After Alice

After Alice is a 2015 fantasy novel by Gregory Maguire. It was published by William Morrow in October 2015. The novel is a retelling of Lewis Carroll's Alice's Adventures in Wonderland.

The novel follows Ada, Alice's friend, who arrives a moment too late to prevent Alice from going down the rabbit hole and ends up taking a trip to Wonderland herself. Ada traverses Wonderland to try and bring her friend home. Meanwhile, Ada's governess Miss and Alice's sister Lydia search for the missing girls.

While I wanted to enjoy this story, I feel like Maguire chose to put the wrong amount of emphasis on certain parts of this novel. I can't speak for anyone else, but when I read the blurb on the back of this book, I was expecting a story about a new character traveling through Wonderland and getting to experience it for the first time. Perhaps the reader would get to see new parts of Wonderland that weren't mention, or were barely touched upon, in Carroll's original story. Unfortunately, that isn't what happens in this novel. Over half of the novel focuses on events happening in Victorian England as opposed to Wonderland itself. Ada's governess Miss Armstrong searches for Ada while Lydia is more concerned with learning about the visitor, Mr. Winter, than her missing sister. There is also a section of Lydia's story where discussions about slavery and evolution occur. While slavery was still happening in America when Alice in Wonderland is set, and Charles Darwin is a character in this story, around the time he released The Origin of Species, these topics felt out of place with the rest of the story. The commentary on those topics were almost completely unnecessary and distracted from the story Maguire set out to tell. While some may have wondered what happened in England while Alice was in Wonderland, the chapters taking place in Victorian England really slowed the story down and distracted from the parts of the story I wanted to read most.

The chapters of the story that did not focus on life in Victorian London took place in Wonderland. Sadly, Ada's adventure through Wonderland was far less entertaining and exciting as Alice's. For the majority of Ada's adventure in Wonderland, she's simply trying to find Alice and has no adventures for herself. She often arrives just after an iconic scene from Alice in Wonderland has ended, missing all of the excitement and most of the wonder. For example, she arrives at the Mad Hatter's tea party after Alice has already left. Ada could've had her own adventure, but instead spends page after page chasing after Alice and not being able to truly experience Wonderland. Due to a combination of too much emphasis on Victorian England, and no excitement in the Wonderland chapters, I found After Alice to be rather boring.

I chose to read this book because I loved Maguire's more famous work, Wicked: The Life and Times of the Wicked Witch of the West. I was amazed by the character work and character development he created in that story.He turned a character who was seen as pure evil, the Wicked Witch, and gave her personality and complex motivations. I was expecting the same to happen in After Alice, but sadly we don't get that. While there are a plethora of characters, none are fully-fleshed out. Lydia is a stereotypical self-involved teenager and Ada's most notable character trait is a dislike for her governess and the fact that she's awkward. The characters aren't really characters, and thus there's no character growth or real character arcs that take place. It's difficult for me to read a novel where I don't connect, or even like, a single character, and that's what happened here.

While I wasn't a fan of this book overall, there were some things that I enjoyed. Maguire's writing style has always enraptured me. He excels at writing his descriptions and creating a clear, vivid picture of the world for the reader. In the case of After Alice, he took great pains to try and replicate Lewis Carroll's clever writing, and in places, he achieves that goal. He gets closer than most Alice-inspired works do at capturing Carroll's voice, and while I didn't enjoy the plot overall, his ability to imitate the original work kept me closing the book and giving up.

Overall, I have to say that After Alice simply wasn't the novel for me. The writing is amazing, but the plot and character-work left me feeling unfulfilled. My main issues with the novel stem from one factor: the story is incredibly boring. There's no wonder in Wonderland and while the blurb promises a new story, the promise goes unfulfilled.

Rating: 1.7 Stars

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Ubiety

Ubiety is a 2019 adult fiction novel by Grzegorz Kunowski. The novel has elements of mystery and magical realism as well as some aspects of psychological thriller. I was provided with a free copy of the novel, by the author, in exchange for an honest review.

The description of the novel is as follows: If you were to find yourself at the edge of a dying world with a lingering sense of reality, would you simply fade into the nothingness or would you fight for everything you hold dear? This assertive question is at the heart of the thought-provoking book Ubiety, for this book was designed to help people emerge into reality and find the truth whilst questioning both what could and should be. Join Adam’s journey through the gruelling world of the unforgiving future, diving into the many mysteries which will uncover bittersweet secrets to see if he can save the fate of his daughter along with that of the world, using nothing but his boldness of character, the brilliance of one’s mind and a hint of madness.

One of the strengths of this story comes from how well-written and descriptive the setting is. As Adam moves from one scene to another, one section of the book to another, the author goes to considerable length to make sure the reader isn’t only able to envision a given location, but feel as if they are really there. Some may feel the writing is too vivid at times, but it makes the novel very immersive. There was also a great deal of creativity used in forming the dream sequences that occur in each part of the story. The dream sequences are used to pose philosophical questions about life, the world, the nature of free will and death itself. Make no mistake, Ubiety is a book meant to make the reader think.

There’s not very much I can say about characters, as the only named character in the book is Adam himself. Given that he’s an unreliable narrator, and it’s never made sure how much of what occurs is real and how much isn’t, he doesn’t have a character arc and there’s not a lot that can be said about his personality. He’s a man in a very dark place. Additionally, I can’t say anything about the plot of this book, since there isn’t one. Each section has it’s own plot, in one way or another, but the story lacks a central conflict and resolution, instead being a series of vignettes that are loosely connected.

When I was first contacted by the author, he described the book as being similar to James Joyce’s Ulysses, which I feel is a fair description. Ubiety is written in a way that is intentionally confusing, including run-on sentences that last most of a page and making sure many details of what’s going on aren’t clear. This isn’t an easy, quick read, despite the fact that it’s less than 125 pages. I found myself having to read at a very slow pace to be able to follow what was happening and needing to reread in parts. I do feel like the author went a little overboard with what some call “10 cent words”. Using complex language and words is not something I take issue with, but the amount used here makes this work very frustrating to read. It’s difficult to like a story and become immersed in it if the reader needs a thesaurus to understand every single page. Having said all of that, this book is a success in the sense that the author seems to have achieved what he meant to with his writing style. I didn’t like the writing style, though.

Overall, I can’t really say that I enjoyed Ubiety. It was a struggle to get through, and since its story is all over the place and has no real resolution, I was a bit annoyed when I reached the end. I will commend the author for writing this work at the age of 16 and I feel like, given some time and with some editorial feedback, he could have a very successful career as an author. Fans of dark and intense literature might enjoy this book, as well as anyone who wants to ponder over the meaning of life for a few days. This book simply wasn’t for me.

Rating: 2.3 Stars  

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Eleanor Oliphant is Completely Fine

Eleanor Oliphant is Completely Fine is a 2019 literary fiction novel by Gail Honeyman. It was published by Penguin Randomhouse in 2019 and became a New York Times bestseller. Reese Witherspoon selected it as one of her book club picks and it’s going to become a motion picture in the near future.

The novel follows the titular character Eleanor Oliphant, an accounting clerk in her late twenties living a very lonely and strictly scheduled life. Everything changes when she meets her new coworker Raymond who is determined to find a way to bring Eleanor out of her shell. Along the way, his big heart helps her repair her own heavily damaged one.

To start off, I’d like to point out that this book is not a romance. I know the blurb written above, which I paraphrased from the back of the book, makes it sound like one, but its not. The novel isn’t the story of a man and a woman meeting unexpectedly and falling in love. Instead, it’s a story about an unlikely friendship and said friendship being that catalyst in Eleanor realizing some difficult truths about herself and her past.

This book was recommended to me by a coworker. She’d begun reading it and thought it was an amusing story, which it is at first. At the beginning, Eleanor’s inner monologue is funny. She doesn’t have great social skills, she doesn’t know how to relate to people and doesn’t have a filter. She’s, for lack of a better term, a weirdo and spends a lot of time judging people for perfectly normal behavior that she finds strange. At first, Eleanor’s eccentricities were funny. I was reading about a story about an incredibly strange woman who was wondering why everyone else seemed so strange to her. Before long, however, it stopped being funny. Because Eleanor’s whole life, a boring job, no real connections to anyone, adhering to a strict schedule, is the result of a very troubled upbringing. She strives to be normal, but her childhood makes any idea of “normal” completely impossible. There are small moments of humor, but mostly the book is rather sad.

I don’t want to make it seem like I didn’t enjoy this book, because I did. It was a thorough deep-dive into self-discovery and self-improvement. It also delves into discussion trauma and how it can affect people. The author went out of her way to show Eleanor going through a major change in her life without it changing her personality completely. Eleanor still has her quirks at the end of the book, and she wouldn’t be described as “normal” but she’s in a healthier place. She’s stopped ignoring her problems and confronted some of the issues she’s been burying for so long.

Eleanor is an interesting character, although a tad bit annoying at times. Scenes where she’s being overly judgmental towards people for doing things like not knowing how to respond to something she said, or trying to have a conversation with her are hard to read. Her inability to relate to people makes sense in the context of the story, but until it becomes clear that there’s more to her than just that, she’s difficult to like. Raymond is one of the first people Eleanor really lets in because he seems to accept her exactly as she is. Sure, sometimes if she says something that’s inappropriate he’ll tell her, but he’s not trying to change her. He realizes that she’s not doing well, and wants to help her, but not in a way that’s self-serving. She’s his friend and he wants his friend to get better. Even in moments when Eleanor doesn’t want his help, but needs it. Another character that changes Eleanor’s life is an elderly man Sammy. Shortly after Eleanor and Raymond meet, they save Sammy when he falls and injures himself. Raymond continues to check in on Sammy after he’s taken to the hospital and talks Eleanor into joining him. During these visits, Eleanor starts to open up a bit more to both men and for the first time in a long time, develops a real connection with other people. The last character I want to discuss, and the one who had the biggest impact on Eleanor by far, is Mummy, her mother. Eleanor doesn’t see Mummy but at the beginning of the novel, they talk over the phone every Wednesday night. Mummy is a piece of work to say the least. Several of their calls are depicted in the story, but you only need one to understand their relationship dynamic. Mummy is a terrible mother, abusive in more than one way, and yet everything Eleanor does is in an attempt to please her mother. Mummy is the antagonist of this story, and her connection to Eleanor’s trauma is what propels the story forward.

I liked Eleanor’s character journey. I like the realizations she came to along the way as she let more people in and realized that she wasn't “fine” regardless of how often she claimed to be. What I liked most, however, was that the ending didn’t wrap everything up neatly. Eleanor doesn’t end the book by being completely recovered from her trauma. There isn’t a happy ending, just a realistic one. She’s getting better, her life has improved, but she still has a long way to go.

I didn’t love this book. I also didn’t hate it. I wish that the blurb adhered a little closer to the actual story than it did. Still, it’s an entertaining slice-of-life story while also discussing heavier themes. I’m not eagerly awaiting the motion picture, unlike some other readers I've talked to, but it’s a good book overall.

Rating: 2.9 stars

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Tying the Leaves

Tying the Leaves is a 2019 young adult novel by June Toher. It was published by Toher’s Tales in October of 2019. The novel is concerned with the subjects of climate change and environmentalism with elements of magical realism. I was provided with a free copy of the book in exchange for an honest review.

Tying the Leaves follows a timid Virginia boy named Jamie and his three friends, Tony, Raj and Keisha. After they travel seventy years into the future, they are horrified to find the Earth devastated by climate change and dirty energy pollution. They return to the present, determined to make sure that the future they saw doesn’t come to pass. They launch an international online kids organization to save the planet, team up with a U.S. senator on a controversial environmental bill, and fight the fossil fuel industry. All the while, the same industries the kids are fighting are contributing to air pollution that threatens the life of Jamie’s little sister.

Overall, I liked the novel. I found Jamie and his friends to be very well-written. Jamie begins the book as a shy twelve-year-old who lacks self-esteem, is struggling with grief and is terrified about his asthmatic sister’s health. In the process of trying to get others to pay attention to climate change, and trying to get others to listen and care about what’s happening, he becomes a much more confident person. The other three kids, Keisha, Tony and Raj have their own character arcs which center around other coming-of-age issues such as parental acceptance. Additionally, this story has an antagonist that’s incredibly realistic, in the form of a lobbyist for the fossil fuel industry.

While I liked the characters, I enjoyed the plot more. The story is told in a very up close and personal way. The kids journey from learning about climate change in school, to traveling to the future and upon their return, founding CAPE, Children Against Polluting Earth. The story depicts the trials and tribulations of starting an organization like that and trying to affect change. The kids don’t go from one high point to the next high point, there’s struggle and conflict, which adds an element of realism to this novel that not all young adult novels have. The conclusion of the story doesn’t show every problem being fixed, but instead focuses on things being on track for a better, brighter future. The struggles they face, and the main ideas about climate change and environmentalism are very topical right now and I feel like those issues and the arguments surrounding them were dealt with rather well in this story.

Tying the Leaves is a book with a very clear message, and that is what sets this novel apart more than characters or plot. Toher clearly did an extensive amount of research about climate change, renewal energy and other environmental issues in the process of writing this novel. It shows in the writing how knowledgeable she became about these topics, given that she’s able to display how the issue of climate change will affect the world as a whole, as well as its impact on individuals, as seen with Katie’s asthma and other lung problems. The issue of climate change is something she feels passionately about, which is reflected in her writing. She did a wonderful job of giving vivid detail to both the future Earth, ravaged by climate change, and the present Earth, in order to contrast the two. I enjoyed the imagery and the atmosphere of this story.

While I liked the plot and the characters as a whole, there are a few things about Tying the Leaves that didn’t quite work for me. None of them are major problems, but in order for this to be a balanced and honest review, I do need to address them. There are some stereotypes that are used that I wasn’t the biggest fan of, but those stereotypes were mostly to make characters have dimension and personality, so they didn’t take away from the story, but I did feel a little weird about them. Sometimes, the dialogue was a bit clunky or didn’t seem realistic. This mostly happened in regards to slang people were using, but there were other situations where the dialogue drew me out of the story. Some elements of the plot, especially around the climax, felt a bit unrealistic for an otherwise very realistic story. The antagonist does a few things in an attempt to stop the kids that don’t make sense with the rest of the story.

Typing the Leaves is a novel with a very important message. June Toher delivered that message perfectly. While it’s not perfect, the novel is good. This is a book that I think most young adults should read, mostly because it provides information about climate change that might be inaccessible to younger readers. It explains aspects about environmentalism in an easy to digest way. To any reader who is interested in fictional stories about the environment, I’d say to give this book a shot.

Rating: 3.6 Stars

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Children of Blood and Bone

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Children of Blood and Bone is a 2018 young adult fantasy novel by Tomi Adeyemi. It was published by Henry Holt Books for Young Readers and was the author’s debut novel. It is the first book in the Legacy of Orisha series. The novel debuted at number one on The New York Times best-seller list. The film rights were sold to Fox 2000 prior to the book's publication. Children of Blood and Bone can be purchased here from Bookshop.org 

The novel takes place in the land of Orisha, which is home to two distinct groups of people: diviners, who have the potential to become the magical maji, and the non-magical kosidan. Eleven years prior to the start of the story, Orisha’s king, Saran, discovered a way to render the maji powerless and ordered the slaughter of many defenseless diviners, including the mother of Zelie Adebola. Since that time, diviners have been severely oppressed and without hope. While in the capital, Zelie, a diviner, and her brother Tzain encounter a rogue princess, Amari, who has discovered a way to give magic back to the maji. They are pursued on their journey by the crown prince Inan, who is determined to eradicate magic for good.

As with any novel, there are many memorable characters, but I don't have time to talk about all of them, otherwise this review would be two or three times the length it currently is. Instead, I will focus on the five characters most crucial to the plot. Zelie is the heroine of the story, a maji with the ability to call forth the spirits of the dead, referred to in-universe as a Reaper. Having been ostracized and oppressed for most of her life because she's different from most of those around her, she welcomes the chance to resort magic to Orisha and give her people a way to protect themselves and fight back against their oppressors. I liked Zelie and her arc as a character. She's uncertain of herself, she struggles with her abilities and several times, wonders if she's able to fulfill the task that others say she's desperate for. Tzain is Zelie’s brother, who is one of the kosidan. He comes with her on her journey at their father’s request and serves as a voice of reason. Zelie can be brash and impulsive and he is usually the one who convinces her to find better solutions to a given problem. Amari is the princess of Orisha, who's escape from the palace with a magical artifact sets the story into motion. While she has been raised her whole life to be scared and wary of the diviners, she clearly doesn't believe that they're the monsters others say that they are.  She's a compassionate person, which many others see as a weakness, but her compassion is what drives her to join Zelie on her quest and try to make things better for the diviners. Amari begins the novel appearing to be very weak-willed and underestimated, but through the journey she takes with the Adebola siblings, she comes into her own and learns how to be comfortable with who she is. Inan is Zelie’s older brother and the heir to the throne. He's a very difficult character to talk about without spoiling a few things in the book, but let's just say he's an antagonist mostly just by circumstance. He's pursuing Zelie, Tzain and Amari on his father's orders. He wants to eradicate all magic because he's been told his whole life that if magic is allowed to exist, it will be the end of the kingdom and his family. It isn't until very late in the story that he is given a reason to want the things that he wants. I'll be honest, I spent a decent amount of the book annoyed at Inan because he was acting against his own self interests and, had he gotten what he wanted, he would suffer as a result. Lastly, there is the main antagonist of the story, King Saran. He makes very few appearances in the story, at the very beginning and in the climax. Other than his few appearances, most of his char activation comes from what's said about him by other characters. There isn't really much depth to Saran, no nuance to his goals. He hates the diviners, he hated the maji and wants to completely eradicate them altogether. He's a very simple villain and there's no attempt made to lessen how evil he comes off as. These five characters drive most of the plot and the dynamics between them created an engaging story. 

One of the aspects of this novel that I liked the most was the sources of inspiration the author drew from. While some of the sources she used are standard in fantasy, such as Harry Potter and An Ember in the Ashes, it was the inspiration derived from West African mythology and Yoruba culture that made this story and this world unique. It made the story refreshing. This was the first fantasy novel I read that had taken inspiration from West African mythology, or really any mythology that wasn't European. Adeyemi’s novel brings a new perspective and new ideas to the fantasy genre, which is never a bad thing. Fantasy, as with any genre, needs a wider diversity of storytellers.

This book delves into a number of complex themes, some of which I haven't read in fantasy before. One of the most obvious ones is its exploration of race. The maji are darker skinned than the kosidan. Given that the kosidan have enslaved parts of the maji population, it would be difficult to miss the message regarding how race and class can be used to divide a nation. Another theme regards the connection between power and brutality. By virtue of simply being the king, Saran already has power, but that's not enough for him. He feels the need to oppress and enslave the maji because he fears if they aren't oppressed, he and the other kosidan will lose control of the nation. Another recurring theme is characters’ responses to oppression. Zelie, as a result of watching her mother die and living every day in fear for her own life, is determined to resist and overthrow the current order that oppresses her. Another maji character doesn't want to overthrow the system, but use the eventual return of magic to unite the two groups and create a more peaceful country. Lesser themes include identity and the struggles with transitioning from adolescence to adulthood.

I don't have very much to say about the plot itself or the pacing of the story. I normally only talk about those things when I feel there's an issue with how the story unfolds or the speed at which it unfolds. The plot is solid, the elements that invoke foreshadowing do it deftly and it was easy to follow. The pacing was perfect, with scenes that needed to feel a little longer doing exactly that, while other, shorter scenes were given enough length without feeling rushed. The conclusion was amazing. I loved Adeyemi’s writing style itself and she's clearly a talented storyteller.

While I was a fan of the book as a whole, there is one aspect I didn't like. I wasn't a big fan of the romance between Zelie and Inan. The romance was the one aspect of the story that felt a little rushed. It felt a lot like “insta-love” in my opinion. I could see where it can be seen as following the “enemies to lovers” trope, but I don't think it really works here. Zelie develops feelings for someone who, at the beginning of the book, tries to kill her  and does a number of horrible things to people she cares about. It felt weird and contrived to me, so I find myself skimming through their romantic scenes in an effort to return to the parts of the story I did like. I might be the only one who didn't like this romance, but it really just didn't sit right with me.

Children of Blood and Bone is an exceptional story. Tomi Adeyemi is a wonderful writer and she deserves all of the praise this book has gotten. I haven't read the second book in this series, Children of Virtue and Vengeance, but it is definitely on my TBR now. I'd recommend Children of Blood and Bone to any young adult fantasy fans.

Rating: 4.8 stars

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Eve: The Awakening

Eve: The Awakening is a 2015 young adult science fiction novel by Jenna Moreci. It was the author's debut novel. She self-published the novel and her follow-up was the acclaimed fantasy novel, The Savior's Champion. I became aware of this novel due to the author having a YouTube channel where she discusses writing and gives out writing advice.

The novel follows a teenager named Eve who is a chimera, meaning she has telekinetic abilities, along with a few other physical attributes, which separates her from the rest of humanity. After years of being an outcast and hated due to her abilities, Eve begins college at the esteemed Billington University, fully-prepared to reinvent herself and live as an ordinary human being. But things at Billington aren’t as they seem. In a school filled with prodigies, socialites, and the leaders of tomorrow, Eve finds that the complex social hierarchy makes passing as a human much harder than she had anticipated. Even worse, Billington is harboring a secret of its own: Interlopers have infiltrated the university, and their sinister plans are targeted at chimeras—like Eve. She must decide if she's going to stay in the shadows or rise up and fight.

I feel like I should start off this review by discussing the characters within the story. There is Eve, the title character and protagonist. I felt so-so about her to be honest. She had personality, and attitude, but at times, it just didn't make sense to me. She would easily brush off some things people said or did to her, but become enraged over other, less serious, events. Speaking of the way she was treated, all chimeras are feared by most of humanity because they aren't understood and because they have this innate power. Eve is no exception and, after her status as a chimera is revealed, people at the college start treating her poorly and for the most part she does nothing about it. She doesn't argue back, she doesn't fight back, she just lets it happen. While I can understand the "don't sink to their level" argument, it made me start to dislike her character. On her journey, Eve makes a number of quirky and interesting friends. The thing about them though, is that they have exactly one thing about them that makes them unique. Sancho is a pyromaniac. Percy is flamboyantly gay. JJ is a hacker extraordinaire. They're all quirky but one-dimensional. There are Madison, Heather and Hayden, the stereotypical mean girls who serve as Eve's "friends" early in the story, only to turn on her later. Lastly, there are the Interlopers, who serves as a faceless army of evil aliens and don't have much personality. They have an evil plan, details about that plan don't really seem to matter, but they're evil and they need to be stopped. 

I love science fiction. I especially love sci-fi that takes place on Earth rather than on some far-off planet. When I read the blurb for this book, I thought it would be right up my alley. It turned out that I was wrong. While the story had potential, it was bogged down by a number of problems. One issue I had was with the amount of filler within this book. There was a lot more filler than was needed, which led to side storylines never going anywhere or not having a real conclusion. In a story about people with superpowers being targeted by aliens, Eve dealing with a math teacher who hates her feels out of place. There's also a storyline that's problematic, for lack of a better term, because a character is nearly assaulted and nothing ever comes of it. There are no repercussions, no consequences, the assault is stopped and that's it. The fact that these plotlines are in the story and don't really have a purpose indicates that maybe, they should've been omitted entirely. Another issue that I had was with the way the plot progresses. This novel isn't a character-driven story, but I wouldn't say it's plot driven either. It kind of straddles both methods and it suffers because of it. It feels like Eve is being dragged through the story half the time and pulling it along the other half. I didn't hate the novel, but the filler and lack of clear direction made it difficult for me to fully enjoy.

Finally. let's discuss the plot itself. Due to some of the filler element, it does move rather slowly. Once the plot starts, important events come in fits and spurts. As with most novels, there's more action and activity in the second half of the story than in the first half, and once the plot starts moving, in earnest, it moves rather quickly. Some of the fight scenes I found engaging, while others didn't really excite me due to the pacing being a little inconsistent. There's a romantic subplot that takes place, which to be honest didn't interest me, but it also didn't detract from the story. It was just sort of there, kind of like Eve's love interest to be honest. Then, comes the plot twist, which I won't fully delve into but I do want to mention. Some stories have very obvious or heavy-handed plot twists; some have more subtle or "gotcha" ones. The plot twist in Eve:The Awakening is neither, but it's supposed to feel like the second one in an attempt to not be the first. The issue is that there isn't any kind of foreshadowing for the twist to make sense and the world's own internal rules are broken in order to make it work. There was a lot of potential here, but the potential wasn't met.

I don't want to make it sound like I completely hated this novel, because I didn't. The core idea Moreci had is fascinating. The detail she put into the world-building and explanation of chimeras was fantastic, it just got bogged down by the college drama and filler. This book does more showing than telling, which is good. I liked her writing style overall, and good for a first novel. She clearly has talent as a writer and some of the mistakes she made in this novel, she learned from and remembered while writing The Savior's Champion. She had a lot of talent, but fell into some of the pitfalls plenty of debut authors do. The only solution to that issue is to keep writing and improve her skills, which she has done. 

I wanted to like Eve: The Awakening, but to be honest, it just wasn't right for me. It's not a terrible book, but I didn't really enjoy very much of it. There were too many extra elements that weren't needed, too many side plots which took me out of the story. Considering this is Jenna Moreci's debut novel, I wouldn't say that it was bad, just a bit disappointing. Perhaps I set my expectations too high going into this novel.

Rating: 2.3 stars

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Children of Dune

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Children of Dune is a 1976 science fiction novel by Frank Herbert. It's the sequel to Dune Messiah and is the third book in the Dune saga. It was the first hardcover science fiction book to become a bestseller. It was nominated for the 1977 Hugo Award. Dune Messiah and Children of Dune were adapted into a Sci-Fi Channel miniseries, titled Children of Dune, in 2003 and received positive reviews.  This novel was the last of Frank Herbert's novels to be serialized prior to publication. My reviews for Dune and Dune Messiah are linked here. Children of Dune can be purchased here from Bookshop.org or here from Amazon. 

Children of Dune takes place nine years after the ending of Dune Messiah and its story centers around twins Leto and Ghanima Atredies. They are the children of  the Emperor Paul Muad'Dib, who disappeared into the desert wastelands of Arrakis shortly after their birth. Like their father, the twins possess supernormal abilities—making them valuable to their manipulative aunt Alia, who rules the Empire in the name of House Atreides. Facing treason and rebellion on two fronts, Alia’s rule is not absolute. The displaced House Corrino is plotting to regain the throne while the fanatical Fremen are being provoked into open revolt by the enigmatic figure known only as The Preacher. Alia believes that by obtaining the secrets of the twins’ prophetic visions, she can maintain control over her dynasty. But Leto and Ghanima have their own plans for their visions—and their destinies.

I feel like I should start off by saying that I liked this novel a lot more than the book that preceded it. I found the twins, Leto and Ghanima, to be fascinating characters. With Muad'Dib dead, one of them will lead the Imperium when they reach adulthood. The enemies of House Atredies don't want this to happen. Alia doesn't want this to happen and the twins don't even want it to happen. Yet, they know that nothing they do can change the fact that one of them will become the next emperor; they can only change the circumstances of their ascension. A common question in the story revolves around whether or not they're completely human. They were "pre-born" as Alia was and can access the memories of past generations. The twins are also aware of the future, much as their father was, and know the outcome of events that haven't happened yet. This means that, much like with Paul in the first book, they know what's coming and have to wait for everyone else to catch up. This means that, rather than Children of Dune focusing on the twins' attempts to achieve a goal, it depicts them trying to create the ideal environment for the inevitable outcome to occur in. Neither child seems like a normal kid, but they aren't supposed to. Some readers might find it hard to connect with them, but I didn't and this is mostly because I've come to the conclusion that the Dune series should be read for the plot and world first and the characters second.

Not counting the twins, there are three characters that really shape the plot of this book: Alia, Jessica and the mysterious Preacher. In the nine years between Dune Messiah and Children of Dune, Alia has served as Regent for her niece and nephew, running the empire until they come of age. She has gotten used to the power she wields and feels threatened by anything that could interfere with her ruling. She also struggles with an addiction to the spice melange and her exposure to the Water of Life while in the womb and that giving her too much knowledge and memory for any person to reasonably handle. These factors all combine to create a brilliant spiral into insanity and devolution into the very thing she fears becoming. Jessica left Arrakis after the events of Dune and has returned at the behest of the Bene Gesserit to test if Paul's twins are human. Any sympathy I had for Jessica in Dune was erased over the course of this book. She's conceited, conniving and has this holier-than-thou attitude despite being responsible for numerous events that led to the events in this book happening. I'd be fine with that if she seemed to have a shred of self-awareness or guilt, but she doesn't and continues to act as if she's done nothing wrong. Lastly, there is The Preacher. By Dune Messiah, Muad-Dib was already seen as a god  and deified. He's the focal point of his own religion. The Preacher appears, walking out of the deep desert, and lectures the waiting pilgrims about all of the failings of Muad'Dib's religion. The meanings of Paul's teachings have been forgotten, the people he sought to protect and empower have lost their way. It seems like The Preacher's sole mission is to tear down the religion and empire Paul had built before his demise. The Preacher's character arc, and his connection to the overall story, is tied heavily with the themes about religion, mob mentality and loss of narrative control I mentioned when discussing Dune Messiah. The Preacher is by far the most nuanced character I've read in this series and once his motivations become clear, it's difficult not to agree with him.

One of my major complaints about Dune Messiah was that there isn't much plot for the length of the novel. I referred to it as being a very transitional book. The scope of the story is bigger in Children of Dune, Herbert was willing to take more risks and the plot is a lot more cohesive. Much like the original novel, all of the plotlines converge together towards the end of the book. There was also a much larger degree of world-building in Children of Dune although the aspects that are expanded upon appear to be about minutiae at first. With all of that being said, there were still some pacing issues. All three books in this series that I've read so far have the same problem: great beginnings, great endings, but middles where not a lot happens. This story did drag in the middle as events needed to happen to bring characters together that were separated and push the plot along. When I was discussing this book with my dad, the only person I know has read the whole series, he admitted that the middle of the book is somewhat of a bore. While I wanted to see more of the Dune universe, including other planets, most of what happened off of Arrakis was boring. People talking about events happening on Arrakis or scheming about future events to happen there. Pages of conversations and plotting with no action slowed the story down.

As I mentioned above, my dad is the only person I know who's read the entire series. When I told him I was about to start Children of Dune, he said he was jealous because I was about to experience the story for the first time. You can read a book several times, but you can only read it for the first time once. He told me, without giving anything away, that some of the events of the book are "completely insane". Obviously, this intrigued me and the story had a lot to live up to. It certainly fit his description, as anyone who's read Children of Dune knows. As a rule, I don't spoil books. I bring that up whenever there's a big plot twist or reveal I want to talk about, but can't. I'm not going to spoil what happens in this book and anyone who's thinking of reading it absolutely should fight the urge to search it on Wikipedia. All I will say is this: as I was reading, I was trying to figure out where the plot was going. (I feel like most readers do that, but just stick with me for a second.) There were a few plot elements that I guessed, or had an idea about. There was one that I didn't see coming at all. Never in a million years did I see that particular plot twist coming. I thought the relevant foreshadowing was moving in a completely different direction and I was wrong. The twist surprised me in a way no other twist has. Every other plot twist will be measured against this one. Now, I need to read the next book God Emperor of Dune, because the twist in Children of Dune makes me want to know where the story is going to go from there.

Children of Dune is overall a good book. It built upon its universe in a new and unique way. It had a number of surprises within its story and set up a sequel with nearly endless possibilities. There are some pacing issues and some characterization problems. As mentioned above, I've figured out that what I like about the Dune saga is the overarching plot and universe, not necessarily the characters. This book might not be for everyone, I know some people who claim the series is a little too "out there" for their tastes, but I think anyone who likes the original Dune should definitely read Children of Dune, even though it does mean having to push through the second book. I liked the book overall and because of how this one ended, and the plot twist that completely floored me, I'm definitely going to read the next book in the series.

Rating: 3.9 stars

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Until All Curses Are Lifted

Until All Curses Are Lifted is a 2019 young adult epic fantasy novel by Tim Frankovich. It was released in August of 2019 and published by Warpsteel Press. The author provided me with a free copy of the book in exchange for an honest review.

The novel takes place in a fantasy world where the law is imposed by magic. If a person breaks the law, they’re cursed in one way or another. The only exception to this rule are the reigning six Lords of the world, Antises, who figured out a way centuries ago to bypass that particular rule. The story follows two protagonists: Marshal and Seri. Marshal was born cursed as punishment for the crimes of his father. He discovers that he’s heir to immense magical power and this leads him to flee for his life because his half-brother wants the power for himself and hires an assassin to pursue him. No one has ever escaped a curse, but Marshal, his mother Aelia and another boy from their village named Victor, journey to lift Marshal’s curse so that he can truly be safe. Seri, meanwhile, wants to become the first female mage and the most powerful mage in history. The magic that holds Antises together is failing and no one knows why. While the ground itself shakes, someone starts murdering mages. In danger from all directions, Seri must learn how to use her unique abilities before everything falls apart. As both Marshal and Seri go on their respective journeys, neither knows they’re being watched from another realm.

Marshal might be the first main character of his kind that I’ve read. As explained above, Marshal is cursed due to the actions of his father. His curse is that he’s unable to communicate. He can’t speak, or make any type of sound, he can’t use a form of sign language and the only way he can get any information across is by nodding or shaking his head, and that’s only if he remembers what each gesture means. This means that, while the reader sees things from Marshal’s perspective through his narration and thoughts, we’re the only ones who know what he’s thinking, the other characters do not. Since he can’t speak, many characters believe he isn’t aware of what’s going on or doesn’t fully understand things happening around him, but he does, he just can’t express that. At the beginning of the novel, Aelia, Marshal’s mother, is the only person who seems to care about him. Everyone in the village, and the world at large, loathe people who are cursed, even children who were born that way. Aelia is the driving force behind Marshal’s story and one of the strongest, most complex characters I’ve read in a while. She doesn’t care where she has to go or what she has to do, she’s going to get Marshal’s curse lifted. At the same time, she’s never willing to tell anyone much about her plans, keeping things very close to her chest. Seri is the other main character and she is committed to not only being the first female mage, but also the greatest mage of all time. She arrives at Zes Sivas, where mages are trained, to learn magic as magic is causing the world to fall apart. Seri and her fellow acolytes are the highlights of the chapters taking place at Zes Sivas. They’re dripping with personality and agency. One of my favorite traits of Seri’s is how curious she is about what’s going on around her and how tenacious she is about finding answers. Everyone else just wants to stop the world from falling apart, while she wants to understand why it’s falling apart to begin with. There’s a whole host of other characters, both good and bad, that I enjoyed in this story, and it would take me forever to run through all of them. Frankovich did an excellent job writing interesting and unique characters.

One of my favorite aspects of this book is the way the alternating POVs is used to tell the story. Marshal’s journey shows the reader the world in the way an average person would see it. His group travels to different lands, meets people of different cultures and gives a more down-to-earth perspective of things. Seri’s story, meanwhile, reveals information about Antises in a broader sense. Through her studying magic, the reader learns how magic works in this world. Through Zes Sivas preparing for an annual ritual, the six different lands are explained, including current tensions between the lands. Seri and Marshal’s stories do overlap, but not until close to the end of the novel, which I liked because it gave both storylines a chance to breathe and develop without the plots contriving to bring them together. The story ends exactly where it needs to, and concludes enough of the story to be satisfying while providing the framework for the sequel, which according to the excerpt at the end, is titled Until All Bonds Are Broken.

This book surprised me. I feel like a lot of young adult fantasy, including young adult epic fantasy, tends to shy away from some of the more nitty-gritty aspects of life.  While there isn’t gratuitous violence, Until All Curses Are Lifted doesn’t shy away from it either. There’s a fair amount of violence, bloodshed and death. The same is true for discussions of sex and other topics some books like to gloss over or pretend don’t exist. While I found those aspects of the story refreshing, what really surprised me was the themes of this story and how deep some of those themes run. One of the major themes is about power and how it corrupts those who wield it when left unchecked. That theme isn’t uncommon, but here it’s shown, both literally and figuratively, and runs through multiple storylines, not just one. There’s also something to be said for its message about fear of the unknown or unfamiliar. All in all, I was pleasantly surprised by this book.

While I enjoyed Until All Curses Are Lifted, I do have some criticism to share. The pacing is a little strange. Obviously, a fight scene or scene with a lot of tension is going to feel more fast-paced than just two people talking, but there were parts of this story where the pacing of a scene didn’t make sense for what was happening within a scene. Likewise, the way the story is broken up into chapters felt weird to me. There were a few instances where two consecutive chapters could’ve been one single chapter instead. There are 430 pages in the book, and it’s 83 chapters when it could’ve been closer to around 50 if some of the chapters had been combined. I know it’s not a huge deal, but I did find that choice to be a little odd. While I enjoyed the story overall, and the ending, I do think there could’ve been a little bit more foreshadowing about some of the revelations at the end, but I can understand why Frankovich might be holding off until the sequel to delve into some of those things. I have some complaints about the novel, but they didn’t distract from my enjoyment of the book.

Until All Curses Are Lifted is a solid epic YA fantasy. The characters are well-written, the world is fascinating and the story is refreshing. I look forward to seeing more of it in the sequel when it’s released. I would recommend it to any epic fantasy fan, both teenagers and adults. It would be especially enjoyable for readers that like hybrid magic systems.

Rating: 3.9 stars

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Odriel's Heirs

Odriel's Heirs is a 2020 young adult high fantasy novel by Hayley Reese Chow. It is being self-published by the author and is scheduled for release on March 1, 2020. The e-book is currently available for pre-order on Amazon and you can purchase it here.  The author provided me with an advanced copy of the book in exchange for an honest review.

The novel's blurb reads as follows:  As the Dragon Heir, seventeen-year-old Kaia inherited the power of flame to protect her homeland from a godlike necromancer’s undead army. But after centuries of peace, the necromancer has faded to myth, and the Dragon Heir is feared by the people. Persecuted and cast out, Kaia struggles to embrace and control her seemingly useless gift while confined to her family’s farm. But when the necromancer’s undead terrorize the land once again, Kaia runs away to join the battle. With the help of her childhood rival, the handsome Shadow Heir, and a snarky, cursed cat, Kaia must figure out how to control both her fire and her confidence in time to save Okarria. If she fails, she will sacrifice her family, her new friends, and the enchanting world she has only just begun to see. And time is running out.

Before I discuss what I think of the story overall, I'd like to talk about the characters within the story. Kaia is the main character, and our point-of-view character, for the novel. I liked her character, I enjoyed her growth as a character from a girl who's unsure of herself and her powers to a confident and powerful fighter. She had fears and doubts and agency which made her story compelling. Even when she did things that frustrated me, it didn't make me stop liking the character, I just didn't like the choice she made. Best of all, she's a seventeen-year-old character that reads as being a seventeen-year-old. Along her journey, Kaia encounters, and the reader is introduced to, an array of colorful and interesting characters. There is Klaus, the Shadow Heir, and Kaia's childhood rival. At the beginning, he mostly serves as a foil to Kaia as she struggles to gain control. She's unsure of her abilities, while he's confident in his. She's optimistic while he's most pessimistic. Their relationship at the beginning can best be described as "playfully antagonistic"; they aren't friends but for the most part, their fighting isn't serious. Klaus is a well-rounded character in his own right, having needed to come to terms with his own abilities long before the current crisis arose. I liked Kaia and Klaus, but my favorite character by far is Gus, Kaia's ragehound, who serves as a quasi-therapy dog making sure that Kaia keeps her emotions in check. Because as the Dragon Heir, Kaia sometimes experiences something called Dragon Rage, which is pretty self-explanatory. Gus is a good boy and deserves nice things. There are a number of side characters that I could discuss, but it would take me a long time to say what I need to say about all of them. Overall, I liked the diversity with these characters. I liked the fact that characters didn't drop out of the story entirely after they served the initial purpose they seemed to have. I enjoyed the simplicity of the main villain, the necromancer Nifras, as well. He didn't have some complicated motivation where he thought he was doing the right thing. He wanted to use his Lost, the term for the undead in this world, to overrun the world and cover the planet in darkness. Villains that are evil, simply to be evil, are great when utilized properly and Chow did that here. This novel had excellent characters.

Now that I've finished gushing about the characters, let's talk about the story itself. Reading Odriel's Heirs, it's easy to see what works inspired this world and this story, and there's a great deal of variety within that pool. At the same time, while the author took inspiration from Tolkien and others, the story is its own and not an attempt to retread old grounds. I liked the world-building overall, in that there was some information given about specific groups and races, but not everything was spelled out. The reader was able to fill in the blanks and create their own vision of parts of this world. I enjoyed the plot of this novel because things escalated in a way that makes sense. Kaia leaves home to save a handful of people, which turns into needing to save a village and that snowballs into needing to save the world from the undead. The stakes keep getting raised, but they aren't going from very low stakes to extremely high stakes right away. I appreciated that all fight and battle scenes were giving an appropriate number of pages to take place. Short fight scenes didn't run as long as the battle that's going to have more lasting and widespread consequences which is exactly how it should be. Most stories have several plot twists, with some being smaller than others, and this story is no different. I don't spoil books as a rule, and I'm definitely not going to ruin the plot twists of a book that, at the time that I'm writing this, hasn't been released yet. What I will say is that the twist that happens towards the end of the book surprised me in the best way. I didn't see it coming, but on reflection, I could see the hints and pieces of foreshadowing that preceded it. Overall, the novel has a good, solid plot with some fun surprises thrown in.

One of my favorite parts of this book relates to Kaia's character arc, but I wanted to discuss it on its own. That is the focus on problems Kaia faces due to her being the Dragon Heir. Inwardly, there's a great deal of self-doubt and struggle she faces with her role as the Dragon Heir. In-universe it's explained that only the first-born child of the Dragon Heir will inherit his or her parent's gift. Kaia's father is the Dragon Heir and she is also the Dragon Heir because she was born six minutes before her twin brother. One of her biggest struggles is dealing with the fact that, maybe, her brother should be the one with this gift. She wonders if she's going to be enough to stop Nifras. Is she able to live up to the destiny she's supposed to fulfill? At the beginning of the story, she's not sure that she can. She messes up, she fails and she has to learn not only how to use her gifts, but why she's meant to be the Dragon Heir. Aside from Kaia's inner struggle, there's also a degree of outer conflict around her gifts. Normal people are scared of Kaia, scared of what she can do. Even as a child, people were wary and cruel to her. Through a few short interactions, the reader gets to see what the downside to being a Chosen One is. Or what it's like when the people you're meant to defend and protect don't actually want you around to do that. I found the focus on Kaia needing to accept, but internally and externally, that she is the Dragon Heir and that she isn't meant to be normal, to be interesting.

While I enjoyed the book overall, there are a few pieces of criticism I need to share.While the novel has a good, solid plot, the pacing needs a little bit of work. It's a bit too fast-paced in certain parts, making it easy for a reader to get lost or need to go back and reread to figure out what's going on. I liked Chow's writing style overall, but there were some aspects that are indicative of this being a debut novel. Mostly, this was when she told the reader things rather than showing it. This is her first novel, and as a debut, it's excellent, but occasionally, I came across things that reminded me of it being her first novel. The third, and final, criticism I have is about the romance in the story. I didn't think that the romance was bad, but it was a bit predictable. It was predictable, which isn't necessarily bad, and it somewhat relied on a trope that I don't enjoy reading. However, the romance didn't overshadow the rest of the story, so while I'm so-so about that, it didn't take away from my overall enjoyment. 


I loved this book more than I expected to. It told an amazing story and it doesn't read like an author's first novel. While not perfect, it's a solid, enjoyable story. I recommend it to any fantasy reader that finds the premise intriguing. I'm eagerly awaiting the sequel's release, which doesn't have a release date, but the author has announced that there will be one. I'd like to thank Hayley Reese Chow again for providing me with an advance copy of novel so that I could write this review.

Rating: 4.7 stars

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I'm Fine and Neither Are You

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I’m Fine and Neither Are You is a 2019 literary fiction novel by Camille Pagan. It was released in April  by Lake Union Press. I stumbled upon it while browsing Amazon one day and the title intrigued me. It’s a Washington Post best selling novel. It can be purchased here from Bookshop.org.

The novel follows Penelope Ruiz-Kar, a married mother of two who seems to be doing it all and barely keeping it together. Her best friend Jenny, meanwhile, seems to have the perfect life and marriage. Jenny’s shocking death reveals that her life was far from perfect, leading Penelope to decide to truly confront the problems in her life, starting with her and her husband Sanjay committing to complete and total honesty. As Penelope’s vow to stop keeping the peace turns her life upside down, she begins to wonder if honesty really is the best policy.

First, I feel like I should say that I probably wasn’t the target demographic for this story. While this is adult fiction, and I am an adult, a 26-year-old single woman with no kids is going to have different tastes than a married woman, a parent or someone who is a little older. I didn’t find tis book to be terrible, but it also wasn’t especially interesting to me. The story started off interestingly enough, but it honestly began to feel like it was going anywhere special. The story centers around a woman trying to fix her semi-broken marriage, which isn’t especially interesting to read and didn’t leave me feeling much of anything.

Penelope spends most of the novel thinking about the way her marriage used to be and how happy she once was with Sanjay. Or contemplating how her job makes her a decent living, but its not really what she’s passionate about. Or how confused and frustrated she is about the secrets Jenny was keeping from her that she learned after her death.  It’s a story where the main character thinks about a lot of things, but very little plot happens. Additionally, Penelope isn’t a main character that I enjoyed. I felt like she didn’t have much personality and the most prevalent personality trait that she did have was whininess. Both before and after Jenny’s death, which serves as the inciting incident of the story, Penelope does a lot of thinking about how she wishes her life were different, she thinks about the problems she’s just been ignoring, but it takes an exceptionally long time for her to say or do anything about it. Some of her actions, which are supposed to feel selfless, read as very selfish or self-obsessed to me, especially where Jenny’s family are involved. Scenes that are meant to be read as empathetic instead feel like an excuse for her to talk about herself and problems she’s had in the past. Between a plot that crawled along and a main character I didn’t like, the book was very hard for me to stick with and enjoy.

I think the most frustrating aspect of this novel is that it did have potential. Jenny’s death, and the cause was the reader learns later, was a good opening to talk about an issue that’s very topical in 2019. I’m Fine and Neither Are You could’ve used the set-up to actually discuss the current issue and show it from many different sides. It could’ve focused on the grieving process itself and how to struggle with grieving someone while also being angry at the secrets they kept. These elements feature in the story, but end up taking a backseat to the marriage melodrama. (As an aside, perhaps I’ve read too many thrillers, but I half expected Jenny’s death to have actually been a murder and thus add something to the story). A story doesn’t have to be a sweeping epic to keep my attention, but the story does need to go somewhere. Something needs to happen, and for the most part, nothing really happened here other than Penelope thinking a lot and her talking to other people a little bit.

This review has been negative so far, but there are some aspects I think the story does well. Penelope and Sanjay’s relationship is one of the most realistic ones I’ve read in a while. I know plenty of people in real life whose marriages look an awful lot like theirs. They don’t hate each other, but clearly a lot of the romance has gone and they’re in the stage where things have become routine. The conclusion of the story is also realistic. Some changes take place, but no one’s life has become drastically different. It’s frustratingly mundane. The author isn’t a bad writer, but the story being told is far from interesting or exciting in my opinion.

I’m Fine and Neither Are You is just as its title says. It’s fine. It’s not great, but it’s also not the worst book I’ve ever read. If I had to assign it a color, the color would be beige. Boring, safe and doesn’t stand out in any way. I think my experience with this book shows that I need to pay a little bit less attention to how highly-recommended a book is on the internet as a whole. This book is a best-seller and the composite rating is high, but just because 20k+ people like it doesn’t mean it’s the right fit for me. It’s a short read. You can easily pass time reading it, but I don’t agree with the reviews saying that this book is interesting or deep or life-changing.

Rating: 2.4 stars

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Ankerita

Ankerita: Seasons Out of Time is a 2013 Gothic horror young adult novel by Robert Wingfield. It was published by The Inca Project and released in November 2013. It is the first book in the The Seventh House series. The author’s website can be found here. I was provided with a free copy of the book in exchange for an honest review.

The novel follows Ankerita, later called Anna, a woman from the Tudor era who escapes the grave she’s been imprisoned in for over five hundred years after her resting place is unintentionally disturbed. She takes on the life of one of the vandals who released her and finds herself thrust into the modern world. She is able to see restless spirits and is forced to intervene in order to put them to rest. As a woman without identity, Anna must also dodge the attention of the authorities and prevent her return to the grave and succumbing to the plans of demons attempting to claim her soul.

Ankerita, or Anna as I will refer to her for the rest of this review, was my favorite character in this story. She’s incredibly complex and just when I’d start to think I knew everything about her character, there’d be a new facet to her revealed. I won’t lie, when I started reading, I thought Anna was going to be an antihero. Early on, the reader learns that she was imprisoned at an abbey, and later cursed with living death, because she killed her husband. Her first act in the story is to trick Tox, a graffiti artist, into taking her place at the abbey so that she can escape. Yet, Anna isn’t quite an antihero, but instead a young woman trying to recapture the life she was robbed of. in addition to that, when Anna gets into trouble, which happens quite a bit, she doesn’t wait around to be rescued, but in most cases, manages to get herself out of danger. She meets too many people on her journey to list, but there are a handful that left a big impression. Captain Slash, the ghost of a highwayman, she meets early on. He was the character I found to be the most entertaining, especially on the few occasions where he comes to her aid. She is also followed by a demon named Didiubas and its not clear whether he’s helping her or just getting Anna into more trouble. It depends on what exactly she’s doing at the time. While this book had some heavy and dark moments, the characters helped the story feel balanced.

This novel tells the story of a woman out of time, and one of the things that I enjoy about it is the author’s commitment to that idea. Anna is thrown five hundred years into the future and the alien-ness of the world around her shows. She retains some knowledge of the modern world from the body she’s inhabiting, but there are many moments where her actions or behavior shows that she’s brand new to this world. Many times, this takes the form of her wording things in a way that no one else understands, she sounds a bit like Shakespeare at times, but her inner monologue also reveals aspects of that. I enjoyed reading her struggles to understand and live in the modern world and adapt to things. Many stories where a character is thrown forward in time, or backwards in some cases, depict a short adjustment period and no longer-lasting implications beyond that which tends to annoy me because it glosses over how much things change over a few centuries. Ankerita’s depiction of a woman out of time is the most realistic one I’ve read, possibly ever.

The pacing of Ankerita isn’t as structured as some other novels, but that works in the novel’s favor. Rather than having a strict progression of events that lead from beginning to end, the novel is a series of adventures that Anna experiences as she moves throughout the United Kingdom, sometimes by her own volition, and sometimes because of the actions of others. She’s trapped between the real world and the afterlife, allowing her to see ghosts around her with unfinished business. As she moves through the country, and searches for her place in this strange new world, she’s slowly being nudged towards her destiny, which she doesn’t want to accept, but everything she does only pulls her closer to it. it’s a story as much about exploring the world as it is about self-discovery.

I tend to avoid spoiling things in my reviews as a rule. I’m going to abide by that rule in this review, but that makes it a bit difficult to discuss the end of the story, especially given that this is the first book in a series. I enjoyed the ending a lot, especially the twist that came in the last few pages to set up the sequel and make the reader reevaluate everything that had happened previously. Wingfield did an excellent job of bringing the story almost full circle, but not completely in order to deliver a great ending. I finished Ankerita and wanted to read the next book.

I enjoyed Ankerita overall, but unfortunately, no book is perfect. There are a few things I need to address that I wasn’t as thrilled about as most of the story. Wingfield was able to combine humor into the horror aspects of the story pretty well for the most part, but there were a few scenes where it didn’t quite fit in my opinion. The humor in those moments just felt a little off.  There were a few things that happened that were confusing and didn’t really make much sense or weren’t explained enough to make sense. I was able to understand most of the events in the story, but the few that confused me took me out of the story.

Ankerita was a book that surprised me. I didn’t expect to enjoy it as much as I did. It starts with a great premise and uses that premise to tell an engaging and unique story. The author’s writing style is one that I enjoy and its an easy book to lose oneself in.  As this is the second book I’ve read and enjoyed by Robert Wingfield, the first being Countdown to Omega, its clear that he’s talented at writing in more than one genre. I’d recommend it to any Gothic literature fans out there and I can’t wait to read the sequel.

Rating: 4.3 Stars

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Sister Carrie

Sister Carrie is a 1900 novel written by Theodore Dreiser. It tells the story of an 18-year-old girl from Wisconsin who leaves her rural life behind and moves to Chicago. While in Chicago, Carrie begins realizing her own version of the American Dream. This starts out as her becoming the mistress of a man with higher standing than she does, but progresses to her going into the theater and becoming an actress.

While Dreiser’s novel didn’t see much praise by the general public when it was first published, it did receive positive reviews and has been referred to as one of the greatest American novels. Most of the praise the novel received centers around the sense of realism in the novel. The descriptions of life in New York and Chicago around the turn of the century were praised for how accurate they were, for better or worse. Other praise centered around the novel’s realistic depiction of the human condition, with one review even stating Sister Carrie didn’t have “the slightest trace of sentimentality or pettiness”. Criticism at the time of the novel’s release centered around Dreiser’s writing style, which many found to be lacking and highlighted his own lack of education. There was also criticism over the sexual content it contained, which is laughable by today’s standards, but was shocking in 1900. Somehow, despite the lack of sales and heavy criticism, Sister Carrie survived over a century to the modern day.

While very little of the critique at the time of the novel’s release seem to be about the story itself, most of the things I dislike about Sister Carrie relate to the plot and characters. To be blunt, I don’t like any characters in this story. Carrie is fickle and seems to only care about furthering her own social standing, to the point of me hoping she gets run over by a trolley. She had dreams of moving to the big city and being rich, which there’s nothing wrong with, but everyone who tries to bring her down to reality is entirely written off. Carrie wants what she wants and at no point do other people factor into her behavior at all. George Hurstwood, who is one of the men Carrie has an affair with, not only cheats on his wife and steals from his employer, for Carrie no less, but he doesn’t seem to grasp how little the object of his affection truly cares for him.

Most other characters are one-dimensional at best, serving a purpose only to further along the plot. Carrie’s sister Minnie wants Carrie to focus on getting a new job after losing her old one and when she can’t, or doesn’t want to, Minnie’s family can’t support her which sets off the chain of events that leads to Carrie becoming someone’s mistress. One of her neighbors in New York serves the sole purpose of making Carrie dissatisfied with what she already has, which is remarkably more than most other New Yorkers.

My main issue with Sister Carrie is the plot itself. I spent the entire length of the novel waiting for Carrie to run into an obstacle. Any obstacle. She doesn’t get the part she wants, or someone from her past resurfaces, or she loses what she’s already gained. None of that happens. Carrie goes from one high point, to another and never pays for any of her actions. She has setbacks, but they never set her back too far or inspire any kind of change. This plot I’d be more likely to accept if she wasn’t such an awful person. At the end of the novel, Carrie’s rich and famous, but not happy, and comes to the conclusion that if she isn’t happy now, perhaps she’ll never be.

Sister Carrie is an American classic and like most other classics, that doesn’t make it enjoyable. If I were to rate every classic I’ve ever read, this one would probably rate pretty low. None of the characters are interesting or even likable, the plot is meandering and has no real flow to it, and overall, its just boring.

Rating: 1.4 stars

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