Monday, June 15, 2020

Empress of All Seasons

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Empress of All Seasons is a 2018 young adult fantasy novel by Emiko Jean. It was released in Novemeber 2018 and published by Gollancz. The novel is heavily influenced by Japanese mythology and folklore. The novel can be purchased here from Bookshop.org or here from Amazon.

The novel centers around a once-in-a-generation tournament which is held to find the next empress of Honoku. The participants must conquer the palace’s enchanted rooms, each designed after a season, to win the competition and marry the prince. All women are eligible to enter except yokai, supernatural monsters and spirits who are being oppressed by the emperor. Mari, a yokai girl, has spent her life training for the competition. If her status as a yokai is revealed, her life will be forfeit. While struggling to keep her own secret, her fate becomes entwined with that of Taro, the crown prince, and Akira, a half-human, half-yokai boy she’s known for years. The choices of Mari, Taro and Akira, as they navigate the competition, will decide the fate of Honoku.

First, let’s discuss characters. As mentioned above, this novel has three main characters, Mari, Taro and Akira, who serve as the narrators for the story.  Mari was by far my favorite character of the three. She’s an Animal Wife, a yokai who seduces men into marriage and then runs off with their fortune. When others in her village conclude that she’s not pretty enough to woo men outright, they begin training her for the contest with the goal of her winning, marrying the prince and escaping with the imperial fortune. Mari is by far the most complex and interesting character. She’s a skilled fighter, but has moments where she shows a great deal of humanity. She wants to win the competition, and fulfill the task she’s spent her life training for, but at the same time, she also seeks to find a way to help the oppressed and enslaved yokai in the capital. Taro is the prince who is also Mari’s love interest. I didn’t really know how to feel about his character. He wasn’t very committed to what he wanted, seeming to decide he wants something very impulsively, which contrasted well with Mari. At the same time, he was rather entitled, which was annoying. Lastly, we have Akira, a halfblooded yokai. He was one of the most straightforward characters in the story and by far the most noble. He follows Mari to the capital to watch out for her during the competition, and gets swept up into the yokai resistance. Unlike Mari and Taro, he’s fully committed to his goal, but along his journey comes to realize that saving one person means nothing if the yokai are allowed to remain oppressed and enslaved. The conflict within Akira is the most relatable, as he finds himself torn between his self-assigned mission to help Mari and his mission for the resistance. I also enjoyed the dynamic Asami, another competitor, developed with Mari and her character in general, but I can’t really explain why without spoiling some important moments of the story.

I thoroughly enjoyed the magic and mythological elements in this story. A number of different types of yokai are introduced in the story, from Animal Wives to oni to yuki-onna. I don’t know much about Japanese mythology and folklore, so it was nice to be introduced to characters and creatures I hadn’t encountered before. Fantasy could always benefit from more diversity and authors pulling inspiration from different sources and cultures. Interspersed throughout the story are scenes explaining the world and how the competition for the Empress of All Seasons originated. My favorite aspect, however, was the magic of the four seasonal rooms. Each room contained its own world, based on the season it was named after, but with different elements and threats.  The danger of this competition becomes apparent in the first room, and the magic built into each room only adds to the tension and danger. I enjoyed Emiko Jean’s writing style, especially her depictions of events within the seasonal rooms.
While I liked the characters and the magic in the story, I’m torn about whether I enjoyed the plot or not. The competition itself was a fascinating idea and I liked reading about the events of Mari competing. There were some parts that I felt were very predictable, such as what happened with the emperor after the competition ended and the truth behind it. For a story this unique, I was hoping for a plot twist that was a little more surprising. The beginning of the story was a bit slower than I would’ve liked. It took about 100 pages for the competition to even begin. At the same time, the ending felt a bit rushed. The big, climactic conclusion was over almost as soon as it started. The behavior of certain characters also changed at the drop of a hat to fit the narrative, which didn’t make sense to me. I found the romance in this story to be bland as well. Taro seems to instantly fall in love with Mari the moment he sees her and I’m not a fan of insta-love. I wasn’t sold on Taro’s character and his romance with Mari didn’t interest me in any way.

Empress of All Seasons is a book with one of the most interesting worlds I’ve read so far this year. The premise behind the story felt unique and I liked the overall writing. While I enjoyed aspects of the book, it failed to deliver on others, such as the romantic subplot, and I felt that the pacing needed some improvement. I think this novel is a good book and I’d recommend it to fantasy readers, especially those looking to branch out some and try new authors. I’m excited to read other works by this author.

Rating: 3.4 Stars

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Wednesday, June 10, 2020

Anthologies That I Love

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I don't know if I've made this obvious on this blog yet, but I love anthologies. I love full-length novels, but there's also a special place in my heart for short story collections. So, I've decided to spread the love and discuss some of my favorite collections.


Wastelands: Stories of the Apocalypse (Wastelands #1)  16129265

Wastelands and Wastelands 2 Edited by John Joseph Adams

Genre: Post-apocalyptic & Science Fiction

Synopsis (Goodreads): Famine, Death, War, and Pestilence - the Four Horsemen of the Apocalypse, the harbingers of Armageddon - these are our guides through the Wastelands.

From the Book of Revelation to The Road Warrior, from A Canticle for Leibowitz to The Road, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: The nature of life in the aftermath of total societal collapse.

Gathering together the best post-apocalyptic literature of the last two decades from many of today's most renowned authors of speculative fiction - including George R. R. Martin, Gene Wolfe, Orson Scott Card, Carol Emshwiller, Jonathan Lethem, Octavia E. Butler, and Stephen King - Wastelands explores the scientific, psychological, and philosophical questions of what it means to remain human in the wake of Armageddon. Whether the end of the world comes through nuclear war, ecological disaster, or cosmological cataclysm, these are tales of survivors, in some cases struggling to rebuild the society that was, in others, merely surviving, scrounging for food in depopulated ruins and defending themselves against monsters, mutants, and marauders.

Wastelands delves into this bleak landscape, uncovering the raw human emotion and heart-pounding thrills at the genre's core.

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The Year's Best Dark Fantasy & Horror Edited by Paula Guran. This is an annual release which started in 2010 and continues to today.


Genre: Fantasy & Horror

Synopsis (Goodreads):  
The supernatural, the surreal, and the all-too real . . . tales of the dark. Such stories have always fascinated us, and modern authors carry on the disquieting traditions of the past while inventing imaginative new ways to unsettle us. Chosen from a wide variety of venues, these stories are as eclectic and varied as shadows. This volume of 2018's best dark fantasy and horror offers more than five hundred pages of tales from some of today's finest writers of the fantastique--sure to delight as well as disturb. 

Am I Blue?: Coming Out from the Silence


Am I Blue?: Coming Out of the Silence Edited by Marion Dane Bauer


Genre: LGBT, Young Adult

Synopsis (Goodreads): Each of these stories is original, each is by a noted author for young adults, and each honestly portrays its subject and theme--growing up gay or lesbian, or with gay or lesbian parents or friends.

Places I Never Meant To Be: Original Stories by Censored Writers


Places I Never Meant to Be: Original Stories by Censored Writers Edited by Judy Blume


Genre: Fiction


Synopsis (Goodreads): "What effect does [the climate of censorship] have on a writer?....It's chilling.

It's easy to become discouraged, to second-guess everything you write. There seemed to be no one to stand up to the censors....so I began to speak out about my experiences. And once I did, I found that I wasn't as alone as I'd thought."
-- from Judy Blume's introduction to Places I Never Meant to Be

Judy Blume is not alone: Many of today's most distinguished authors of books for young people have found their work censored or challenged. Eleven of them have contributed original stories to this collection. Along with a story written by the late Norma Klein when she was a student at Barnard College, they comprise a stunning literary achievement as well as a battle cry against censorship.

Firebirds: An Anthology of Original Fantasy and Science Fiction


Firebirds: An Anthology of Original Fantasy and Science Fiction Edited by Sharyn November 


Genre: Fantasy & Science Fiction


Synopsis (Goodreads): Firebirds is more than simply an anthology -- it is a celebration of wonderful writing. It gathers together sixteen original stories by some of today's finest writers of fantasy and science fiction. Together, they have won virtually every major prize -- from the National Book Award to the World Fantasy Award to the Newbery Medal -- and have made best-seller lists worldwide. These authors, including Lloyd Alexander (The Chronicles of Prydain), Diana Wynne Jones (The Merlin Conspiracy), Garth Nix (The Abhorsen Trilogy), Patricia A. McKillip (Ombria in Shadow), Meredith Ann Pierce (The Darkangel Trilogy), and Nancy Farmer (The House of the Scorpion), each with his or her own inimitable style, tell stories that will entertain, provoke, startle, amuse, and resonate long after the last page has been turned.The writers featured in Firebirds all share a connection to Firebird Books, an imprint that is dedicated to publishing the best fantasy and science fiction for teenage and adult readers.


Toil & Trouble: 15 Tales of Women & Witchcraft


Toil and Trouble Edited By Tess Sharpe & Jessica Spotswood


Genre: Fantasy & Paranormal


Synopsis (Goodreads): Are you a good witch or a bad witch?


Glinda the Good Witch. Elphaba the Wicked Witch. Willow. Sabrina. Gemma Doyle. The Mayfair Witches. Ursula the Sea Witch. Morgan le Fey. The three weird sisters from Macbeth.

History tells us women accused of witchcraft were often outsiders: educated, independent, unmarried, unwilling to fall in line with traditional societal expectations.

Bold. Powerful. Rebellious.

A bruja’s traditional love spell has unexpected results. A witch’s healing hands begin to take life instead of giving it when she ignores her attraction to a fellow witch. In a terrifying future, women are captured by a cabal of men crying witchcraft and the one true witch among them must fight to free them all. In a desolate past, three orphaned sisters prophesize for a murderous king. Somewhere in the present, a teen girl just wants to kiss a boy without causing a hurricane.

From good witches to bad witches, to witches who are a bit of both, this is an anthology of diverse witchy tales from a collection of diverse, feminist authors. The collective strength of women working together—magically or mundanely--has long frightened society, to the point that women’s rights are challenged, legislated against, and denied all over the world. Toil & Trouble delves deep into the truly diverse mythology of witchcraft from many cultures and feminist points of view, to create modern and unique tales of witchery that have yet to be explored.

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Geektastic: Stories from the Nerd Herd Edited by Holly Black & Cecil Castellucci


Genre: Fiction, Young Adult


Synopsis (Goodreads): Acclaimed authors Holly Black (Ironside) and Cecil Castellucci (Boy Proof) have united in geekdom to edit short stories from some of the best selling and most promising geeks in young adult literature: M.T. Anderson, Libba Bray, Cassandra Clare, John Green, Tracy Lynn, Cynthia and Greg Leitich Smith, David Levithan, Kelly Link, Barry Lyga, Wendy Mass, Garth Nix, Scott Westerfield, Lisa Yee, and Sara Zarr.


With illustrated interstitials from comic book artists Hope Larson and Bryan Lee
O'Malley, Geektastic covers all things geeky, from Klingons and Jedi Knights to fan fiction, theater geeks, and cosplayers. Whether you're a former, current, or future geek, or if you just want to get in touch with your inner geek, Geektastic will help you get your geek on!



Those are just a handful of anthologies that I love. Do you have any favorites? What's your opinion on anthologies?

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Monday, June 8, 2020

The Enixar: The Sorcerer's Conquest


The Enixar: The Sorcerer's Conquest

The Enixar: The Sorcerer’s Conquest is a 2018 young adult fantasy novel by Mikkell K. Khan. It was self-published by the author in March of 2018. The novel is the first in its series and is followed by The Enixar: Solitude of Sin.

The novel follows Gudrunn, the mysterious and powerful sorcerer king of Gramadon, as he searches for an ancient dragon egg which will give him ultimate dominion over his country. As his quest continues, one of his generals, Meriaus, begins to question the king’s actions and what his true motives are. The fate of Gramadon and the universe as they know it hangs in the balance of the conflict for the dragon egg.

One of the aspects of this novel that I enjoyed the most was the dual perspectives telling the story. While the novel begins with Gundrunn and Meriaus as allies, as the story progresses, they become adversaries and seeing the events of the story told from two perspectives, one from each “side”, enhances the story-telling. Additionally, being able to read events through the eyes of a tyrant was refreshing, as I haven’t read many books where the “villain” is given much of a point-of-view.

Let’s discuss characters for a moment. While Gundrunn is a main character, and the first POV character the reader encounters, he’s also the main antagonist of the story. I appreciated his character for how determined he was to achieve his goal.  He was going to find the dragon egg and hatch it, regardless who he had to kill or how many people he had to oppress to get it. My favorite type of villain is a villain with focus like that. I also enjoyed how uncompromising he was about his actions. He didn’t try to justify his actions to anyone. He knew what he was doing was evil and oppressive, but just didn’t care. He was not a character the reader was meant to feel sympathy towards. Lord Meriaus is the other main character, as mentioned previously. Initially, he’s sent by the king to convince the Silent Monks, a religious order, to submit to the king’s will and become part of the monarchy. Soon into his mission, Meriaus becomes distrustful of his king’s intentions and when Gundrunn resorts to violence, he becomes determined to stop the sorcerer king, no matter the cost. While his allegiance in the beginning was difficult to comprehend, his growth once he realizes the king needed to be stopped made him a great character.  

This novel was a good start to the series. Khan laid a lot of the groundwork to build off of in future novels. Similarly, he introduced elements in the story, such as the Enixar magic and explained a little bit of how it worked without removing the mystery for future installments. While the reader is given some information about Gundrunn’s past, there are plenty more stories to tell and questions about characters such as Paldek, the Architects and mission that sent him to Gramadon in the first place. The action scenes were fast-paced and there were moments that genuinely surprised me.  

While I did enjoy the novel overall, there are a few issues I had with it. I wasn’t a big fan of the author’s writing style. I didn’t hate it, but it didn’t quite click with me. It felt pretty average. My biggest complaint is how short the novel is. It’s probably more of a novella technically. As a result of the story being so short, the author had to rely on a few tropes I’m not a fan of in order to show how terrible Gundrunn is and how little he cares for his people. Rather than show he’s a monster, we’re told he’s a monster, with a few scenes to back those claims up. In fact, following Meriaus defecting from the king and his decision to stop him, regardless of the cost, a lot of the plot moves forward as a result of the reader being told that certain things have happened. While some of the magic system is introduced, there isn't much explanation and I wish there was a bit more of that. A brewing rebellion is mentioned, but we see very little of the actual rebellion or rebels in the story. If the book were a little bit longer, I’d imagine the author would’ve taken advantage of the chance to show the reader things rather than tell us.

The Enixar: The Sorcerer’s Conquest is a so-so book in my opinion. The author did a good job creating an interesting world and leaving the reader with enough questions to be interested in the second book. At the same time, it’s very short length meant the pacing felt rushed and too much information was told to the reader as opposed to being shown to them. I think this book would be great for middle grade readers or very young YA readers, but older readers might not enjoy it as much.


Rating: 2.7 Stars

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Wednesday, June 3, 2020

How I Rate Books

noted-ryan-the-office – #mercerbound

So, I've gotten a few comments and messages asking me why I rate books the way that I do. To be fair, it's a fair question. Some people see a rating of 3.7 at the end of a review, as opposed to 3.5 or 4.0 and wonder what exactly that means. Maybe my rating system only makes sense to me, but I thought I might as well talk about it.

Why I Rate Books This Way

I'm not going to lie. I rate books this way for mostly selfish reasons. Let's say there are 10 books I've given five stars to on Goodreads. If I only go by whole stars, or halves-of-stars, how will I know which one is my favorite? If it's been months since I've read some of those books, there's a chance that I might have forgotten how much I liked it. So, I rate books in smaller increments so that I can go back and know exactly which book was my favorite in a given month or year. Because, by definition, in a group of books, there has to be one that was my favorite and one that was my least favorite.

As I said, the ratings are mostly for my own sanity, but the system also helps me for Goodreads if I feel so-so about a book and can't decide if I should give it, say, 2.5 stars or 3. It helps me split the difference. 

How Ratings Are Determined

My system might be more complicated than it needs to be, but I'm a big believer in doing whatever works for you. This system works for me and I like it better than other methods I've tried so I've stuck with it. I have a rubric for every genre I read, because a thriller is obviously going to have different plot elements/tropes than say a fantasy novel or science fiction. There are also elements every book has, such as pacing, writing style and characterization. Every book starts out at 5 Stars and I deduct points from there for any serious criticisms I have and based on my overall enjoyment. As long as I finish the book, it gets at least 1 Star. Books I don't finish don't get reviews or scores.

I know that might sound negative, in that I'm not giving points for what I like but taking points away for what I dislike, but that's the method that's easiest for me. I tried doing the reverse, but it just didn't work very well for me. For some reason, it's a little easier for me to explain why I took points away than why I added them. Maybe my brain just works in a weird way

Anyway, that's the basics of how I rate books. I know I'm probably putting in more effort than is strictly necessary, but I actually like doing it this way. I'm weird and like talking about metrics and statistics. I blame the fact that I majored in math.

How do you rate books? What makes a book earn a certain star rating for you?

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Monday, June 1, 2020

Warrior of the Wild

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Warrior of the Wild is a 2019 young adult fantasy novel by Tricia Levenseller. It was published by Square Fish. The book was immediately met with praise upon its release. The novel can be purchased here from Bookshop.org

The novel is set in the Viking era and follows Rasmira, the daughter of her village's chieftain. Trained as a warrior her whole life, Rasmira is exiled from her village after her coming-of-age trial is sabotaged. In order to win back her honor and return home, she's tasked with killing the oppressive god who claims tribute from her village or die trying.

My favorite thing about this novel were the characters. The three main characters are Rasmira, Iric and Soren, who are exiled teens from another village. As the main character and the point-of-view character, I enjoyed Rasmira the most. An eighteen-year-old who has been trained as a warrior her whole life, she could've easily been written to be a token "strong female character" with no real personality or depth, but Levenseller avoided that pitfall. Rasmira is a fierce warrior, but there is a sensitive side to her. When she's betrayed during her coming-of-age trial, she doesn't only feel angry, she also feels hurt. Several times in the narrative, she references the fact that yes, she's a fighter, but that doesn't mean she's not allowed to be a normal teenage girl. She makes mistakes, but doesn't let those mistakes keep her from moving forward. The duality between her being a warrior, and also a teenager gives her character a great deal of nuance and made me invested in her story. Soren and Iric are friends and quasi-brothers from another village who have been banished for failing their own coming-of-age trials and given equally difficult tasks to complete in order to return home. They're both incredibly witty, which brings some levity to the story and have a fierce loyalty to one another, and later Rasmira. I love the dynamic of found families, which is what develops between these three young adults. They look out for one another and, thanks to Rasmira's determination to complete her task, gives each of them hope that they can complete their own. There is not much I can say about other characters without spoiling things. The majority of the plot follows Rasmira, Iric and Soren. The main villain is the god Peruxolo who isn't a terribly compelling character given that he's not given much backstory or examination. He's an evil, oppressive deity and Rasmira's quest to defeat him matters more than anything specific about him.

I enjoyed the tasks each character was given and the quest that results in each character trying to fulfill their tasks. Rasmira has to kill a god. Iric is tasked with killing a a sea monster and Soren must climb a mountain and steal the feather of a mythical bird. Since the tasks themselves are so simple, the author has room to write plenty of dynamic and surprising action scenes. It also allows a good deal of world-building and describing the creatures and atmosphere of the story. The wild is immersive and the world is fascinating. I love historical fantasy quests, and this novel gave me three quests in one. The pacing of this book was pretty good. It was a little slow in parts, but overall it kept a consistent and exciting pace. While I enjoyed the conclusion, I liked how the conclusion came about slightly more, which I know is confusing. I liked the final confrontation, but the scenes of Rasmira learning what she needed to and putting all of the pieces together in order to face Peruxolo were much more interesting to me. The explanation of everything was surprising in the best way possible.

While I enjoyed Warrior of the Wild overall, I do have a few criticisms. I felt like the romantic subplot in this book was a little boring and predictable. It wasn't terrible and I'm glad there wasn't some kind of love triangle happening, but I wasn't very invested in it. It just felt a bit unneeded in my opinion. I also felt like the way Rasmira's coming-of-age trial was sabotaged was very predictable and not the plot-twist it was meant to feel like. She's shown to be a very intelligent person who can read people pretty well, but she didn't even have slightest inkling that someone who she's only really known for a short time might be hiding something. If she'd been betrayed by someone she'd been friends with for years, the shock would've been more surprising. There were also some random plot contrivances that I rolled my eyes at, such as Iric just happening to be a master blacksmith when they need weapons and armor, which were clearly meant to move the plot along, but made things feel a bit too easy.

Warrior of the Wild is a great book. It's the first book by Tricia Levenseller that I've read, but it makes me want to read more of her work. I found myself really liking her writing style and the way the story unfolded. I'd recommend it to fans of young adult fantasy, especially anyone who enjoys Viking or Viking-inspired stories.

Rating: 4.2 Stars

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