuing Zelie, Tzain and Amari on his father's orders. He wants to eradicate all magic because he's been told his whole life that if magic is allowed to exist, it will be the end of the kingdom and his family. It isn't until very late in the story that he is given a reason to want the things that he wants. I'll be honest, I spent a decent amount of the book annoyed at Inan because he was acting against his own self interests and, had he gotten what he wanted, he would suffer as a result. Lastly, there is the main antagonist of the story, King Saran. He makes very few appearances in the story, at the very beginning and in the climax. Other than his few appearances, most of his char activation comes from what's said about him by other characters. There isn't really much depth to Saran, no nuance to his goals. He hates the diviners, he hated the maji and wants to completely eradicate them altogether. He's a very simple villain and there's no attempt made to lessen how evil he comes off as. These five characters drive most of the plot and the dynamics between them created an engaging story. 

One of the aspects of this novel that I liked the most was the sources of inspiration the author drew from. While some of the sources she used are standard in fantasy, such as Harry Potter and An Ember in the Ashes, it was the inspiration derived from West African mythology and Yoruba culture that made this story and this world unique. It made the story refreshing. This was the first fantasy novel I read that had taken inspiration from West African mythology, or really any mythology that wasn't European. Adeyemi’s novel brings a new perspective and new ideas to the fantasy genre, which is never a bad thing. Fantasy, as with any genre, needs a wider diversity of storytellers.

This book delves into a number of complex themes, some of which I haven't read in fantasy before. One of the most obvious ones is its exploration of race. The maji are darker skinned than the kosidan. Given that the kosidan have enslaved parts of the maji population, it would be difficult to miss the message regarding how race and class can be used to divide a nation. Another theme regards the connection between power and brutality. By virtue of simply being the king, Saran already has power, but that's not enough for him. He feels the need to oppress and enslave the maji because he fears if they aren't oppressed, he and the other kosidan will lose control of the nation. Another recurring theme is characters’ responses to oppression. Zelie, as a result of watching her mother die and living every day in fear for her own life, is determined to resist and overthrow the current order that oppresses her. Another maji character doesn't want to overthrow the system, but use the eventual return of magic to unite the two groups and create a more peaceful country. Lesser themes include identity and the struggles with transitioning from adolescence to adulthood.

I don't have very much to say about the plot itself or the pacing of the story. I normally only talk about those things when I feel there's an issue with how the story unfolds or the speed at which it unfolds. The plot is solid, the elements that invoke foreshadowing do it deftly and it was easy to follow. The pacing was perfect, with scenes that needed to feel a little longer doing exactly that, while other, shorter scenes were given enough length without feeling rushed. The conclusion was amazing. I loved Adeyemi’s writing style itself and she's clearly a talented storyteller.

While I was a fan of the book as a whole, there is one aspect I didn't like. I wasn't a big fan of the romance between Zelie and Inan. The romance was the one aspect of the story that felt a little rushed. It felt a lot like “insta-love” in my opinion. I could see where it can be seen as following the “enemies to lovers” trope, but I don't think it really works here. Zelie develops feelings for someone who, at the beginning of the book, tries to kill her  and does a number of horrible things to people she cares about. It felt weird and contrived to me, so I find myself skimming through their romantic scenes in an effort to return to the parts of the story I did like. I might be the only one who didn't like this romance, but it really just didn't sit right with me.

Children of Blood and Bone is an exceptional story. Tomi Adeyemi is a wonderful writer and she deserves all of the praise this book has gotten. I haven't read the second book in this series, Children of Virtue and Vengeance, but it is definitely on my TBR now. I'd recommend Children of Blood and Bone to any young adult fantasy fans.

Rating: 4.8 stars

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Rapid Fire Book Tag

I was on Twitter the other day, and saw that The Bookish Hedgemom did this tag. I decided to do it because this tag looked fun and I've been trying to do more book tags. So, without further ado, I'm going to start doing the tag.

E-Books or Physical Book?

I like both, but I prefer physical books because I can bookmark certain parts easier. Also, I can be forgetful and my Kindle is usually dying because I forget to charge it. If I know I'm going to be travelling or spending a lot of time sitting around and waiting, I'll read an ebook, but if I have to choose, I'll pick a physical book every time.

Paperback or Hardback?

While I love hardbacks, most of the books that I own are paperback. I love hardbacks, mostly because I don't have to worry as much about keeping the book pristine, Hardbacks are harder to damage than paperbacks.

Online or In-Store Book Shopping?

Online shopping because it's easier to find what I'm looking for than in a physical store. There's also the fact that online stores will recommend other books based on what you search. Some books stores will have something similar, but I like that feature online.

Trilogies or Series?

I don't really have an opinion on this one. They're kind of the same thing in my mind. especially considering that most trilogies end up having other books added once the initial series ends. Series that have 47 books aren't my favorite, but trilogies, quadrilogies and pentologies are all the same in my mind.

Heroes or Villains?

For books, I have to say heroes. With other media, my answer would be different, but for books, I need to like the hero because if I don't like the hero/protagonist/POV character, I probably won't care enough about the story to have an opinion about the villain. The exception to this is the anti-hero.

A book you want everyone to read?

This could turn into a long list. If I have to pick just one, I'd say The Hobbit. Since a lot of people have read that, my next choice would be Where the Crawdads Sing

Recommend an underrated book?

I'd say Gathering Blue. The Giver is heavily praised, but I feel like Gathering Blue also deserves more recognition than it gets. Also, The Power by Naomi Alderman.

The last book you finished?

At time of writing, Eve: The Awakening by Jenna Moreci.

The last book you bought?

Norse Mythology by Neil Gaiman, because Norse mythology has apparently taken over my life, seeing as I've read a lot more Norse myths and Norse myth-related content in the last few months than I have in years.

Weirdest thing you've used as a bookmark?

A bag of M&M's. Other than that, I usually use receipts, sticky notes or pieces of paper. The bag of candy was only because I literally had nothing else on hand to use and didn't have time to find something better.

Used books: Yes or No?

Yes. I don't buy very many used books, but that's because I tend to read books that are self-published or newer releases. Still, I support buying used books and sell a lot of the books that I declutter to used books stores.

Top Three Genres?

• Fantasy
• Science Fiction
• Literary Fiction

Borrow or Buy?

Buy because I'm bad at remembering to return things. And I tend to procrastinate about heading to the library to return books.

Characters or Plot?

Honestly, both. A book needs both. If a book is entirely character-driven and has no plot, I won't like it. If a book has a great plot, but I don't care about any of the characters, that's also a problem. If I have to pick one, I guess I'd say plot because I want to be interested in the story and whether or not I like the characters can come second.

Long or Short Books?

Long books. I've got nothing against shorter books, but I love losing myself in a nice, long book.

Long or Short Chapters?

Long chapters. Short chapters make it feel like the story keeps stopping and starting while longer chapters give time for the story to progress.

Name the First Three Books You Think of?

Just in general? Okay...

• The Hobbit
• Hitchiker's Guide to the Galaxy by Douglas Adams
• Norse Mythology by Neil Gaiman.

Books That Make You Laugh or Cry?

Books don't really make me cry. I think the last time I cried was after Dobby died in the last Harry Potter book.

Our World or Fictional Worlds?

Fictional worlds. I have to deal with reality enough.

Audiobooks: Yes or No?

I support audiobooks in theory, but they don't really work for me. I find the narration to be a bit too slow and it's hard for me to pay enough attention to what's being read aloud. Every audiobook I've tried, I forget what's happening soon after it happens. I want to like audiobooks, but they're not for me.

Do you ever judge a book by it's cover?

I do sometimes. The saying is nice and all, but if a book has an interesting cover, I'm more likely to consider buying it than if it's boring or simple.

Book-to-Movie or Book-to-TV adaptations?

It really depends on what's being adapted. Trilogies with short books work as films, longer books/series work as TV shows. I've seen plenty of book-to-movie adaptations that work, and plenty that don't. Same for book-to-TV adaptations.

A movie or TV show you preferred to its book?

I can't really think of one. I almost always say the book is better, so the only one I can really think of is Breaking Dawn, and that's only because the ending of the book is incredibly anticlimactic.

Series or Standalones?

Again, I can't really pick one. For fantasy and science fiction, I like series. For literary fiction, I think standalones are better. It honestly depends on my mood.

I tag: Anyone who wants to do this tag. (I'm bad at tagging people, but if you come across this and want to do it, go nuts!)

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