The Mechanoid Cries Within

The Mechanoid Cries Within is a 2019 science fiction novelette by Brock T.I. Penner. The cover art was done by Pete Linforth. It was independently published by the author on September 4, 2019. The Mechanoid Cries Within is available for free by signing up for the author’s newsletter. The plot synopsis is as follows:

"RJ-A4A, a sentient and once free mechanoid finds himself kidnapped and sold into slavery to a wrathful owner, Davis. Surrounded by a wasteland of razorsand and rednecks who would torture him with glad, he spends his days toiling on Davis’s farm. RJ develops a bond with Davis’s lonely son, Lucien and his human-appearing mechanoid caretaker, AN. Out of desperation, he concocts a plan to escape the farm, the planet and slavery itself. All it would take is to manipulate AN and the boy into doing what he wants."

I found the premise of the story very interesting when it was first brought to my attention. Robots, androids and cyborgs in science fiction are nothing new, but very rarely do we see sci-fi stories being told from the robot’s perspective. Usually, the perspective comes from either humans, or an alien race substituting for humans, and robots are either side characters, happy to serve humanity, or villains trying to end humanity. Very few stories show the robot’s perspective or depict a nuanced view of humanity from said robot. RJ doesn’t hate humanity, he doesn’t want to wipe humanity out or enslave them, he just wants to be free. He wants his freedom and for his intelligence to be acknowledged as more than just lines of computer code.

The Mechanoid Cries Within is a story with a lot of potential. The premise is interesting, the three core characters, RJ, AN and Lucien, are compelling. I also enjoyed the smaller-scale story being told. The setting is contained solely to Davis’s farm, the stakes are, by all accounts, very low but the conflict makes it feel bigger. While there’s a lot of potential, the execution is fairly average. I found it difficult to follow in some places, needing to go back and reread to understand what was going on. I think this issue comes from there not being a clear separation between past and present. The story is mostly framed as RJ being forced to retell the story of something that happened, which makes the transition back and forth a little jarring. I feel like there are elements that would work better if the story was a little bit longer and more fleshed out. The word count is roughly 9,500 words, which is a very low word count for a completed story.

The Mechanoid Cries Within is a story I’d recommend it to a science fiction fan, looking for something quick to read.

Rating: 3.4 stars

The Woman In Cabin 10

Source: Amazon

The Woman In Cabin 10 is a 2016 thriller written by Ruth Ware. It was published by Scout Press, a division Simon & Schuster. The novel was a New York Times Bestseller and was named one of the best mystery books of 2016 by The Washington Post.

The premise of the novel is as follows. Lo Blacklock, a journalist for a travel magazine, is given a long-awaited, potentially life-changing assignment. A week on a small luxury cruise vessel through Norway. At first, the trip seems like a dream come true, but as the week continues, Lo witnesses something terrifying: a woman being thrown overboard. The only problem is that all the passengers remain accounted for, and the ship continues on its journey as if nothing happened. Lo then tries desperately to convince someone, anyone, that something is amiss.

The story starts off slow at first. The book opens with Lo being the victim of a burglary, and around thirty pages are dedicated to her having that experience, getting her locks changed, replacing a few of the stolen items and feeling traumatized about a man breaking into her house. Since the robbery winds up being significant later, I understand having that be the opening of the story. However, I personally felt like the sections about her buying a new phone and getting her locks fixed weren’t needed. Those details had no real significance to the plot and felt like unneeded filler.

Eventually, though, Lo goes off on her cruise where the main plot begins. A successful businessman married to a wealthy philanthropist has decided to start his own, exclusive luxury cruiseline to see the Northern Lights. She, along with other journalists and a few investors, are invited on the maiden voyage in a bid to earn good publicity and raise interest in the experience. She has a brief, random encounter with the woman in the cabin next to hers, number 10. She doesn’t see the woman at dinner later, and when she hears a body being thrown overboard, assumes the worst. Soon after, she’s informed that the cabin next to her was empty and no one, guest or staff, is unaccounted for. The bulk of the novel consists of Lo trying to figure out what happened and prove that the cabin was occupied and the woman did go missing to anyone who’d listen.

The mystery did intrigue me at the beginning. Was the woman a stowaway? Did Lo see what she thought she saw? Was this part of some conspiracy? How could a body have been thrown overboard and no one be missing? Those questions all occurred to me as I read. I became even more curious as, bit by bit, all the evidence she has either goes missing or is destroyed. It begins to look like this whole thing is a big cover-up.

My curiosity was diminished once lo really starts investigating. Her “investigation” consists of talking to the staff, asking them the same basic questions and receiving the same answers. For some reason, she doesn’t think to talk to more than one or two other guests, and when she does talk to them, she tries to be sneaky about it and ends up not asking anything relevant or likely to get results. The whole investigation part is pretty boring and repetitive. I still wanted to know what happened, but the story dragged on during this part.

All of my suspense went away once she finds herself captive and at the mercy of someone responsible for the mystery. I stopped being anxious, and started getting confused. There was a death, but it wasn’t who she thought. There isn’t one person acting alone on the ship. The death being covered up really doesn’t need to be. The “bad guy’s” plan doesn’t really make sense once its all explained. Once she works out what happened, the rest of the novel consists of Lo trying to figure out a way to get away from her captor and somehow reveal what really happened. Of course, those attempts are somewhat thwarted by finding herself in an unfamiliar place and not knowing who can and can’t be trusted.

I can’t really go any further in this review without discussing Lo herself. Lo, or Laura, isn’t a likeable character. Even before she stumbles upon this mystery, she’s rude to people she’s never met before, even ruder to her own boyfriend and a little conceited. On top of that, she’s somewhat of an unreliable narrator. She suffers from anxiety, due to the burglary, and takes medication for another condition, Unfortunately, her mental state makes her unreliable, and its even remarked on in the story that her medication, combined with alcohol, could have side-effects, leading a character to dismiss her. Her behavior is wildly erratic as well, since she goes from being livid at her ex-boyfriend, who’s on the trip because the story needed more drama I guess, to apologizing to him for reacting sensibly to something he does to her.

To be honest, I found this book to be fairly average. It has exciting moments, interspersed with stretches where it drags on. As stated earlier, I found the emphasis on the burglary to be a bit excessive and unneeded. It also irked me that the argument made, by a crew member, that everything was fine and Lo hadn’t seen a murder, was that she was projecting about the burglary. Later, he brought up that she was on medication and she maybe saw or heard something that wasn’t there as a result of that. The trope of “Character has mental illness, is therefore crazy and not to be believed by other characters” is insulting and I hate having to read it.

Overall, it’s an okay book. The mystery had potential for an interesting reveal or twist, but instead it followed the same plot as other stories with a few details changed. I wanted to like it, but there were too many moments when I got annoyed at the story itself, rolled my eyes and pushed through to finish the book. There was a lot of potential here, and Ware has been clearly inspired by Agatha Christie’s novels, but the potential hasn’t been realized. It’s a good book if you need something to read on a flight or a train.

Rating: 2.3 stars

Liebster Award Nomination

WHAT IS THE LIEBSTER AWARD?

The Liebster Award is a peer recognition award for up and coming bloggers, and the rules are as follows:

1)Thank the blogger who nominated you.

2)Answer the questions from the person who nominated you.

3)Nominate 5-11 bloggers who have less than 200 followers.

4)Tell your nominees through social media.

5)Ask 11 new questions for your nominees.

Millennial Book Review is on its third month now. It's an honor to be nominated for this award! I will use this nomination to support other new bloggers out there!

I'd like to thank Chocoviv at https://chocoviv.home.blog/ for nominating me for this award.

Chocoviv's Questions

Where did you last travel to?

Avon, North Carolina

Pumpkin spice latte or plain coffee?

Plain coffee, I'm a simple girl.

When did you start your blog?

End of July of 2019

Who is your favourite superhero?

Green Arrow, hands down.

If you could meet anyone famous, dead or alive, who would it be and why?

J.R.R. Tolkien (I am a nerd, I know that). And I'd want to thank him for writing such amazing works.

Savoury or sweet?

Sweet, definitely

What is the last book that you have read?

The Woman in Cabin 10 by Ruth Ware

What is the last movie that you have watched?

Spiderman: Into the Spiderverse

Movie theatre or home theatre?

Home Theater

Favourite colour?

Royal blue.

Do you prefer to travel by plane or cruise ship?

Plane since I've never been on a cruise ship before.

My Nominees:

https://edilchristian.wordpress.com/

https://kariblogsonline.com/

https://inherthoughtszw.blogspot.com/

https://thedanishnomads.com/

https://nilyme.wordpress.com/



My Questions:

Chocolatey or Fruity?
If you could travel anywhere, where would it be and why?
Favorite movie of all time?
What's your favorite holiday?
If you were a superhero, what would your power be?
Favorite pasttime?
If you had to be dropped into one fictional world, which one would you choose?
Dogs or cats?
What's your secret talent?
What's one thing you've always wanted to learn how to do?
What trend do you wish would just go away?

Top 5 High Fantasy Series

Despite the fact that, at time of writing, most of my reviews are for some form of thriller, thriller actually is not my favorite literary genre. Fantasy, more specifically high-fantasy, is my favorite genre to read. Given that I needed a bit of a break from reviews for a little bit, I’ve decided to write about my five favorite high fantasy series.

By definition, high fantasy is defined as fantasy fiction set primarily in an alternative, entirely fictional world, rather than the real world. The fictional world is usually internally consistent but its rules differ in some way from those of the real world. Low fantasy, by contrast, takes place in the real world but has the inclusion of magical elements. The Mortal Instruments series is low fantasy; The Hobbit is high fantasy.

5) Earthsea by Ursula K. Le Guin

The novels, beginning with A Wizard of Earthsea, take place in a world that is mostly ocean with humanity living on small islands. The world is inhabited by humans and dragons, with some humans being wizards or sorcerers. Unlike the other series on this list, humans and dragons are the only notable species that live in this world.

The first novel begins with a young boy, known as Duny but later named Ged, learning he has innate magical power. His aunt teaches him the little magic she knows, and one exhibition of his power gains the attention of a powerful mage. Unfortunately, Ged inadvertently releases a shadow creature. The rest of the novel follows Ged as he attempts to get ride of the creature plaguing him.

Earthsea is unique from two standpoints. One is the shifting of perspectives. There isn’t one protagonist across the series, unlike most book series. Characters from later books interact and meet characters from earlier novels, but the story isn’t focused on Ged and Ged alone. The second aspect that I feel makes Earthsea unique is its central theme about balance. Wizards in this world are meant to keep balance between the magical forces. Bad things don’t necessarily happen because someone evil causes it, they happen because they go against the balance that needs to be maintained. When I read this series, I found the concept of good and evil being more about choice than innate nature intriguing.

4) The Inheritance Cycle by Christopher Paolini

I wasn’t aware of this series existence until the first two books, Eragon and Eldest had already been released. I read those two very quickly and eagerly awaiting the third novel Brisingr and later the fourth and final book Inheritance.

Taking place in the fictional world of Alagaesia, it chronicles the tale of a farmboy Eragon, who finds a dragon egg while hunting and becomes the first Dragon Rider since the evil king Galbatorix killed all the others one hundred years earlier. Eragon is then swept up a journey to end the evil king’s reign and restore the order of Dragon Riders.

The Inheritance Cycle has a lot of similarities with, and clearly the author was inspired by, older works, most notably J.R.R. Tolkien’s works. Alagaesia and many of its inhabitants are similar to Middle Earth and the different races of beings that live there. While the worlds may be the same, the plots differ quite bit. Eragon’s journey isn’t about defeating an ultimate evil, its about overthrowing a corrupt leader. The conflicts between the protagonists and antagonists in Eragon and the other novels in the series, begin on a more personal level than most fantasy novels.

3) The Chronicles of Narnia by C.S. Lewis

Some of you may believe this entry is cheating, since each book in the series starts with the main characters in the real world. However, given that the entirety of each book’s action and plot take place in the fictional land of Narnia, I’ve decided to include it.

The Chronicles of Narnia was actually the first high-fantasy series I read. A great deal of my love for it is no doubt a result of nostalgia from my childhood. These books will always hold a special place in my heart for being my introduction to fantasy as a genre. The allegories between events in Narnia and Christian theology are a lot more obvious as an adult, and Lewis has been criticized for some harmful stereotypes others have noticed in the novels, but this piece is neither the time nor the place to discuss that.

The world is expansive. There are different creatures throughout the world. There are humans, talking animals, minotaurs, sprites, and dozens of others. Magic exists in Narnia and the rules within the world are easy to understand and they stay consistent throughout There is the essential battle between Good and Evil, in various forms, throughout the series.

2) A Song of Ice and Fire by George R.R. Martin

I think we all knew this one was going to be on here. No discussion about fantasy is complete anymore without mentioning A Song of Ice and Fire due to the popularity of Game of Thrones. (Just as an aside, I will only be discussing Martin’s novels here, and not any events from the television series). I’m not sure what I can say about Westeros that hasn’t already been said, but here we go.

Martin gives the reader a rich, expansive world with hundreds of unique characters. Of all of the fantasy worlds mentioned in this piece, Martin’s uses magic the least often. Magic does exist, but it only seems to come up in certain situations and can only be performed by certain characters. A Song of Ice and Fire first gained popularity due to how shockingly events played out. No characters are safe, anyone can be killed, which went against the common trope in fantasy that the protagonist wouldn’t and couldn’t get killed, regardless of how dangerous of a situation they found themselves in. The series popularity stems from the world, but mostly in Martin’s ability to shock readers and avoid tropes of the fantasy genre.

Another thing worth noting is that, outside of the threat of the Others/White Walkers, there isn’t a main villain or some greater evil that needs to be defeated. There are plenty of “bad guys” but outside of the Others, they’re all ordinary people. While a lot of the world is clearly inspired by Tolkien’s work, including some character archetypes, the themes of the novels center around human conflict as opposed to the battle between good and evil.

1)The Lord of the Rings by J.R.R. Tolkien

I really don’t think there was ever another option for my favorite fantasy series. While I have read all of these series more than once, The Lord of the Rings is the one I read the most often. Tolkien is the father of modern fantasy. Many of the tropes, themes and aspects of other fantasy worlds are based on, or at least inspired by, Tolkien’s works. Any discussion about lore and world-building would be incomplete without mentioning how much time, effort and thought went into creating the world of The Lord of the Rings. He created multiple constructed languages, and created multiple dialects each language. Middle Earth doesn’t just have a very long history going back thousands of years, it has its own creation myth.

But enough about how in-depth the lore goes, or how much effort and detail Tolkien put into his works. Let’s talk about the works themselves. The Lord of the Rings isn’t just my favorite fantasy story, its my favorite story period. The central conflict is a battle between good and evil, the quintessential need to defeat evil. Sauron is a pure evil force that can’t be reasoned with, can’t be talked down and the Fellowship needs to succeed because if they fail, the world falls into darkness. There isn’t a Chosen One, just a group of people banding together because they must and because defeating Sauron is what’s right. Even as the world gets darker, and evil gains a little more of a foothold, there’s never a point where there’s no hope. Even after members of the Fellowship get separated, they remain part of the same story, and impact the journey the others are having. They are one part of an ongoing story.

Tolkien changed the way fantasy was written, and unfortunately, that meant a number of the themes in his writing were ignored or swept under the rug in other works. When a work is compared to Tolkien, it usually refers to the worldbuilding, but not the core themes. The Lord of the Rings is about more than just elves, dwarves, talking trees and defeating evil. It’s about having hope, despite seemingly insurmountable odds. It’s about power, and how absolute power corrupts absolutely, and a little power corrupts a little. Mostly, its about how the smallest person can change the course of the future.

Those are my favorite high fantasy series. What are yours?

Where the Crawdads Sing

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Where the Crawdads Sing is a 2018 novel by Delia Owens. It was published by G.P. Putnam’s Sons. It’s topped The New York Times Fiction Best Seller list for 20 non-consecutive weeks in 2019. The book was selected for Reese Witherspoon’s Hello Sunshine Book Club within two months of being published and Barnes & Noble named it one of the best books of 2018. It can be purchased here from Bookshop.org or here from Amazon.

The novel follows the life of Kya Clark, the so-called “Marsh Girl” who’s become a local legend in the town of Barkley Cove, North Carolina. Intelligent and sensitive, she’s lived most of her life alone in the marsh, mostly isolated from people and connecting with nature instead. In 1969, former football star Chase Andrews is discovered dead and the locals immediately being to suspect Kya.

The novel unfolds in two timelines. One depicts Kya’s life following her mother abandoning the family and describes her childhood and young adulthood growing up alone in the marshes. The second timeline explores the investigation of Chase’s death and the trial that follows. While the second timeline has some great moments, its in telling the story of Kya’s upbringing where Owens’ talent shines. She doesn’t simply tell the reader about the marshes, but transports them there. The rich imagery creates a vivid picture of a setting most readers would never witness personally, but somehow it feels familiar. I often find it difficult to full immerse myself in the setting of a book easily, but Where the Crawdads Sing is a rare exception. I found myself wanting to read more about the beautiful, yet sometimes eerie, land.

While the descriptions of the marsh, and the wildlife within it, are spectacular, they pale in comparison to how Kya is written. When I first picked up the book, I thought the premise would be too sad for me. Kya is a child when she is left pretty much on her own, save an alcoholic and often absent father. Others might use such a situation to tell a depressing story about what the loss of human connection can do to one’s mind. Owens is not others, though. While Kya is very obviously alone, I rarely felt a hopeless sense of loneliness. She is isolated from the town, but thanks to a handful of people, she’s not completely alone. Even when she was at her lowest, there was never a feeling of desperation or despair.

While many in town look down on the “marsh people” and sneer at the “Marsh Girl”, Kya is one of the most intelligent characters portrayed. She may have only gone to school for one day, but she knows and understands the animals and plants in the marsh better than anyone else. Kya is reclusive, yes, but its not entirely by choice. She was abandoned by her parents, her siblings, the school system, and a town that made no attempt to aid her, but the marsh, nature itself, did not. Her isolation might’ve been forced at first, but it becomes clear later on that she remains in the marsh by choice.

The book is touted as being somewhat of a murder mystery, but that isn’t the focus on much of the plot. The story centers around Kya and her coming of age in this strange situation. It’s Kya’s story, the murder investigation just happens to tie into that story. The bigger story is about survival and the resilience necessary to survive despite hard circumstances and seemingly no chance of the situation improving. As I mentioned earlier, this story has sad moments, but thanks to Owens’ writing and a well-crafted plot, it isn’t a sad story.

Now, its time to discuss a few tiny complaints I have. They are minor, but in order for this to be a balanced review, I can’t only talk about the positive aspects of Where the Crawdads Sing. The story does drag a little bit in certain parts, especially when Kya’s journey first begins. The prose is still praise-worthy, but some of the passages describing the world of the marsh are a little longer than they need to be. The same goes for different scenes of Kya trying, and failing, to make food the way her mother used to. The biggest letdown for me is how the murder investigation, and subsequent trial, is resolved. It wasn’t badly written, it wasn’t that it didn’t make sense, it was just kinda boring. The courtroom drama seemed as odds with the world the rest of the book created and felt tacked on. The ending was somewhat middling as well. It was a natural, but sadly boring, way to end Kya’s story. Rather than give the reader an ambiguous ending, Owens went for a finite ending, which doesn’t feel quite right for a character as independent and free-spirited as Kya.

 Where the Crawdads Sing is one of the best novels I’ve read this year. It’s a story about survival, love, desperation and hope. It’s a fantastic coming-of-age story that also delves into deeper themes about prejudice, humanity and our connection to nature. I enthusiastically recommend it to anyone slightly intrigued by its premise.

Rating: 4.7 stars  

Dark Places

Source: Barnes & Noble

Dark Places is a 2009 thriller by Gillian Flynn, whose other works are Sharp Objects and Gone Girl. It was published by Shaye Areheart Books. It was listed on the New York Times Best Seller List for fiction within a month of its publication date. The New Yorker named it one of the best books of 2009. Roughly six years later, a move adaptation starring Charlize Theron was released.

The summary of the book is as follows: Libby Day was seven when her mother and two sisters were murdered in the “The Satan Sacrifice” of Kinnnakee, Kansas. She survived, and later testified that her brother Ben was responsible. Twenty-five years after the murders, a group of true-crime fans contacts Libby and invites her to meet with them so they can question her for details. Many don’t believe Ben was the murderer and are searching for evidence that will clear his name. Libby, meanwhile, has fallen on hard times and hopes to make some quick cash off of the family tragedy. She makes a deal with the club, she’ll start looking for answers and report what she finds to them, for a fee. As her search takes her around the Midwest, some painful truths resurface and she finds herself once again on the run from a killer.

The narrative unfolds in two timelines. One timeline shows Libby’s journey in the present, digging into the truth of what happened that night and reconnecting with some of the others who may have hidden the truth years earlier. The other timeline is the story of what happened in the past, depicting the 24-hour period leading up to the murders. The perspective of the “past” chapters shifts between Libby’s mother Patty and her brother Ben. Patty’s chapters show the desperate situation the family was in financially before the murders and her desire to simply help her family. Ben’s POV chapters add dimension to his character and explain a few of the decisions he makes that are pivotal to the mystery at the center of the story.

While having a story, more specifically a mystery, being told in two timelines can be beneficial, I don’t think that style works as well as it could have in Dark Places. Given that the reader already knows what happens in January of 1985, there’s plenty of detail that could be omitted without effecting the plot. We already know Patty and two of her children are killed. We know Ben is arrested for the killing. Having two timelines is a solid tactic for introducing red herrings or revealing previously unknown facts, without having an exposition dump, but it isn’t used very effectively here. There is an entire subplot that unfolded in 1985, which revolves around 15-year-old Ben being accused of a crime, that serves as a rather heavy-handed red herring and I would say it has no real impact on the story as a whole if it didn’t further Patty’s narrative about trying to keep the family farm together. There was potential in Dark Places, but that potential wasn’t fully realized.

The novel is well-written, Flynn’s prose is fantastic as it is in all of her works. She does an excellent job of making the reader sympathize with, or in the very least like, characters that shouldn’t be likeable. Ben allegedly killed his family. Libby is using, and has used, the deaths of her mother and sisters to make money. There is a club called The Kill Club that’s fascinated by true crime to the point that not only do they decide to investigate murders for themselves, but they contact survivors and relatives of the victims, which is bound to reopen old, and painful, wounds. None of these characters should make you want this novel to have a fulfilling conclusion, an intriguing answer to the mystery, but thanks to Flynn’s writing chops, you do.

Let’s discuss the conclusion for a moment. As the novel’s premise suggests, and some earlier parts of this review imply, Ben was not the person who killed his mother and sisters. I know that is a spoiler, but it’s a spoiler that shouldn’t come as a shock to anyone. Television, films and literature have all taught us by now that if someone’s looking into a case after its been solved, the police caught the wrong person. The reveal of Patty’s real killer’s identity is underwhelming in my opinion. It isn’t an out-of-nowhere reveal, but there also aren’t quite enough clues sprinkled through out that tease or foreshadow the ending. In fact, the few clues that exist led me to a much different, and darker conclusion. Something that really bothered me about the truth of what happened didn’t relate to Patty’s death, but the deaths of the two daughters. The motive behind Patty’s death is clear in hindsight, and teased beforehand. The same isn’t true regarding the two daughters, Michelle and Debby. They die for different, and much worse reasons. My biggest criticism about the revelation, however, lies in how it happens as an act of chance. A character says something, reveals information they shouldn’t know, and that’s how the murder is solved. After reading 316 pages of what happened right leading up to the murders, and Libby trying to solve the murders, the whodunit is revealed when a character lets the wrong thing slip out. It’s not a bad way to have the revelation happen, it just doesn’t fit with this story.

Despite how critical I may seem, I enjoyed Dark Places. It was a well-written, intriguing story. Not my favorite of Flynn’s but that’s in no way a point against it. Dark Places, in my mind, is at a disadvantage, because I will compare every novel of Flynn’s against Gone Girl, and this novel, unfortunately, doesn’t stack up quite as well. It’s a good book, but one I found to be a little boring. It’s a quick read, and perfect for a day sitting on the beach or to enjoy on a plane or train. I would definitely read it again.

Rating: 3.5 stars