Blogtober Day 26: Paranormal Romance

Paranormal romance is the intersection between a romance novel and the supernatural. Often times, the story follows the formula of one character meeting and falling in love with some mysterious love interest who turns out to be some sort of supernatural being. Sometimes a vampire, other time the love interest is some kind of shapeshifter. 

In order to qualify, at least from the criteria on Goodreads, the story needs to have both romance and the supernatural element at its forefront. If there’s a vampire love interest, let’s say, but him being a vampire isn’t a major part of the plot, it doesn’t qualify. The same is true if the story itself is paranormal, but there isn’t a romance at the center of the story. The best, and most well-known, example of a paranormal romance is, of course, Twilight. There’s a romance, regardless of how much its love or hate, and the paranormal element, Edward being a vampire and that being a central part of the story.

Now that we’ve established what it is, let me tell you my thoughts on paranormal romances. I’m not a huge fan. I’ve got nothing against anyone that writes this subgenre or reads it, but it’s just not for me. I’ve read many, and there are a lot of things about the subgenre that I just don’t like. 

Usually, the main character, who’s almost always a girl, learns her crush is a vampire or werewolf or whatever when she finds herself in a dangerous situation and he rushes in to save her. I’m not a big fan of women being damsels in distress. Often, the main character is bland. She’s bland, she’s boring. She’s not pretty, or smart, or talented. She has all of the personality of a paper bag. I know, there’s an argument to be made about the story being wish fulfillment, but why does that mean the main character has no personality? Boring main characters make the story so much harder to read and it takes me out of the story. If I don't care about the main character, why should I care about what happens to her?

A lot of these stories are YA novels, and YA novels tend to over-dramatize relationships or make aspects that shouldn’t be seen as romantic appear like they’re relationship goals. Also, it weirds me out that hundred/thousand-year-old beings have nothing better to do than lurk around high schools. It’s weird and creepy. Even when the supernatural being in question isn’t a thousand years old, there’s almost always an age-gap. Maybe the protagonist is in high school, and the love interest is college-aged it’s still weird, especially given the prevalence of adult men dating “mature” teenagers which is just a smokescreen to hide the predatory behavior of said men. It sends the message that dating someone older than you is fine, because it means you’re more mature, not that he’s predatory. 

There’s sometimes a soulmate aspect, which works when used correctly and appropriately, but it often isn’t. The angle is used to wave off any problematic aspects of the text that someone might object to. The love interest follows her around or breaks into her house? He’s not stalking her; he’s just worried about his soulmate. He loses control when she cuts her hand or it’s a full moon? Of course, he wasn’t really going to kill her, she’s his mate. Also, I find the concept of soulmates, and the implication that the characters are incomplete without each other, to be dumb. In some, there’s an added problem of the main character being the creature’s soulmate meaning she’s somehow responsible for “fixing” him. I don’t see why she’s all of a sudden responsible for what this random person, who she probably just met, does.

The last pet peeve that I have about young adult paranormal romance is the bad dialogue. This isn't the case with every novel in the genre, but a number of them have this problem. The characters are supposed to be teenagers, yet they don't sound like teenagers. They sound like what a 40-year-old thinks teens sound like.  It easy to tell when the author is much older than the demographic they’re writing for in this case. I’m sorry, but no teenager these days is going to call someone a “trollop”. No one’s used that word in about 40 years. As soon as I read that, it takes me completely out of the story itself and all I focus on is the dialogue. Additionally, and this has nothing to do with paranormal YA in particular, but exposition/info dumps through dialogue also needs to go. It needs to stop. It’s unrealistic. No one’s going to explain the entire, centuries-long war between two factions, their first time meeting someone.

These have been my thoughts on paranormal romance, more specifically young adult paranormal romance. As I said earlier, I’ve got nothing against the genre, it’s just not for me. I also know that not every book has these issues, but I thought I should mention why I dislike certain parts of the genre rather than just say something like “it’s just stupid”. What are your thoughts on paranormal romance?

Blogtober Day 25: Zombies

So, zombies. For the last few years, they've appeared in pretty much every form of media. I think we've reached zombie overload, much like we did with vampires about ten years ago and like we did with ghosts forever ago. I like zombies, sometimes, in fiction. It really depends how they're being used and what purpose they serve.

I know, you might be thinking, zombies have a purpose? Well, kind of. Zombies are normally just the massive horde of beings that the protagonists need to avoid. Usually, the zombies are chasing, slowly, after the humans because they're hungry. Unlike other monsters, they aren't trying to create more of their kind, they just want to eat. Usually, the zombies exist because of an outbreak, or in Zombieland's case, an infected burger. When I say "purpose" I mean how they're used, as the villain, in the story. What's the theme or message the film is trying to portray?

For example, George A. Romero's 1968 film Night of the Living Dead is viewed by many to be a reflection of the tensions in the United States during that period in history. Others see is as a criticism of government ineptitude, domestic racism and the politics of the Cold War. The zombies in Night of the Living Dead were so terrifying because, to paraphrase film historian Linda Badley, the monsters weren't aliens or creatures from some unknown land, they're us. Ben, the African-American protagonist, isn't killed by zombies at the end of the film, but by a posse of rednecks who mistake him for being one of the infected.

Other times, zombies exist just to create a post-apocalyptic world. A war, or illness, or some form of nuclear catastrophe could substitute for the zombie outbreak in the story, and the plot wouldn't change that much. These zombies tend to exist in media where a large aspect of the story isn't about trying to cure the infected, or finding some safe haven or even how the world got to this. They're a threat, but the real threat, the real tension comes from some other group of survivors posing a threat to the group the protagonist is in. Later seasons of The Walking Dead fit into this category. People such as the Governor and Negan pose more of a threat to anyone than the zombies. This is also where all the films putting forth the idea of "humans are the real monsters" exists. I don't hate this type of story, but I feel like zombies are used too often as "here's how the world ended" explanation and I'd like to see a more creative reason.

Sometimes, zombies are just zombies and the entire film is about people thrown together randomly trying to get to safety. The 2004 remake Dawn of the Dead is about a group of people trapped in a shopping mall during a zombie outbreak. These are the movies I like the most, because I watch zombie movies for zombies, not to see people do horrible things to others because they can. For as bad as the Resident Evil film series is, and how unfaithful it is to the games, the first two weren't completely awful because the plot was about the zombies, not about weird things with the Umbrella Corporation.

There are, of course, some variations in zombie media. Sometimes the zombies are fast. Sometimes characters don't need to get bitten to become a zombie. Other times, the humans are able to find a cure. There are a few movies out there where, despite being zombies, they still have thoughts and higher brain function. And sometimes, a zombie falls in love with a human and falling love makes them not be a zombie anymore (looking at you, Warm Bodies). 

So, in conclusion, I like zombies. They're cool. I think we need to take a break from them being everywhere for a while, but on the while, I can't complain.

Blogtober Day 24: Fall Activities and Trends I Dislike

As I mentioned in an earlier post, autumn is my favorite time of year. However, no season is perfect, not even my favorite one. While I like fall itself, there are some trends and traditions during fall that I just don't like. Some I find boring. Some don't fit my tastes and some I just don't like and I don't really have (or feel the inclination to give) a reason for why I dislike them. With that said, let's discuss some fall things I don't like.

Apple and Pumpkin Picking

I have nothing against apples. I like apples. I have nothing against pumpkins. They make excellent pies. Here's the thing though apple picking, going to the pumpkin patch, wandering through the fields trying to decide which one to pick. It's boring. I know some people really like it, but I don't.

Pumpkin Spiced Everything

This will probably upset a lot of people, but I don't like pumpkin spiced things. Pumpkin spiced lattes aren't actually that great. There are so many, other, better coffee drinks out there. A group of people decided they were really into the Starbucks Pumpkin Spiced Latte and all of a sudden, everyone else should be too. Because its not just lattes anymore. Pumpkin spiced donuts, pumpkin spiced cereal. Pumpkin spiced ice cream. Pumpkin spiced pudding. Can we please stop with the pumpkin spiced madness? Please?

Hayrides

I have really bad allergies. Needless to say, I don't have a ton of fun on hayrides because I spend a lot of time sneezing. Even if I wasn't sneezing all of the time on hayrides, they kind of have no point? You just ride around in this cart? If you're lucky, the ride takes you to a corn maze or something. Otherwise, you just go from one side of a field to another. I have friends who love hayrides and I just don't understand them.

Those are the three things about fall that I don't like. There are a few others, but they're a little nitpicky and I didn't want to write a completely negative post where I mention every little thing or trend I don't like.

What are your favorite fall activities?

Blogtober Day 23: Ghosts

Unlike witches, ghosts don't serve many purposes in fiction. They fall into one of two categories. Ghosts are either evil and responsible for the misfortunes befalling the protagonists. Or, they're victims and the only way they can be free and "move on" is for the protagonists to learn what happened to them and either right a specific wrong or let the world know their story. Today, let's talk about the common plots and storylines that ghosts tend to have.

Get Out of My House!

This one is pretty straight forward. Everyone's seen or at least knows about this one. The ghost just wants to be left alone. He or she died in the house the main characters just moved into, disturbing it's rest. The story goes as follows: the ghost tries to make the new inhabitants leave, they don't succeed, the protagonists call a priest, a paranormal investigator or some other "expert" to make the ghosts leave. The ghost is usually defeated by said expert, but there's enough leeway to justify a sequel.

Evil, Evil, Evil

This ghost doesn't want to be left alone. It wants to cause mayhem. These are the ghosts that either draw people into the place that they haunt. Sometimes, it's to trap more people in the building, and create more ghosts. Other times, getting someone to enter the creepy, abandoned house might allow them to possess living, so they can be an even bigger menace.  Sometimes, they were evil in life, and they're not going to let something as trivial as dying stop them. Other times, they died so traumatically that they become vengeful spirits and need to kill. They were good once, but now, they've been twisted into something else.

"Tell The World"

These ghosts can't move on to the afterlife. Maybe they died violently and can't work through the trauma of that. Maybe they've got unfinished business they need to complete. Maybe the only way they can move on is for the truth of their death to come to light. The movie The Sixth Sense is based on this premise, although we don't know how central it is to the plot at first. In one of the later sequels/spin-offs of The Ring it's implied that Samara created the deadly tape so that her story can be shared, but that was later retconned. This category is where a lot of films featuring ghosts that aren't horror fit. Like Ghost or pretty much every kids movie with ghosts.

What's your opinion about ghosts in media?

Blogtober Day 22: Most Creative Movie Monsters

There are plenty of monsters out there. Some are good, some are bad, and some are a little bit of both. While every film needs a bad guy and thus, depending on the genre, a monster to defeat. However, not all horror monsters are created equal. Some are, for lack of a better term, boring. Vampires and werewolves and ghosts have kinda been done to death, as have zombies.

Today, I want to talk about some creative monsters, mostly in horror. Some are considered horror classics by now, others are new to the genre, but they have something in common, they're unique. As a side note, I'm using the term "monster" literally. No human characters, or characters who were once human appear on this list because they don't qualify.


Pale Man- Pan's Labyrinth\



This list wouldn't be complete without at least one Guillermo del Toro monster on it. This entire list could just be del Toro characters. While there are plenty I could choose from, the Pale Man is my favorite. There's just something about his design that gives me goosebumps. Pan's Labyrinth is more dark fantasy than true horror but this part of the film really freaked me out. 


Crawlers- The Descent



These humanoid cave dwellers that feast on humans are relatively new to horror. Still, they packed a punch. They were the perfect monsters for a film about people lost, and being hunted, in an unknown cave system.

Sam- Trick or Treat



I won't lie, I thought Sam was just a creepy kid when I started watching Trick or Treat. He's definitely not a kid, but his design made him an instant horror icon when the movie premiered. I also found his motivations to be particularly interesting. In that, he doesn't seem to have one beyond wanting people to follow the rules of Halloween. The design seems simple, but its not, and it's his behavior that makes him such a creative monster.

The Thing- The Thing



I feel like this one doesn't need an explanation. Not only was the design of the monster amazing, but the story behind it was too. Nearly indestructible, able to hide in plain sight, able to assimilate other life forms into itself. Great character design, great backstory, great monster.

Creating a creative monster comes down to a few things in my opinion, unique design being one of them. Having an interesting story/goal/motivation is another. These four creatures pop into mind when I think about movie monsters.

What are your favorite movie monsters?